Kristina Söderbaum facts for kids
Quick facts for kids
Kristina Söderbaum
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Söderbaum in 1941
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| Born |
Beata Margareta Kristina Söderbaum
5 September 1912 |
| Died | 12 February 2001 (aged 88) Hitzacker, Lower Saxony, Germany
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| Occupation | Actress |
| Spouse(s) |
Veit Harlan
(m. 1939; died 1964) |
| Children | 2 |
Beata Margareta Kristina Söderbaum (5 September 1912 – 12 February 2001) was a Swedish-born German film actress, producer, and photographer. She performed in Nazi-era films made by a German state-controlled production company.
Contents
Early life
Söderbaum was born in Stockholm, Sweden; her father, Professor Henrik Gustaf Söderbaum (1862–1933), was the permanent secretary of the Royal Swedish Academy of Sciences.
After both her parents died shortly after one another, Söderbaum moved to Berlin and enrolled in a theatre school.
Career
Nazi era
Beginning in 1935, Söderbaum starred in a number of films with director Veit Harlan, whom she married in 1939. Harlan and Söderbaum made ten films together for the then state-controlled film production company UFA until 1945.
According to film historian Antje Ascheid, Söderbaum is frequently identified as "most singularly representative of the Nazi ideal, as the quintessential Nazi star". As a beautiful Swedish blonde, Söderbaum had the baby-doll looks that epitomized the model Aryan woman. In fact, she had already played the role of the innocent Aryan in a number of feature films and was well known to German audiences. Her youth and beauty made her a symbol of health and purity and thus an exemplary specimen of the Nazi ideal of womanhood.
Her roles of this period included Dorothea Sturm, the doomed heroine of the antisemitic historical melodrama Jud Süß, Anna in Die goldene Stadt, Elske in The Journey to Tilsit, Elisabeth in Immensee, Aels in Opfergang, Luise Treskow in The Great King and Maria in Kolberg.
Postwar
In the first few years after the war, Söderbaum was often heckled off the stage and even had rotten vegetables thrown at her. In subsequent years, she frequently expressed regret for her roles in anti-Semitic films.
After her husband was again permitted to direct films, Söderbaum played leading roles in a number of his films. These included Blue Hour (1952), The Prisoner of the Maharaja (1953), Betrayal of Germany (1954), and I Will Carry You on My Hands (1958). Their last joint project was a 1963 theater production of August Strindberg's A Dream Play in Aachen.
After Harlan's death in 1964, Söderbaum became a noted fashion photographer. In 1974, she took a role in Hans-Jürgen Syberberg's film Karl May. In 1983, she published her memoirs under the title Nichts bleibt immer so ("Nothing Stays That Way Forever"). In her later years, Söderbaum faded into obscurity but still took roles in three movies and the television series The Bergdoktor. Her last film was with Hugh Grant in the thriller Night Train to Venice in 1994. She died in 2001 in a nursing home in Hitzacker, Lower Saxony, Germany.
Filmography
- The Song to Her (1934) as Guest at Rondo
- Uncle Bräsig (1936) as Minning
- Youth (1938) as Ännchen
- Covered Tracks (1938) as Séraphine Lawrence
- The Immortal Heart (1939) as Ev Henlein
- The Journey to Tilsit (1939) as Elske Settegast
- Jud Süß (1940) as Dorothea Sturm
- The Great King (1942) as Luise Treskow
- The Golden City (1942) as Anna Jobst
- Immensee (1943) as Elisabeth Uhl
- Opfergang (1944) as Aels Flodéen
- Kolberg (1945) as Maria Werner
- Immortal Beloved (1951) as Katharina von Hollstein
- Hanna Amon (1951) as Hanna Amon
- The Blue Hour (1953) as Angelika
- Stars Over Colombo (1953) as Yrida
- The Prisoner of the Maharaja (1954) as Yrida
- Verrat an Deutschland (1955) as Katharina von Weber
- Two Hearts in May (1958) as Annemie Müller
- I'll Carry You in My Arms (1958) as Ines Thormälen
- That Woman (1966) as Visitor at the Six Days of Berlin (scenes deleted)
- Karl May (1974) as Emma May
- Let's Go Crazy (1988) as Comtessa
- Das bleibt das kommt nie wieder (1992)
- Der Bergdoktor (1993, TV Series) as Frau Landmann
- Night Train to Venice (1993) as Euphemia (final film role)
