Sandra Dee facts for kids
Quick facts for kids
Sandra Dee
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Dee in 1959
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Born |
Alexandra Zuck
April 23, 1942 Bayonne, New Jersey, U.S.
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Died | February 20, 2005 |
(aged 62)
Resting place | Forest Lawn Memorial Park |
Other names | Sandra Douvan |
Education | University High School |
Alma mater | Professional Children's School |
Occupation |
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Years active | 1957–1983 |
Known for |
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Spouse(s) | |
Children | 1 |
Sandra Dee (born Alexandra Zuck; April 23, 1942 – February 20, 2005) was an American actress. Dee began her career as a child model, working first in commercials, and then film in her teenage years. Best known for her portrayal of ingénues, Dee earned a Golden Globe Award as one of the year's most promising newcomers for her performance in Robert Wise's Until They Sail (1958). She became a teenage star for her performances in Imitation of Life and Gidget (both 1959), which made her a household name.
By the late 1960s, her career had started to decline, and a highly publicized marriage to Bobby Darin ended in divorce. The year of her divorce, Dee's contract with Universal Pictures was dropped. She attempted a comeback with the 1970 independent horror film The Dunwich Horror, but rarely acted after this time, appearing only occasionally in television productions throughout the 1970s and early 1980s. The rest of the decade was marred by mental illness, plus near total reclusiveness, particularly after her mother died in 1988. Afterwards she sought medical and psychological help in the early 1990s, and died in 2005 of complications from kidney disease, brought on by lifelong anorexia nervosa.
Contents
Life and career
1942–1951: Early life
Dee was born Alexandra Zuck on April 23, 1942, in Bayonne, New Jersey, the only child of John Zuck and Mary (née Cimboliak) Zuck, who met as teenagers at a Russian Orthodox Church dance. They married shortly afterward, but divorced before Dee was five years old. She was of Carpatho-Rusyn ancestry and raised in the Orthodox faith; her son, Dodd Darin, wrote in his biographical book about his parents titled Dream Lovers that Dee's mother Mary and her aunt Olga [later Olga Duda] "were first generation daughters of a working-class Russian Orthodox couple", and Dee recalled, "we belonged to a Russian Orthodox church, and there was dancing at the social events." She soon adopted the name Sandra Dee, becoming a professional model by the age of four and progressing to television commercials.
There has been some dispute as to Dee's actual birth year, with evidence pointing to both 1942 and 1944. Legal records, including her California divorce record from Bobby Darin, as well as the Social Security Death Index and her own cryptstone all give her year of birth as 1942. In a 1967 interview with the Oxnard Press-Courier, she acknowledged being 18 in 1960 when she first met Darin, whom she wed three months later.
According to her son's book, Dee was born in 1944, but, having begun modeling and acting at a very young age, she and her mother falsely inflated her age by two years in order that she could find more work. However, given that the cryptstone her own family ordered gives 1942 as her year of birth, this is unlikely.
Dee's parents divorced in 1950, and her mother married real estate executive Eugene "Gene" Douvan.
1952–1956: Modeling career
Producer Ross Hunter claimed to have discovered Dee on Park Avenue in New York City with her mother when she was 12 years old. In a 1959 interview, Dee recalled that she "grew up fast," surrounded mostly by older people, and was "never held back in anything [she] wanted to do."
During her modeling career, Dee attempted to lose weight to "be as skinny as the high-fashion models," although an improper diet "ruined [her] skin, hair, nails—everything." Having lost weight, her body was unable to digest any food that she ate, and it took the help of a doctor to regain her health.
Despite the damaging effects on her health, Dee earned $75,000 in 1956 (equivalent to $747,521 in 2021) working as a child model in New York, which she used to support herself and her mother after the death of her stepfather in 1956. According to sources, Dee's large modeling salary was more than what she would later earn as an actress. While modeling in New York, she attended the Professional Children's School.
1957–1958: Early films and Universal contract
Ending her modeling career, Dee moved from New York to Hollywood in 1957. She graduated from University High School in Los Angeles in June 1958, aged 16. Her onscreen debut was in the 1957 MGM film Until They Sail, directed by Robert Wise. To promote the film, Dee appeared in a December issue of Modern Screen in a column by Louella Parsons, who praised Dee and compared her appearance and talent to those of Shirley Temple. Dee's performance made her one of that year's winners of the Golden Globe Award for New Star of the Year – Actress.
