Bessie Harvey facts for kids
Quick facts for kids
Bessie Harvey
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Bessie Harvey, Golden Dreams (n.d.)
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| Born |
Bessie Ruth White
October 11, 1929 |
| Died | August 12, 1994 (aged 64) |
| Nationality | American |
| Education | Self-taught |
Bessie Harvey (born Bessie Ruth White, October 11, 1929 – August 12, 1994) was an American artist best known for her sculptures constructed out of found objects, primarily pieces of wood. A deeply religious person, Harvey's faith and her own interest in nature were primary sources for her work.
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Early life and family
Born in Dallas, Georgia, Harvey was the seventh of thirteen children born to Homer and Rosie Mae White. At the age of fourteen, she married Charles Harvey and settled in Buena Vista, Georgia. She divorced Harvey in 1968 and relocated independently to Alcoa, Tennessee, where she was raising eleven children by age 35. As a child, she recalls making "something out of nothing," often creating her own toys and dolls.
In addition to having eleven children, Harvey had twenty-eight grandchildren and three great-grandchildren.
Career
In 1977, Harvey began working at Blount Memorial Hospital as a housekeeper. For extra income, at night while everyone was asleep Harvey would make dolls. After exhibiting her artwork at the hospital, her work drew attention and gallery representation. One of the staff doctors introduced her to the directors of the Cavin-Morris Gallery in New York City, which continued to sell her work exclusively for several years.
Works
Harvey's sculptures were typically wood decorated with paint, beads, shells, cloth, and other found materials, combining "performance (on the order of a puppet show) sculpture, painting, and assemblage". After that time, she increasingly focused on her artwork until her death in 1994.
Harvey's work belongs to a larger tradition of black vernacular art created in the American South. The assemblage aspect of her work, the use of found materials, and emphasis on religious themes are common to the black vernacular art tradition. As a creator of visionary art, she often claims that God is the main source for her work, even to the extent that He is working through her: "I’m really not the artist. God is the artist in my work; nature and insects, they shape my work for me, because they belong to God. I belong to God, and all things belong to God, because it’s in his Word that all things are made to him, that without him there’s not anything made." According to Harvey, God allowed her to see anthropomorphic forms within the wood she worked with, and with that help she could give physical shape to the spiritual presences within these tree roots, limbs, and pieces of driftwood. Her interest in nature was due in part to her belief that she could access or see the spirit of her ancestors within trees, for example, and her general belief in transcendentalism.
Her work often reflected specific biblical stories, including stories from Genesis and Revelation. She also created a series of works inspired by the African-American experience in the United States. When naming her works, she frequently used an African-English dictionary to provide a direct connection to her African heritage.
Exhibitions, holdings, and influence
Harvey's work has been included in over 50 exhibitions, including a posthumous inclusion in the 1995 Whitney Biennial. Her work Cross Bearers was subsequently purchased by the Whitney Museum for its permanent collection. She was also the subject of a major retrospective in 1997 at the Knoxville Museum of Art. Her works are in the permanent collections of the Knoxville Museum of Art and the American Folk Art Museum, New York. Some of Harvey's works were also purchased from the Souls Grown Deep Foundation by the Fine Arts Museums of San Francisco as part of an acquisition of the works of African American artists from the Southern United States. This work was displayed in an exhibition called Revelations: Art from the African American South from June 3, 2017 through April 1, 2018. Her work is in the permanent collection of the National Gallery of Art, Washington DC, and included in the exhibit of Black American Artists of the American South Called to Create. Harvey's work continues to be featured in exhibitions in museums such as the Philadelphia Museum of Art and the Turner Contemporary in England as part of exhibitions on African American artwork from the American South.
Harvey has been cited as an influence by Alison Saar, and a street in Alcoa has been named after her.
Selected Exhibitions
Called To Create: Black Artists of the American South, National Gallery of Art, Washington, DC, September 18, 2022 – March 26, 2023.
