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Marzieh Meshkini
مرضیه مشکینی
Marzieh Meshkini.jpg
Meshkini at the Vesoul International Film Festival of Asian Cinema in 2009.
Born 1969 (age 55–56)
Tehran, Iran
Alma mater University of Tehran
Occupation
  • Filmmaker
  • writer
Years active 1996–present
Spouse(s)
(m. 1987)
Children Hana Makhmalbaf

Marzieh Meshkini (born in 1969 in Tehran, Iran) is a famous Iranian film director, writer, and cinematographer. She is part of a well-known filmmaking family and is married to director Mohsen Makhmalbaf. Her first movie, The Day I Became a Woman, won several awards and brought her international fame.

Early Life and Family

Marzieh Meshkini was born in Tehran, the capital of Iran. She studied at the University of Tehran before starting her career in movies.

Meshkini is married to the famous director Mohsen Makhmalbaf. Together, they have a daughter named Hana Makhmalbaf. Meshkini is also the stepmother to Mohsen's other children, Samira and Meysam. The entire family works in the movie business as part of the Makhmalbaf Film House, a company that produces their films.

Career as a Filmmaker

Meshkini learned about making movies at the Makhmalbaf Film School. She started her career by helping on other family members' films. For example, she was an assistant director for the movie The Apple (1998). She also wrote the story for her daughter Hana's first feature film, Buddha Collapsed out of Shame (2007).

During a time of more openness in Iran, Meshkini and other women directors had new opportunities. They began to make all kinds of films, including feature films and documentaries. This helped show that filmmaking was a great career for women in Iran.

In 2000, Meshkini directed her first movie, The Day I Became a Woman. It was a huge success. She became the first Iranian woman to win awards for her work at the famous 57th Venice International Film Festival. After this, she directed other movies like Stray Dogs (2004).

Working with Film Rules in Iran

Cyclo d'or d'honneur 2009
Hana Makhmalbaf, Marziyeh Meshkini, and Mohsen Makhmalbaf at a film festival in Vesoul, France, in 2009.

In Iran, filmmakers must follow certain government rules, which is a form of censorship. These rules guide what can be shown in movies. Some directors, including Meshkini, have said that these rules can sometimes be a source of creativity.

Because filmmakers have to follow these rules, they must find clever and artistic ways to tell their stories. This has helped Iranian cinema develop its own unique style, different from American or European films. In her movie The Day I Became a Woman, Meshkini creatively explores the rules about how women are shown in films.

Awards and Recognition

Meshkini has won many awards for her films at festivals around the world.

  • For The Day I Became a Woman (2000):
    • Silver Hugo for Best First Film at the Chicago International Film Festival.
    • UNESCO Award at the 57th Venice International Film Festival.
    • Two other awards at the Venice International Film Festival.
  • For Stray Dogs (2004):
    • Open Prize at the 61st Venice International Film Festival.
    • NETPAC/FIPRESCI Award at the Singapore International Film Festival.

Filmography

This table shows the films Marzieh Meshkini has worked on and the roles she had.

Year Title Director Script writer Assistant Director Cinematographer Editor
1998 The Apple
2000 Blackboards
2000 The Day I Became a Woman
2002 11'09"01 - September 11
2002 The Afghan Alphabet
2003 At Five in the Afternoon
2004 Stray Dogs
2005 ... & Philosophy
2007 Buddha Collapsed Out of Shame
2008 Two-legged Horse
2009 The Man Who Came with the Snow
2013 Ongoing Smile
2014 The President
2019 Marghe and Her Mother

See also

Kids robot.svg In Spanish: Marzieh Meshkini para niños

  • Cinema of Iran
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