Museum of the African Diaspora facts for kids
The Museum of the African Diaspora (often called MoAD) is a cool art museum in San Francisco, California. It's special because it shows art and artists only from the African diaspora. This means it focuses on people of African descent who live all over the world. MoAD is one of the few museums like this in the United States. You can find it at 685 Mission St. in the Yerba Buena Arts District. It takes up the first three floors of the St. Regis Museum Tower. MoAD is a non-profit organization and is also connected with the famous Smithsonian museums.
Before 2014, MoAD taught visitors about the history, culture, and art of the African diaspora through different exhibits. After a big update in 2014, the museum changed its focus to show only fine arts exhibitions. MoAD doesn't have its own permanent collection of art. Instead, it works directly with artists and curators to create new and exciting shows.
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What MoAD Does
MoAD's main goal is to "celebrate Black cultures, start important conversations, and help people learn through the worldwide story of the African Diaspora." This means they want to share the rich history and amazing art of people of African descent from all over the globe.
MoAD's Story
MoAD was created as part of a special project in San Francisco. In 1999, the city decided that the Yerba Buena Gardens area needed a cultural space dedicated to African American heritage. San Francisco's Mayor, Willie L. Brown, put together a team to figure out what kind of cultural center it should be.
The idea for the museum grew from this work, starting in 2002. The new museum was named the Museum of the African Diaspora to show its wider focus on people of African descent everywhere. It officially became a non-profit organization. The museum space was designed by the Freelon Group inside the St. Regis Museum Tower. This tall building also has luxury apartments and a fancy hotel. MoAD first opened its doors in 2005.
Linda Harrison became the executive director of MoAD in November 2013. In June 2014, the museum closed for six months for renovations. These updates made more space for art and gave the museum a fresh new look. By October 2014, MoAD became an official Smithsonian Affiliate, which is a big deal! Linda Harrison left MoAD in 2018.
Monetta White, who has been involved with MoAD since it opened in 2005, was chosen as the executive director in December 2019.
Early Focus of MoAD
Before 2014, MoAD also explored the very first "African diaspora." This refers to the original movement of early humans, Homo sapiens, from Africa to all other parts of the world. The museum used to ask visitors, "When did you first realize you are African?" This idea is based on the scientific understanding that all humans share a common origin in Africa.
Helping New Artists
The Emerging Artists Program at MoAD helps new and talented artists. This program started when the museum celebrated its 10th anniversary. It gets support from the Institute of Museum and Library Services.
- Tim Roseborough and Cheryl Derricotte, 2015–2016
- Nyame Brown, Helina Metaferia, Lili Bernard, and Angie Keller, 2016–2017
Past Art Shows
MoAD has hosted many interesting art exhibitions over the years. Here are some of them:
Exhibition | Date |
---|---|
The Art of Richard Mayhew | October 10, 2009 – March 7, 2010 |
African Continuum | April 20, 2010 – September 26, 2010 |
Textual Rhythms: Constructing the Jazz Tradition, Contemporary African American Quilts | January 27, 2011 – April 24, 2011 |
From Process to Print: Graphic Works by Romare Bearden | May 6, 2011 – July 3, 2011 |
The Kinsey Collection: Shared Treasures of Bernard and Shirley Kinsey, Where Art History Intersect | February 8, 2013 – May 19, 2013 |
Crosscurrents: Africa and Black Diasporas in Dialogue, 1960-1980 | December 5, 2013 – April 13, 2014 |
The Art of Elizabeth Catlett | January 16, 2015 – April 5, 2105 |
Portraits and Other Likenesses from SFMOMA | May 8, 2015 – October 11, 2015 |
Alison Saar: Bearing | November 11, 2015 – April 3, 2016 |
The Grace Jones Project | April 27, 2016 – September 18, 2016 |
Dandy Lion: (Re)Articulating Black Masculine Identity | April 27, 2016 – September 18, 2016 |
Urban Africa | October 26, 2016 – April 2, 2017 |
Todd Gray: My life in the Bush with MJ and Iggy | April 26, 2017 – August 27, 2017 |
En Mas': Carnival and Performance Art of the Caribbean | September 20, 2017 – March 4, 2018 |
Digitalia: Art & the Economy of Ideas | March 28, 2018 – August 26, 2018 |
Ficre Ghebreyesus: City with a River Running Through | September 19, 2018 – December 16, 2018 |
Sadie Barnette: Phone Home | January 16, 2019 – April 14, 2019 |
Black Refractions: Highlight from the Studio Museum in Harlem | January 16, 2019 – April 14, 2019 |
Rodney Ewing: Longitude + Latitude | May 8, 2019 – June 23, 2019 |
Sydney Cain: Refutations | October 20, 2021 - December 19, 2021 |
Billie Zangewa: Thread for a Web Begun | October 20, 2021 - February 27, 2022 |
Amoako Boafo: Soul of Black Folks | October 20, 2021 - February 27, 2022 |
Cynthia Aurora Brannvall: The Threads That Bind | March 31, 2022 - June 12, 2022 |
Elegies - Still Lifes in Contemporary Art | March 31, 2022 - August 21, 2022 |
Richard-Jonathan Nelson: Interlacing distributed intelligence/ noir care | June 22, 2022 - September 18, 2022 |
Sam Vernon: Impasse of Desires | March 31, 2022 - September 18, 2022 |
David Huffman: Terra Incognita | March 31, 2022 - September 18, 2022 |
Trina Michelle Robinson: Excavation: Past, Present and Future | October 5, 2022 - December 11, 2022 |