St. Luke's Church (Smithfield, Virginia) facts for kids
Saint Luke's Church (Smithfield)
|Location||Benns Church, Virginia|
|Nearest city||Smithfield, Virginia|
|Area||5 acres (2.0 ha)|
|Architectural style||Single Room Vernacular Brick Church of Artisan Mannerism Style.|
|NRHP reference No.||66000838|
Quick facts for kidsSignificant dates
|Added to NRHP||October 15, 1966|
|Designated NHL||October 9, 1960|
St. Luke's Church, also known as Old Brick Church, or Newport Parish Church, is a historic church building, located in the unincorporated community of Benns Church, near Smithfield in Isle of Wight County, Virginia, United States. It is the oldest church in Virginia and oldest church in British North America of brick construction. According to local tradition the structure was built in 1632, but other evidence points to a date of 1682; see Dating controversy.
On October 15, 1966, St. Luke's was designated a National Historic Landmark and was listed on the National Register of Historic Places in recognition of its historic and architectural distinction. In 1957 President Dwight D. Eisenhower designated the site a National Shrine in concert with the 350th anniversary of Jamestown.
Since 1954 Historic St. Luke's Restoration, doing business as Historic St. Luke's Church, is a 501(c)(3) non-profit organization that maintains, preserves, promotes, and interprets the 17th-century, 100-acre historic site. Historic St. Luke's does not receive any federal, state, or municipal funding. All funding comes from private corporations, foundations, and individuals.
Once known as "Old Brick Church", St. Luke's is described by College of William & Mary professor and Colonial Williamsburg Foundation architectural historian Carl Lounsbury as an Artisan Mannerism style in which masons and other builders both designed and built without the guiding hand of an architect. Other examples of such architecture include Bacon's Castle in nearby Surry County, Virginia and exhibit Cavalier or Royalist sensibilities. St. Peter's Church in New Kent, Virginia is a later, less ornate style reflecting the Glorious Revolution of Dutch-English monarchs William & Mary.
The plan is that of a single room (29 ft 4 3⁄4 in or 8.96 m × 65 ft 7 3⁄4 in or 20.01 m) with a twenty-foot-square (1.9 m2) tower at the west end. The walls are laid in a rough Flemish bond. The buttresses with sloping set-offs project prominently from three bays of the north and south walls. At both the east and west end of the church are crow-stepped gables, while unadorned turrets, corbelled slightly at their bases, decorate the corners of the building.
The original windows were replaced in the 19th century. Those Victorian windows remain in place today. The stained glass windows above the altar were produced in Germany. The current doors were added in the 1950s.
Newport Parish dates from the formation of Warrosquyoake plantation. The details of parish and political entities are as follows:
- 1629 Warrosquyoake Parish formed
- 1634 Included in the list of original shires
- 1634 Isle of Wight County formed
- 1643 Divided into upper (Warrosquyoake) and lower parish (Newport)
- 1733 Brunswick Country formed from Isle of Wight County
- 1743 Lower sections of Warrosquyoake and Newport Parishes combined as Newport Parish and upper sections into Nottoway Parish (later Nottoway Parish became Southampton Parish).
- 1749 Southampton County formed from Isle of Wight County
- 1836 Christ Episcopal Church of Newport Parish in Smithfield, Virginia
The architecture of Newport Parish Church is a combination of the 17th century room church embellished with Gothic features. Unlike the English Gothic church characterized by separate wings containing the nave, aisles and chancel, the room church reduces these divided spaces into a single rectangular space. All Virginia vernacular churches employ this room structure. In the case of Newport Parish, a simplified form of a rood screen, as in several extant English room churches, separates the nave from the chancel. In fact, in this edifice, the oldest Anglican church in the state, the essential features of the room church are all in place. They are:
- Rectangular building
- General ratio of 2:1 length to width
- Oriented east-west
- Main entrance via west door
- Southeast vestry door
- Single story sidewall elevation
- East window.
Gothic features are principally in embellishments to the structure rather than major structural details:
- steeply pitched A-roof with crow-stepped or curvilinear gables
- Y-tracery windows with brick modillions
- semi-circular arches at doorways with "embryonic pediments"
- beamed ceilings with plaster
- plain cornices
- porches, buttresses, or towers.
The church itself is 60 1⁄2 feet (18.4 m) east-west and 24 1⁄4 feet (7.4 m) north-south in the clear.
