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Anya Gallaccio
Born 1963 (age 61–62)
Education Kingston Polytechnic and Goldsmiths College
Movement Young British Artists

Anya Gallaccio (born in 1963) is a Scottish artist. She creates special artworks called installations. These artworks are often made for a specific place. She uses simple, clean designs and often works with natural things. These include chocolate, sugar, flowers, and ice.

Anya's art changes over time because she uses natural materials. This means she cannot always know how her artworks will end up. For example, a sweet smell of flowers or chocolate might become less pleasant later. Because her art changes and is made for a specific place, it is hard to keep it forever. Her work challenges the idea that art must be a permanent object in a museum. Instead, her art often lives on in the memories of those who saw it.

Early Life and Art Beginnings

Anya Gallaccio was born in Paisley, Scotland. Her father, George Gallaccio, was a TV producer. Her mother, Maureen Morris, was an actress. Anya grew up in south west London, England.

She studied art at Kingston Polytechnic from 1984 to 1985. Then she went to Goldsmiths College from 1985 to 1988. In 1988, Anya showed her art in an important exhibition called Freeze. This show was put together by another artist, Damien Hirst. In 1990, she was part of the East Country Yard shows. These exhibitions brought together many artists who became known as the Young British Artists. Today, Anya Gallaccio is a professor at the University of California, San Diego (UCSD).

Exploring Art with Nature

Anya Gallaccio is famous for making art that fits its location. She often works with nature when choosing her materials. Her art explores ideas about life, time passing, memory, and loss. Many of her artworks use natural things like fruit, vegetables, and flowers. These materials often change while they are on display.

Famous Artworks and Their Transformations

  • In Red on Green (1992), Anya used ten thousand rose heads. She placed them on a bed of their own stalks. As the exhibition went on, the roses slowly withered and changed.
  • For Intensities and Surfaces (1996), Anya placed a huge block of ice in an old pumping station. The ice block weighed thirty-two tons and had salt inside. She let it slowly melt away.
  • preserve 'beauty' (1991–2003) was an artwork for the Turner Prize. It was a wall of gerbera daisies pinned behind a single sheet of glass. The flowers behind the glass reminded people of old paintings of flowers.
  • In Stroke (1993), Anya covered benches and cardboard panels with chocolate. Visitors were invited to touch and even lick the chocolate walls.
  • She also created "Two Hundred Kilos of Apples Tied to a Barren Apple Tree" (1999) in Switzerland.
  • Because Nothing has Changed (2000) is a bronze sculpture of a tree. It is decorated with porcelain apples.
  • Because I Could Not Stop (2002) is a similar bronze tree. But this one has real apples that are left to rot over time.
  • Red on Green was shown again ten years later in other exhibitions.
  • In Stoke (2004), Anya covered an old farm building with almost 90 pounds of chocolate. This artwork also invited people to interact with the chocolate walls.
  • In 2005, a book called Anya Gallaccio: Silver Seed was published. It went with her exhibition at Mount Stuart in Scotland.
  • At Houghton Hall in Norfolk, Anya created a special garden feature called "The Sybil Hedge." It includes a marble structure and a copper-beech hedge. The hedge is planted in lines that look like a signature.
  • For The Whitworth Art Gallery, Anya created Untitled (2016), also called the ‘ghost tree’. This artwork explores life, death, and nature. She made a huge, shiny 'ghost tree' from stainless steel plates. It was inspired by a decaying tree that had been removed.

Anya Gallaccio once talked about the Freeze exhibition. She said it felt just as uncertain then as it does now. She believes it is good to remember that and not become too comfortable. The confidence of Freeze was impressive, and it had a lasting impact.

Awards and Recognition

In 2003, Anya Gallaccio was chosen as a finalist for the important Turner Prize. Other artists shortlisted that year included Grayson Perry. One of her artworks for the show was preserve "beauty", made from glass, fixings, and 2,000 red gerberas.

Exhibitions

  • The Light Pours Out of Me, Jupiter Artland, Edinburgh, UK
  • Freeze, Surrey Docks, London, UK
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