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Raquel Rabinovich
Raquel Rabinovich

Raquel Rabinovich (born 1929) is an Argentine-American artist. She is known for her monochromatic paintings and drawings as well as for her large-scale glass sculpture environments and site-specific installations along the shores of the Hudson River. She is included in the Oral History Program of the Smithsonian Institution Archives of American Art. Her work is included in numerous museum collections, including the Whitney Museum of American Art, the Metropolitan Museum of Art and the Smithsonian American Art Museum.

Life and work

Rabinovich was born in Buenos Aires, Argentina to Russian and Romanian Jewish parents, and grew up in Córdoba. From 1950 to 1952 she studied at the University of Córdoba. Some of her earliest influences were Argentine artists Héctor Basaldúa, Vicente Forte and Ernesto Farina, whose studios Rabinovich would visit. She would go on to study art under Farina in Cordoba. In the late 1950s she spent six years in Europe, studying art history at the Sorbonne and studio art with Andre Lhote.

In 1956 Rabinovich married fellow Argentine Jose Luis Reissig and had three children together; they divorced in 1980. After many years apart, they resumed their partnership in 1987. She returned to Argentina in the early 1960s, where she initiated a period of contemplation and reflection that led to a series of paintings titled The Dark is Light Enough. These works were exhibited in Buenos Aires in 1963. The series marked the beginning of her lifelong investigation into the nature of existence through the exploration of what she calls the "dark source". The dark source, for Rabinovich embodies the concealed aspects of existence that seem to be invisible, which are behind the appearance of things, thoughts, language, and the world. Due to a military coup in Argentina in 1966, she moved to the United States in 1967 with her family and became an American citizen in 1973.

In the early 70s Rabinovich had a dream in which her paintings became transparent and free-standing, so she began creating sculptures using glass. These were first exhibited in 1973. In 1979 she visited Machu Picchu. She stayed in the ruins overnight and before dawn Machu Picchu disappeared from view, then very slowly appeared, as the clouds lifted in the morning. Many years later, influenced by this experience she would create stone sculptural installations Emergences. along the shores of the Hudson River. Like Machu Picchu, these stone sculptures also disappear from view and gradually emerge into view, only this time the stones are concealed by the tides.

In 1987, her fascination with ancient cultures took her to Egypt, India, Nepal, Indonesia, and Thailand. These travels had a profound impact on her work.

Raquel Rabinovich Untitled 1988
Raquel Rabinovich, "Untitled Relief into Handmade Paper 13," 1988.
Raquel Rabinovich River Library Series
Raquel Rabinovich, "River Library 395 with Footnotes," 2012-14.

Selected exhibitions

Rabinovich's work has been presented in several exhibitions including:

  • Raquel Rabinovich: The Reading Room (Thompson Memorial Library, Vassar College, Poughkeepsie, NY 2018).
  • Thresholds, (Y Gallery, New York City, 2017).
  • River Library (Fundacion Alon, Buenos Aires, Argentina, 2008).
  • River Library ("Imaging the River", Group exhibition, Hudson River Museum, Yonkers, NY 2003–04).
  • Raquel Rabinovich (Galeria Jaime Conci, Cordoba, Argentina, 1990).
  • Beyond the Surface: Raquel Rabinovich, Recent Work (American Society, New York, curated by Fatima Bercht).
  • Cloister, Crossing, Passageway, 1.32 (CUNY Graduate Center Mall, NYC 1978 and The Jewish Museum Sculpture Court, NYC, 1979).

Awards

2011–12: Lee Krasner Award for Lifetime Achievement, The Pollock-Krasner Foundation, New York, NY

1995: New York State Council on the Arts, Individual Artist Grant for Works on Paper, New York, NY

1992: National Endowment for the Arts U.S./France Fellowship, Washington, D.C.

1991: National Endowment for the Arts Visual Arts Fellowship, Washington, D.C.

1980–86: Artists Space Grant, New York, NY

1978: CAPS Fellowship Grant, Creative Artists Public Service Program, New York, NY

1964: Beca del Fondo Nacional de Las Artes, Buenos Aires, Argentina.

Collections

She is included in the Oral History Program of the Smithsonian Institution Archives of American Art. Her work is included in the collections of the Whitney Museum of American Art, the Metropolitan Museum of Art, the Museo Genaro Perez, Cordoba, Argentina and the Smithsonian American Art Museum.

In South America, her work is in the collections of the Fondo Nacional de las Artes, Buenos Aires, Argentina, the Museo de Arte Moderno, Bogota, Colombia, the Museo de Arte Moderno, Buenos Aires, Argentina, and the Museo Emilio Caraffa, Cordoba, Argentina.

In Europe, her work is in the collection of the Amateras Art Foundation, National Gallery of Art, Sofia, Bulgaria.

See also

Kids robot.svg In Spanish: Raquel Rabinovich para niños

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