The church is laid in Flemish bond in water tables, walls, and tower. The tower is an integral part of the structure unlike that of the Jamestown Church tower whose unfinished mortar joints on its east wall indicate that it was erected after the main church building and the clearly documented, added tower at St. Peter's Church, New Kent County. Unlike any other standing Virginia colonial church, there are two water tables each nine bricks high. The transitions from the water tables are accomplished using beveled bricks. There are no glazed headers in the walls that are 36 inches (910 mm) wide at the foundations, 26 inches (660 mm) thick in the walls, and 30 inches (760 mm) thick in the tower.
Three buttresses with three ramps each support the north and south sides of the church, separating the walls into three bays and a chancel, each of which contains a Y-tracery window. The bevels of the buttresses follow the water table in height, each being nine bricks tall. The church is singular among standing churches in having buttresses: the only other documented buttresses are at the Jamestown Church of 1639 to 1647 and the second Bruton Parish Church of 1680.
The walls continue for 38 courses above the water tables. Obvious repairs are present throughout the building due to a storm that collapsed the walls in 1887 and include:
- entire upper east wall
- crow steps and towers on the gables
- windows on the south and north walls
- east side of the tower along the gables
- two elliptical windows on the north and south sides of the porch
- sills of some of the principal windows.
Two thousand bricks from the Jamestown Church of 1639- 1647 were included in repairs during the 1890s.
The present roof, replaced in the 1950s is constructed internally of massive tie-beams and a plastered ceiling, though the original was most likely a principal rafter roof similar to that of the third Bruton Parish Church. The roof beams are decorated with chamfer and lamb's tongue moldings. The present slate shingles are, of course, not the original roofing material which most likely was cedar shingles or clapboards painted or covered with tar.
The ends of the east gable consist of a corbelled turret on the outside corners with eight crow steps rising to the middle. The crow steps on the west wall are truncated by the presence of the tower and so have only 1½ steps. Other colonial structures with gables are few and include Bacon's Castle(1665) the second Bruton Parish Church, (1680s), and St. Peter's Church, New Kent County (1701) all of which are characterized by Flemish curved gables instead of crow step gables. All of the cornices are modern replacements.
The tower, the only one known to be an original feature of a colonial church in Virginia, stands to the west of the main church building and is 18 feet (5.5 m) east-west and 20 feet (6.1 m) north-south at the outside ground level. It is 60 feet (18 m) tall and consists of three stories. The corners of the first two stories of the three-story tower are embellished by rusticated brick quoins of a row of two horizontally raised bricks divided by a projecting row of thin bricks with a vertical V in the center. The third story, presumably added some time after the rest of the tower, is surmounted by a slate shingled, hipped roof with a modern weather vane at the crest. The southern and northern faces of the tower bear a single window on each story. From bottom to top they are: 1) an open oval ellipse three feet horizontally and two feet vertically; 2) a Y-tracery window matching the principal windows; and 3) a compass widow with a brick arch and louvers. The west façade is identical except that the lower story contains a round bricked arch with a simple, whitewashed tympanum above it. The bottom of the tower is open and serves as a porch.
The windows of St. Luke's Church are unique among colonial windows and the major element that gives the edifice an artisan mannerism character. The east window is a "great lancet consisting of two tiers of four circular-headed windows." The two bottom courses consist of rows of four round-headed windows above which are a row of gothic arched windows, three diamond-shaped windows, and a pair of elongated, horizontal triangles as spandrels. Each of the east windows as well as the Y-tracery windows in the rest of the church are separated by modillions of molded, rubbed brick consisting of an ovolo (convex) and fillet (flat) shapes and an ovolo sill. There is a small, elliptical window above the great window. The presence of a great window is indicated in a few other, early churches in Virginia, namely St. Peter's, New Kent County (1701) and Upper and Lower Middlesex Country churches (1714 and 1717). Later churches without exception had chancel windows matching the principal windows on the north and south walls.
There are eight lancet windows on the north and south edifices and three on the tower (second story south, west, and north faces) similar in general construction to the great window. They each consist of a pair of steeply arched windows with a single, smaller spandrel window completing the arch and separated with rubbed brick in the form of ovolo and fillet moldings. The sills are also of identical ovolo molded bricks.
The present Tiffany-style, stained glass windows, despite local tradition to the contrary, do not replicate the original material that was diamond-paned, leaded glass. No Virginia colonial church had stained glass windows.
