Blanche Seale Hunt facts for kids
Quick facts for kids
Blanche Seale Hunt
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|---|---|
| Born | March 18, 1912 Fort Myers, Florida, U.S. |
| Died | April 7, 1973 (aged 61) Wellston, Oklahoma, U.S. |
| Occupation | Writer, teacher, postmaster |
| Nationality | American |
| Period | 1935–1964 (as a writer) |
| Genre | children's |
| Notable works |
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| Spouse |
Eugene A. Hunt
(m. 1937; died 1981) |
| Children | one son |
Blanche Seale Hunt (1912–1973) was the creator of the Little Brown Koko series of children stories, which initially appeared monthly in HOUSEHOLD Magazine for more than a decade. In full-length book form, Little Brown Koko titles sold more than 600,000 copies.
Contents
Personal life
Blanche Seale Hunt was born in 1912 to Rufus and Pearl Dryman Seale in Fort Myers, Florida. She was two years older than her brother, Daniel. The family later relocated to Lincoln County in central Oklahoma. Hunt started teaching in 1934 and taught thirteen years at different Lincoln County school districts at Fallis, Mt. Vernon and Wellston schools.
In 1937, Hunt married Eugene A. Hunt, a fellow educator. Eugene Hunt also cultivated an iris garden, offering for sale more than 150 commercial varieties. Each spring, one publication reported, hundreds would come to the Hunt home to purchase flowers and meet the author of the Little Brown Koko stories.
The Hunt home, called Koko Knoll, included a dedicated "Little Brown Koko" room with a 30" x 36" water color picture of the character by illustrator Sybil Short Fudge.
Postmaster
Hunt was appointed Postmaster for the Fallis Post Office, Lincoln County, Oklahoma in 1948 and served twenty one years until retirement in 1969. She also served a term as president of the Oklahoma League of Postmasters.
Writing career
One of Hunt's second grade students, Jacqueline Joy Stone, needed a story to recite for a speech contest. Hunt asked her friend, writer Beulah Rhodes Overman, to create a story, but Overman declined because she did not write for children and suggested Hunt pen a story. Hunt later recalled that “...because I was writing it especially for this little girl who dearly loved stories, it came quite easily.” The story was Little Brown Koko and the student won the speech contest.
Overman insisted a copy of the Little Brown Koko story be sent to HOUSEHOLD, a monthly magazine and mail-order publication targeting small town markets. Arthur Capper was the magazine's publisher. Circulations was over 1.5 million subscribers. The story was accepted for publication and Hunt received $20. A new Little Brown Koko story appeared in each monthly issue for over a dozen years with payments to Hunt eventually increasing to $75 per story.
Little Brown Koko
The characters Hunt created for the Little Brown Koko stories include Little Brown Koko, a six-year-old boy; “Mammy”, his mother; and his pets Shoog, a dog, and Inky-Poo, a black cat. The short stories are self-contained and typically involve Little Brown Koko getting out of a mischievous, sometimes humorous, situation. The black characters speak using poor grammar and have exaggerated-sized lips and eyes.
From 1935, HOUSEHOLD magazine published 197 monthly Little Brown Koko stories. Topeka, Kansas artist Dorothy M. Wagstaff [Arens] illustrated each of the Little Brown Koko stories in HOUSEHOLD magazine. Wagstaff illustrated for other children's magazines such as Home Art and Wee Wisdom.
Little Brown Koko shuffles and dances through 22 lovable stories with his little dog Shoog and his good, ole, big, fat, black mammy to present thoroughly human and delightful sketches of a 6-year-old boy in the southern cotton fields in Blanche Seale Hunt’s book, “Little Brown Koko.”
The lazy, gluttonous Koko, with all his human faults, is a lovable little boy whose antics will amuse and delight younger readers. In fact, adults may find the Little Koko tales interesting. These stories also lend themselves nicely to reading aloud.
The stories became popular nationwide. Responding to letters from children, parents and teachers, HOUSEHOLD magazine through Capper Publications, selected several Little Brown Koko stories to place in book format in 1940. HOUSEHOLD editors also published Little Brown Koko coloring books, a mechanical bank, patterns for children's clothes, rugs, tea towels potholders, quilts, doorstops and yard fixtures. Little Brown Koko stories were read aloud during library story times and even featured on radio programs. The first two books sold 500,000 copies. Hunt received 1.25 cents royalty for each of the first two books.
In the early 1950s, a new editor at HOUSEHOLD repositioned the magazine from family-focused to appeal to adult women and the Little Brown Koko feature was discontinued.
Hunt contacted Benjamin “Bennie” Lee Fudge, the owner of C.E.I Publishing Company in Athens, Alabama about publishing future Little Brown Koko books. Fudge's wife, Sybil Fudge, worked at the publishing company and recounted that “the NAACP insisted we could not publish [more Little Brown Koko books] without changes... the spokesman for the NAACP insisted all references to black had to be changed to brown, kinky had to be changed to curly and Mammy to Mommy and in the illustrations none were to have thick lips.”
Hunt selected Sybil Fudge and Jody Hawkins, of Albuquerque, New Mexico, and graduate of the Famous Artists School, to illustrate the updated collection of stories. In 1959, Little Brown Koko at Work and Play and Little Brown Koko’s Pets and Playmates were published by C.E.I Publishing.
In 1964, Hunt published two volumes of Little Brown Koko Bible Stories from the Old Testaments with illustrations by Bradley Whitfield. The illustrations again featured black characters with exaggerated-sized lips and eyes. The Biblical figures appear to be Caucasian and did not have distorted features.
Context of children’s literature
During the 1940s and 1950s, when Little Brown Koko was most popular, children's books with authentic and positive images and stories about African American children and families were rare. Modern scholarship in children's literature, specifically African American children's literature, recognizes that Little Brown Koko stories were not alone in depicting African Americans in stereotypes, with a focus on entertaining white audiences and were often cherished artifacts within families.
Protests in Waterloo, Iowa
The use of Hunt's story “Little Brown Koko and the Preacher’s Watermelon” in a junior high school class sparked protests in 1972. Alice Margaret Hayes, a teacher at West Junior High School since 1945, read aloud the story to her speech and drama class, as she had for over a decade. The school's student body of 1,200 included 45 African American students. One of Hayes’ students complained to school officials that the story was inappropriate. On May 24, twenty-five African American parents, students and community members staged a sit-in in Hayes’ classroom saying that reading the story in class was “demeaning” and “racist in nature” and demanded she be dismissed. The principal agreed the Little Brown Koko story was inappropriate and suspended the teacher. The next day, white students protested the suspension and refused to attend classes. Later in the day, African American parents and students occupied the school administration building and barred the superintendent in his office until law enforcement freed him. Thirty-two protesters were arrested and charged with trespassing. On May 26, the School Board rescinded the suspension, but Hayes declined to return to teach for the remainder of the school year.
Death
Hunt died on Saturday, 7 April 1973. Her services were held at the Wellston Church of Christ, with burial at Carney Cemetery in Lincoln County, Oklahoma. Hunt was survived by her husband, Eugene, and son.
