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Bruce McNeil
Born (1939-02-13)February 13, 1939
New York, NY
Died May 16, 2019(2019-05-16) (aged 80)
Washington, DC
Nationality American
Occupation Photographer
Known for Environmental river photography

Bruce McNeil (born February 13, 1939, in New York City – died May 16, 2019, in Washington, DC) was an American photographer. He was famous for taking pictures of nature, especially the rivers and waterways around Washington, DC. For more than 20 years, he focused on photographing the Anacostia River. Newspapers like The Washington Examiner and The Washington Post even called him “DC River Man” or “Washington’s River Man.” He also started the Anacostia River School of Photography. This was a group of photographers who loved to take pictures of the river and its surroundings.

Bruce McNeil's Photography Work

Before becoming famous for his river photos, Bruce McNeil worked at the McCord Museum. There, he was a photographer and helped with lighting and darkroom tasks. He also helped set up art displays. He even assisted the designer and photographer for the MacDonald Steward Foundation.

Where His Art Was Shown

Bruce McNeil's amazing photographs have been displayed in many important places. These include:

Awards and Collections

In 2016, Bruce McNeil won the East of the River Distinguished Artist Award. This was a special honor for his artistic achievements. His work is also part of the permanent art collection of Washington, DC. This means his photos are kept by the city for everyone to see and enjoy for a long time.

What People Said About His Photos

Newspapers often wrote about Bruce McNeil's art. In 2012, when his photos were shown at the Honfleur Gallery in Washington, DC, a writer from The Washington Post said something interesting. They noted that McNeil's work was about "the growth of the neighborhood." He showed this by changing or playing with images of the Anacostia River.

Another art critic from The Washington Post also reviewed the same show. They mentioned one of his photos, "A River Divide — A Tale of Two Cities." They described it as an "impressionistic photograph of light on the Anacostia." This means the photo looked a bit like a painting, focusing on how light played on the river rather than showing every tiny detail perfectly.

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