The church displays the first recorded instance of the use of a main west entrance and a south entry placed in the extreme southeast corner of the church. Both doors are recent replacements, and the exact form of the western door is unknown.
The principal entrance is through the tower archway by way of a large, semi-circular arch that is decorated by rubbed brick and am impost three bricks high at the lower end of the arch. The arch itself consists of voussoirs with plastered over, white bricks forming the interior of the arch. Above the arch is a primitive, triangular tympanum the lower line of which extends beyond the raked borders. It is embellished by a fascia on the outer course with a fillet and ovolo on the inner course. It was alternately decorated with white cement, a marble tablet, and now a wash of mortar.
The western inner entrance is now a wicket door patterned after that of Yeocomico Church although it is unpainted. Previously, there were two central opening, compass-headed doors at the outer entrance of the porch arch. The southern entrance is a square-headed, battened door with decorative, molded bricks in the shape of an ovolo surrounding it. The images from the Library of Congress site are worth study, for they show in the late 1950s a compass headed door at this entrance that is evidenced by brick repairs above the doorway.
The only written record of the interior is from 1746 in which the wives of justices and vestrymen were assigned a box pew in the northern corner of the chancel and young women of the parish were assigned their former pews. There is one original baluster (the second from the left end on the altar rail). The rood screen is based on footings discovered in the 1950s while the sounding board, that is 17th-century in origin, was found in 1894 in a barn at Macclesfield, a nearby plantation. The single baluster and sounding board are the only original interior appointments.
The original interior appointments were long ago destroyed and the present is a restoration from the 1950s. It consists of a square pew of each side of the altar, two box pews west of the chancel screen, and seventeen slip pews in the nave.
The pulpit is a reconstruction three-decker of 1950s origin; Rawlings postulates that a two-decker pulpit originally was built due to the lack of space for a clerk's desk.
The main aisle is T-shaped and paved with square bricks whose pattern is derived from the original floor. Under the pews are wooden, reproduction floors. At the west end of the church is a gallery that originally had oak balusters and was restored during the 1950s The interior of the tower shows a portion of original plaster under a piece of glass, and it is covered with "mortar wash on the walls and exposed beams". Portions of the wooden interior sills of the second-story tower windows may be original.
Much of the interior (such as the rood screen, the kneeling rail, and a medieval-style bench east of the rood screen) are suppositions based the error prone 1950s restoration. The interior also contains a reproduction wooden baptismal font, various items of furniture, and various ecclesiastical furnishings of period 17th-century origin, though not original to the church itself.
St. Luke's Church is Virginia's oldest church. Its construction demonstrates the progression from the crude, wooden churches of the early 17th century to more permanent brick structures leading to the simple room churches characteristic of the Virginia vernacular church in its full development, such as in Ware Church (1710–1715), a rectangular church with an unadorned exterior and elaborate triangular and semi-circular pediments. Like Yeocomico Church, such features as the bell tower, enclosed west porch, elaborate quoins, and Y-tracery windows belong to a formative period of church building whose features were soon to pass. The present restoration, according to architectural historians, leaves much to be desired in its fanciful and poorly documented elements:
- "...the restorers let the assumed date of St. Luke's shape their assessment of the physical evidence."
- "Although so much has been done for the church by so many – and a great deal of it admirable in both intention and execution – it must reluctantly be acknowledged that several false steps have been taken ..."
Burials in the church cemetery include those of Virginia Lieutenant Governor Allie Edward Stakes Stephens and his wife; the couple were active in the movement to preserve the church. Also interred in the cemetery is Archibald Atkinson, who served in the United States House of Representatives from 1843 to 1849.
Since 1954, St. Luke's Church has been administered by Historic St. Luke's Restoration. The 100-acre historic site and museum provide guided tours for individuals and groups seven days per week between February and December – only closed in January. Visitors receive 45-minute guided tours beginning from the origins of the Anglican church through its restorations.
The Site is also available for private rentals including weddings, funerals, baptisms, and other special events. An independent board of directors administers ultimate oversight of annual operations, budgets, and fund raising projects.
Since the most recent restoration project of 2012, St. Luke's is structurally well-preserved for years to come. Daily maintenance of the buildings and property remains a challenge.
As of April 2015 a major project is underway – the Historic St. Luke's Grounds Restoration Project (Phase 1). This $500,000 capital project is designed to restore the ponds, bridge, roadway, approaches, and landscaping and will provide responsible grounds management and access for decades to come. Phase 2 of this project is presently being explored.
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