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Tulip Period facts for kids

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The Tulip Period, also known as the Tulip Era (in Ottoman Turkish: لاله دورى, and in modern Turkish: Lâle Devri), was a special time in the history of the Ottoman Empire. It lasted from July 21, 1718, when the Treaty of Passarowitz was signed, until September 28, 1730, when the Patrona Halil Revolt happened. This was a generally peaceful time. During these years, the Ottoman Empire started to look more towards other countries and cultures.

This period gets its name from the huge love for tulips among the people at the Ottoman court. Growing these beautiful flowers became a very popular activity. Tulips showed how much the rich and important people of the Ottoman Empire loved these flowers. They used tulips for many different things. Tulips became a symbol of being noble and having special rights, both in what people owned and how they spent their free time.

The Tulip Period was a time of peace and good fortune. It saw a new beginning for Ottoman art and buildings (you can learn more at Tulip Period architecture). During this era, Ottoman public buildings started to include ideas from Western European designs for the first time. This led to the start of the Ottoman Baroque architecture style in the years that followed.

How the Tulip Period Grew

Under the guidance of Sultan Ahmed III's son-in-law, the Grand Vizier Nevşehirli Damat İbrahim Pasha, the Ottoman Empire started new plans. During the 1720s, the first printing press for the Ottoman language was set up. They also worked to improve trade and business.

The Grand Vizier wanted to make trade better and earn more money. This helps explain why gardens became popular again. The Ottoman court also started to be more open to the public. The Grand Vizier himself loved tulip bulbs very much. He set an example for the rich people in Istanbul. They began to admire the many kinds of tulips and celebrate when they were in season.

The Ottoman way of dressing and their love for goods included their passion for the tulip. In Istanbul, you could find tulips everywhere. They were in flower markets, in art, and on silks and fabrics. Tulip bulbs were found all over the place. The demand for them grew among the wealthy. They had tulips in their homes and gardens.

So, the tulip became a special symbol. It was seen in Ottoman palaces and on their clothes. It reminds us of the Ottoman Empire's social past. The tulip can be seen as a beautiful reminder of the rich and powerful. It also shows how fragile the rule of a powerful leader can be.

Culture and Art Flourish

Sultan Ahmet III Fountain (48985208178)
The Fountain of Ahmed III is a famous example of Tulip Period architecture.

The Tulip Period was a time when arts, culture, and architecture really bloomed. Compared to the older classical style of Ottoman buildings, the architecture and decorations from this time became much fancier. They often used flower designs. This was influenced by the Baroque style from Europe.

A famous example is the Fountain of Ahmed III. It was built in 1728 in front of Topkapı Palace in Istanbul. It was one of many fountains and sebils built during this time. Besides European influences, the architecture of the Tulip Period was also shaped by Safavid art and buildings from the east.

The sultan's court moved back to Istanbul. Before this, they had lived in Edirne in the late 1600s. This move led to a lot of new building in the capital city. Many of the city's older buildings were also repaired or made new again. Ahmed III’s Grand Vizier, Nevşehirli Damat Ibrahim Pasha, was a big reason for all this building and fixing. Some experts say that the court's support for architecture and culture helped connect the rulers with the public again. The rulers had become quite private when they were living in Edirne.

One of the most important creations of the Tulip Period was the Sadâbâd Palace. This was a new summer palace. Damat Ibrahim Pasha designed and built it for Ahmed III in 1722–1723. It was located at Kâğıthane, a countryside area outside the city. Small rivers there flow into the Golden Horn inlet.

The palace grounds had a long canal lined with marble, called the Cedval-i Sim. Around it were gardens, smaller buildings, and palace apartments. This whole design probably copied French pleasure palaces. It was based on descriptions of Paris and Versailles. These descriptions were brought to the sultan's court by Yirmisekiz Çelebi Mehmed Efendi in 1721.

The sultan also encouraged his court members to build their own pavilions along the canal. Regular people from Istanbul also used the area for fun trips and picnics. This was a new thing in Ottoman culture. It brought the public closer to the ruler for the first time. This was often written about or shown in art and literature of the time. Examples include the poems of Nedîm and the Zenanname (Book of Women") by Enderûnlu Fâzıl.

Levni signature
Drawing of a tulip by Abdulcelil Levni (1720).

The tulip was also praised in poems and used in paintings. Even today in modern Turkey, the tulip is still seen as a symbol of perfection and beauty. Turkish Airlines even decorates its planes with a painting of a tulip on the side.

Key People of the Tulip Period

Here are some important figures from this time:

  • Nevşehirli Damat İbrahim Pasha (1718–1730) was the Grand Vizier of the Empire. He was married to Fatma Sultan, who was the Sultan's favorite and most influential daughter. Because of his importance, this period is named after his time as vizier, rather than just Sultan Ahmed III's rule.
  • Grand Admiral Mustafa Pasa was the son-in-law of the Grand Vizier. He is remembered for creating forty-four new kinds of tulips.
  • Ibrahim Muteferrika was from Hungary. He set up the first Ottoman printing press, which was a big step forward for the period.
  • Nedîm was a poet who broke new ground. He challenged old traditions while still writing in a classical Ottoman style.
  • Abdulcelil Levni was an amazing miniature painter. He started working in Edirne and then moved to Istanbul. There, he studied painting and became the court painter. He helped bring back the Ottoman tradition of miniature albums. These albums that Levni painted were called Tulip albums. They showed the structure of the state itself, ranking important people based on their achievements with flowers.

The End of the Tulip Period

Tulip prices started to go up in the late 1600s. They reached their highest point in 1726–1727, before the government stepped in. This showed how much people wanted these rare bulbs. It also showed the growing demand for flowers in the palaces and gardens of the wealthy.

The high demand for tulips showed the government's power to control the economy by raising prices. People at court complained about flower sellers. They felt the sellers were taking advantage of the rich by making the bulbs too expensive. This led to a process where lists of flowers and their prices were given to the judge of Istanbul to make sure rules were followed.

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