MGM cast Dee as the female lead in The Reluctant Debutante (1958), with John Saxon as her romantic costar. It was the first of several films in which Dee appeared with Saxon. She provided the voice of Gerda for the English dub of The Snow Queen (1957). With her newfound success, Dee continued to struggle with anorexia nervosa, and her kidneys temporarily failed.
In 1958, Dee signed with Universal Pictures and was one of the company's last contract players prior to the dissolution of the studio system. She had a lead role in The Restless Years (1958) for producer Ross Hunter, opposite Saxon and Teresa Wright. She followed this with another film for Hunter, A Stranger in My Arms (1959).
1959–1965: Stardom
Dee's third film for Hunter was of greater impact than the first two: Imitation of Life (1959), starring Lana Turner.
The film became a box-office success, grossing more than $50 million. It was the highest-grossing film in Universal's history and made Dee a household name. She was loaned to Columbia Pictures to play the title role in the teenage beach comedy Gidget (1959), which was a solid hit, helping spawn the beach party genre and leading to two sequels, two television series and two television movies (although Dee did not appear in any of these).
Universal next cast Dee as a tomboy opposite Audie Murphy in the Western romantic comedy The Wild and the Innocent (1959). Warner Bros. borrowed her for another melodrama in the vein of Imitation of Life, A Summer Place (1959), opposite Troy Donahue as her romantic costar. The film was a massive hit, and that year American box office exhibitors voted Dee the 16th-most popular star in the country.
Hunter reunited Dee with Turner and Saxon in Universal's Portrait in Black (1960), a thriller that was a financial success despite receiving harsh reviews. Dee was listed as the nation's seventh-greatest star at the end of 1960. Peter Ustinov cast her as the lead in the Cold War comedy Romanoff and Juliet (1961) with Universal's new heartthrob John Gavin, reuniting them from Imitation of Life.
Dee and Gavin played together again in Hunter's popular Tammy Tell Me True (1961), in which Dee took the Tammy role originated by Debbie Reynolds. In Come September (1961), she worked with Bobby Darin in his film debut (following a cameo in an earlier film). Dee and Darin married after filming on December 1, 1960. On December 16, 1961, she gave birth to their son, her only child, Dodd Mitchell Darin (also known as Morgan Mitchell Darin).
In 1961, Dee, with three years remaining on her Universal contract, signed a new one for seven years. Dee and Darin appeared together in the Hunter romantic comedy If a Man Answers (1962). In 1963, she appeared in the final Tammy film, Tammy and the Doctor, and the hit comedy Take Her, She's Mine, playing a character loosely based on Nora Ephron. That year, she was voted the eighth-greatest star in the country, but it was her last appearance in the top 10. Dee appeared in I'd Rather Be Rich (1964), a musical remake of It Started with Eve, once again for Hunter. She was reunited with Darin in That Funny Feeling (1965) before appearing in her last film at Universal under her contract with the spy comedy A Man Could Get Killed (1966).
Dee was also a singer and recorded some singles in the early 1960s, including a cover version of "When I Fall in Love".
1966–1983: Career decline and later roles
By the end of the 1960s, Dee's career had slowed significantly, and she was dropped by Universal Pictures. She rarely acted following her 1967 divorce from Darin.
Dee appeared in the somewhat successful Doctor, You've Got to Be Kidding! in 1967. Hunter asked her to return to Universal in a co-starring role in Rosie! (1967), but the film was not a success. Dee was inactive in the film industry for several years before appearing in the 1970 American International Pictures occult horror film The Dunwich Horror—a loose adaptation of an H.P. Lovecraft story—as a college student who finds herself in the center of an occult ritual plot.
Throughout the 1970s, Dee took sporadic guest-starring roles on episodes of several television series, such as Night Gallery, Fantasy Island and Police Woman. Her final film performance occurred in the low-budget drama Lost (1983). In her later years, Dee told a newspaper that she "felt like a has-been that never was."
