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Anna Renzi
Anna Renzi

Anna Renzi (born around 1620 – after 1661) was a famous Italian singer, known as a soprano. She was celebrated not just for her amazing voice but also for her incredible acting skills. Many people consider her the very first "diva" in the history of opera, which is a type of play where the story is told through singing.

Her Career

Anna Renzi was born in Rome. She first performed in 1640 for the French ambassador, in a play called Il favorito del principe. Her teacher and accompanist, Filiberto Laurenzi, worked with her for many years.

Venetian Debut

In 1641, Anna Renzi made a huge splash in Venice. She starred as Deidamia in La finta pazza (which means The Feigned Madwoman). This opera opened a brand new theater called the Teatro Novissimo. The stage designs were created by the famous Giacomo Torelli.

Important Roles

In 1643, Anna Renzi performed in two important operas at the Teatro Santi Giovanni e Paolo:

  • She played Aretusa in La finta savia (The Feigned Wise-Woman).
  • She also played Ottavia in L'incoronazione di Poppea by Claudio Monteverdi. This is one of the most famous operas ever written! She likely played other parts in this opera too, like La Virtù and Drusilla.

In 1644, she returned to the Novissimo theater. She played the main role in La Deidamia. That same year, a book praising her talents, called Le glorie della signora Anna Renzi romana, was published. It showed how much audiences loved her performances.

Later Performances

After the Novissimo theater closed, Anna Renzi became the most famous and highest-paid singer of her time. She moved to the Santi Giovanni e Paolo theater. She continued to perform in many operas, often playing the main characters.

In 1650, she sang in La Deidamia in Florence. In 1654, she performed in an opera called La Cleopatra in Innsbruck, Austria. This opera might have been renamed in her honor!

In 1655, she returned to Venice. Later that year, she sang in L'Argia in Innsbruck. This opera was specially ordered to celebrate the conversion of Christina, Queen of Sweden, to Catholicism. Queen Christina was very impressed by Anna Renzi's singing.

Anna Renzi's last known performance was in 1657, in an opera called Le fortune di Rodope e Damira. The last time she was mentioned in records was in 1660.

Anna Renzi as a Performer

Anna Renzi had an amazing voice that could sing many different notes, from middle C to high B-flat. Composers wrote roles for her that showed off her voice and her acting skills. Her characters often had strong emotions and changed quickly from funny to serious.

Her Acting Style

Many of the main roles she played involved disguises or tricks. For example:

  • In La Deidamia, a sad princess pretended to be a charming young man.
  • In other operas, princesses or queens pretended to be simple shepherdesses.
  • She also played characters who pretended to be simple, mad, religious, or in love.

A writer named Giulio Strozzi described her acting in 1644. He said that Anna Renzi used her whole body – her movements, gestures, face, and voice – to bring her characters to life. She could raise or lower her voice, get angry and then calm down quickly. She could speak fast or slow, move her body in different ways, and even laugh and cry. Strozzi said she seemed to become the person she was playing. She could be like Thalia, the Muse of comedy, full of fun, or like Melpomene, the Muse of tragedy, full of serious majesty.

See also

Kids robot.svg In Spanish: Anna Renzi para niños

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