Houston Ballet facts for kids

Houston Ballet, operated by Houston Ballet Foundation, is a professional ballet company based in Houston, Texas. The company consists of 59 dancers and produces over 85 performances per year. It is the 5th largest ballet company in the United States (by number of dancers).

History

Houston's professional ballet style began developing in the 1930s through Ballet Russe de Monte Carlo. Ballet Russe de Monte Carlo spent a week during the Christmas season performing for Houston audiences for 11 years. This led patrons to express a growing desire for a resident dance company within Houston.

The Houston Ballet has its origins in the Houston Ballet Academy, which was established in 1955 under the leadership of Tatiana Semenova, a former dancer with the Ballets Russes. In 1969, the foundation formed a professional ballet company under the direction of Nina Popova, also a former dancer with the Ballet Russes and the American Ballet Theatre.

From 1976–2003, Englishman Ben Stevenson, a former dancer with Britain's Royal Ballet and English National Ballet, served as artistic director of Houston Ballet. Under Stevenson's leadership, the ballet transformed "from regional to international prominence".

In 1989, Kenneth MacMillan joined the company as artistic associate and worked with the company from 1989 until his death in 1992. Christopher Bruce was named resident choreographer. Bruce, who currently holds the title of associate choreographer, has set nine works on the company, including four pieces created especially for Houston Ballet. In March 1995, Trey McIntyre assumed the position of choreographic associate. McIntyre has created seven world premieres for the company, including his first full-length production of Peter Pan. In 2003, Australian choreographer Stanton Welch was appointed as Artistic Director and has created numerous works for Houston Ballet.

In 1982, Sandra Organ, a Nebraska native, joined the Houston Ballet and became its first African American ballerina at the age of 19. She was promoted to soloist, and remained with the Houston Ballet until her retirement, fifteen years later. In 1990 Lauren Anderson became the Houston Ballet's first African-American principal dancer. Anderson continued to dance with the Houston Ballet until her retirement in 2006 at the age of 41.

In July 1995, the Houston Ballet became the first full American ballet company invited by the Chinese government to tour the country. An estimated 500 million people witnessed Houston Ballet's production of Romeo and Juliet when the company's opening night performance was telecast live on Chinese television.

For the company's 40th season in 2010, Stanton Welsh created a new production of La Bayadère.

In 2011 the company was the first company to win the Rudolf Nureyev Prize for New Dance, allowing the company to purchase a new piece by Jorma Elo.

In 2012, James Nelson was promoted from General Manager of Houston Ballet to the role of Executive Director. Julie Kent joined Welch as co-artistic director in July 2023.

Orchestra

Houston Ballet's first performance with a live orchestra was with the Houston Symphony. Together, they performed Nutcracker in December 1972.

In 1983, Stevenson hired Glenn Langdon as music director. Langdon implemented the concept of a fully auditioned orchestra and increased the size of the string section. Langdon left Houston Ballet in 1989. After his departure, a series of guest conductors led the next season, including John Lanchbery and Jack Everly.

Ermanno Florio, who had been a guest conductor during the 1991–92 season, was appointed music director in 1992. The Houston Ballet Orchestra currently sits at 61 part-time professional musicians with 56 core members. Additionally, there are eight full-time professional pianists and several part-time pianists and percussionists who play for classes and rehearsals.

Center for Dance

Houston Ballet Center for Dance, the administrative headquarters

With 115,00 square feet spread over six floors and containing nine studios, Houston Ballet Center for Dance is the largest building dedicated to a professional dance company in the United States. The first floor of the Center for Dance houses the Margaret Alkek Williams Dance Lab, a facility that is regularly used for educational performances, lecture series, design meetings, and rehearsals. In addition to administrative offices, the Center has a costume shop, shoe room, music library, the Houston Ballet Academy Studios, the Professional Company's Studios and Dressing Rooms.

Excavation of the building site began in July 2009. On March 10, 2010, Houston Ballet hosted a party with dancers, staff members, donors, and friends to sign the last construction beam. In the end, the new building cost $46.6 million. Staff moved into the building in February 2011, and then-Mayor Annise Parker presided over the ribbon-cutting on April 9.

Displacement by Hurricane Harvey

On August 26, 2017, Hurricane Harvey hit the city of Houston. Both the Houston Ballet Center for Dance and the Wortham Theater Center took on water, leaving the company and Academy without rehearsal and performance space just as the 2017–18 season was set to open. Nevertheless, the Houston premiere of Kenneth MacMillan’s Mayerling took place on schedule thanks to The Hobby Center for the Performing Arts.

While Hurricane Harvey affected operations at Houston Ballet temporarily, the damage incurred within the Wortham Theater Center, was extensive. The Wortham received 15 feet of water and remained closed for the rest of the season. Forty years of Houston Ballet history was lost to floodwaters. In order to preserve the 2017–18 season, Houston Ballet launched its Hometown Tour and presented its planned season at alternate venues, including The Hobby Center for Performing Arts, Smart Financial Centre at Sugar Land, Houston Grand Opera's Resilience Theater at the George R. Brown Convention Center, the General Assembly Hall at the George R. Brown Convention Center, and Jones Hall.

Houston Ballet on film

In 2009, the autobiography of former Houston Ballet Principal dancer Li Cunxin - Mao’s Last Dancer - was made into a film by Australian director Bruce Beresford. It premiered on September 13, 2009, at the Toronto International Film Festival, was nominated for several Australian film awards, and won the AACTA Award for Best Original Music Score.

After its premiere in Paris in 2013, Sons de L’âme was formatted into a documentary film by director Olivier Simonnet. This documentary was presented at the 2014 Houston Cinema Arts Festival.

See also

In Spanish: Ballet de Houston para niños