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Jennifer Hodge de Silva
Born (1951-01-28)28 January 1951
Montreal, Quebec, Canada
Died 5 May 1989(1989-05-05) (aged 38)
Montreal, Quebec, Canada
Nationality Canadian
Education Bachelor of Arts (Honours) in Fine Arts (1974)
Alma mater Glendon College at York University
Known for filmmaking
Notable work
Home Feeling: A Struggle for Community (1983)
Movement Black liberalism
Spouse(s) Paul de Silva in 1982
Children Zinzi de silva
Parent(s) Mairuth Vaughan Hodge Sarsfield and Cullen Squire Hodge

Jennifer Hodge de Silva (28 January 1951 – 5 May 1989) was an African-Canadian filmmaker. Her film, Home Feeling: Struggle for a Community, revealed tensions between and police and residents of the Jane and Finch neighbourhood of Toronto. The residents were mainly immigrants from Jamaica and Africa. She worked consistently with national organizations such the National Film Board of Canada (NFB) and the Canadian Broadcasting Corporation (CBC). She was the first black filmmaker to do so.

Career

In 1978 she worked with Terence Macartney-Filgate on the film Fields of Endless Day as assistant director and associate producer while she was a student. The next year she worked with him again as associate producer of the CBC documentary Dieppe 1942. She covered stories about the lives of Chinese-Canadian immigrants and Indigenous artists and covered social issues in diverse neighbourhoods.

Hodge de Silva directed a number of films during the 1980s that established the dominant mode in African Canadian film culture. Working exclusively in the documentary and often on sponsored films, she staked out a set of concerns and a mode of production that might be termed black liberalism.

Cameron Bailey, a Canadian film critic and artistic director of the Toronto International Film Festival, acknowledged her work in his 1990 article later published in a film anthology. In his 1990s publications Bailey honoured the work of black filmmakers such as Jennifer Hodge de Silva. The forms of production in which she worked were 'marginalized'. At times she made films that were sponsored for organizations such as of Education and the John Howard Society.

Home Feeling: A Struggle for Community

Her 1983 documentary Home Feeling: A Struggle for Community, examining the relations between the police force and the black community, continues to be used in classrooms to this day.

Personal life

Jennifer Hodge de Silva comes from a family of women social activists — her grandmother, Anna Packwood and her daughters, Mairuth Vaughan Hodge Sarsfield (married to Cullen Squire Hodge) and Lucille Vaughn Cuevas.

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