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The Dying Gaul (also known as the Dying Galatian) is a famous ancient Roman marble statue. It's found today in the Capitoline Museums in Rome, Italy. This statue is actually a copy of an older Greek sculpture that was made from bronze. The original Greek statue was created a very long time ago, between 230 and 220 BC. It was likely ordered by King Attalus I of Pergamon to celebrate his big win against the Galatians. The Galatians were a group of Celtic people who lived in parts of Anatolia (modern-day Turkey). People believe the original artist was Epigonus, a sculptor for the kings of Pergamon.

For a long time, people thought this marble statue showed a wounded gladiator from a Roman arena. That's why it was often called The Dying Gladiator. But in the mid-1800s, experts realized it was actually a Gaul or Galatian warrior. They noticed his special neck torc (a type of necklace), his thick hair and mustache, and the weapons carved on the ground. A Gallic trumpet, called a carnyx, was also shown between his legs. Because of these clues, the name "Dying Gaul" became popular.

What the Statue Shows

This white marble statue, which might have been painted with colors long ago, shows a wounded Gaulish or Galatian Celt. He is slumped over, looking very realistic and sad. You can see a bleeding sword wound on his lower right chest. The warrior has the typical Celtic hairstyle and mustache, and he wears a torc around his neck. He is sitting on his shield, and his sword, belt, and a curved trumpet are lying next to him. The sword's handle has a lion's head carved into it. The base the statue sits on was added in the 1600s. Some parts of the statue, like the nose and left arm, were fixed when it was found. Experts still debate if these repairs were done correctly.

How the Statue Was Found

The Dying Gaul statue was found in the early 1600s. Workers were digging to build the Villa Ludovisi in Rome. This area was once the ancient Gardens of Sallust. Many other old treasures were found there later in the 1800s. The Dying Gaul was first written about in a list of the Ludovisi family's art in 1623. It was kept in their grand palace. Later, in the 1700s, Pope Clement XII bought it for the Capitoline Museums.

During the time of Napoleon, the statue was taken by French forces. It was moved to the Louvre Museum in Paris. But in 1816, after Napoleon's defeat, it was returned to Rome.

Why This Statue Is Important

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A close-up of the warrior's neck torc.

This statue reminds us of the Celts' defeat, showing how powerful the people who beat them were. But it also honors the Celts' bravery as strong opponents. The sculpture seems to say that even though they were seen as "barbarians," they knew how to die with courage.

The Statue's Impact on Art

The Dying Galatian became one of the most famous ancient artworks ever found. Artists everywhere copied it and made engravings of it. It was seen as a perfect example of how to show strong feelings in art. The statue shows signs of being repaired, with its head likely broken off at the neck at some point. It's not clear if these repairs happened in Roman times or after it was found in the 1600s. When it was discovered, the left leg was in three pieces. They are now put back together, with the pins hidden by the kneecap. The warrior's "spiky" hair was reshaped in the 1600s from longer, broken hair.

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A close-up of the warrior's face, hair, and torc.

For a long time, people thought the statue showed a defeated gladiator, not a Galatian warrior. So, it was called names like 'Dying Gladiator' or 'Wounded Gladiator'. It was also called the 'Dying Trumpeter' because a horn was lying next to the figure.

The statue's artistic skill and sad feelings impressed many educated people in the 1600s and 1700s. It was a must-see for young men on their "Grand Tour" of Europe. Lord Byron, a famous poet, wrote about the statue in his poem Childe Harold's Pilgrimage:

I see before me the Gladiator lie
He leans upon his hand—his manly brow
Consents to death, but conquers agony,
And his drooped head sinks gradually low—
And through his side, the last drops, ebbing slow
From the red gash, fall heavy, one by one...

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The Dying Gladiator at Iford Manor, Wiltshire, England

Many copies of the Dying Gaul were made. Kings, scholars, and rich landowners ordered their own versions. Thomas Jefferson, an American president, even wanted the original or a copy for his home. People who weren't as wealthy could buy smaller copies to use as decorations or paperweights. Art students also studied full-size plaster copies.

In 1797, Napoleon Bonaparte took the statue during his invasion of Italy. It was proudly displayed in Paris. But in 1816, it was sent back to Rome. From December 2013 to March 2014, the statue was shown in the National Gallery of Art in Washington D.C.. This was the first time the ancient statue had left Italy since it was returned in the early 1800s.

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