1984–2005: Later life and retirement
Dee's years in the 1980s were marked by poor health, and she became a self-described recluse after retiring from acting.
Dee battled anorexia nervosa and depression for many years, hitting a low point after her mother died of lung cancer on December 27, 1987, at age 63. Dee stated that for months she became a recluse living on soup, crackers and Scotch, with her body weight falling to only 80 pounds. Her son compelled her to seek medical and psychiatric treatment. Her mental and physical condition improved, and she expressed a desire to appear in a television situation comedy, partly in order to belong to a family.
Death
After requiring kidney dialysis for the last four years of her life, complications from kidney disease led to Dee's death on February 20, 2005, at the Los Robles Hospital & Medical Center in Thousand Oaks, California, at the age of 62. She was interred in a crypt at Forest Lawn Memorial Park Cemetery in the Hollywood Hills.
Filmography
Film
Year | Title | Role | Notes | Ref. |
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1957 | Until They Sail | Evelyn Leslie | ||
1957 | The Snow Queen | Gerda | Voice: 1959 English version | |
1958 | The Reluctant Debutante | Jane Broadbent | ||
1958 | The Restless Years | Melinda Grant | Alternative title: The Wonderful Years | |
1959 | A Stranger in My Arms | Pat Beasley | Alternative title: And Ride a Tiger | |
1959 | Gidget | Gidget (Frances Lawrence) | ||
1959 | Imitation of Life | Susie, age 16 | ||
1959 | The Wild and the Innocent | Rosalie Stocker | ||
1959 | A Summer Place | Molly Jorgenson | ||
1960 | Portrait in Black | Cathy Cabot | ||
1961 | Romanoff and Juliet | Juliet Moulsworth | Alternative title: Dig That Juliet | |
1961 | Tammy Tell Me True | Tambrey "Tammy" Tyree | ||
1961 | Come September | Sandy Stevens | ||
1962 | If a Man Answers | Chantal Stacy | ||
1963 | Tammy and the Doctor | Tambrey "Tammy" Tyree | ||
1963 | Take Her, She's Mine | Mollie Michaelson | ||
1964 | I'd Rather Be Rich | Cynthia Dulaine | ||
1965 | That Funny Feeling | Joan Howell | ||
1966 | A Man Could Get Killed | Amy Franklin | Alternative title: Welcome, Mr. Beddoes | |
1967 | Doctor, You've Got to Be Kidding! | Heather Halloran | ||
1967 | Rosie! | Daphne Shaw | ||
1970 | The Dunwich Horror | Nancy Wagner | ||
1972 | The Manhunter | Mara Bocock | Television film | |
1972 | The Daughters of Joshua Cabe | Ada | Television film | |
1974 | Houston, We've Got a Problem | Angie Cordell | Television film | |
1977 | Fantasy Island | Francesca Hamilton | Television film | |
1983 | Lost | Penny Morrison | Final film role |
Television
Year | Title | Role | Notes | Ref. |
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1971–1972 | Night Gallery | Ann Bolt / Millicent/Marion Hardy | 2 episodes | |
1972 | Love, American Style | Bonnie Galloway | Segment: "Love and the Sensuous Twin" | |
1972 | The Sixth Sense | Alice Martin | Episode: "Through a Flame Darkly" | |
1978 | Police Woman | Marie Quinn | Episode: "Blind Terror" | |
1983 | Fantasy Island | Margaret Winslow | Episode: "Eternal Flame/A Date with Burt" | |
1994 | Frasier | Connie (voice only) | Episode: "The Botched Language of Cranes" |
Accolades
Award | Category | Year | Nominated work | Result | Ref. |
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Golden Globe Award | Most Promising Newcomer - Female | 1958 | Until They Sail | Won | |
Laurel Award | Top Female New Personality | 1959 | — | Won | |
Top Female Comedy Performance | 1960 | Gidget | 5th place | ||
Top Female Star | — | 14th place | |||
1961 | — | 5th place | |||
1962 | — | 11th place | |||
Top Female Comedy Performance | 1963 | If a Man Answers | 4th place | ||
Top Female Star | — | 6th place | |||
Top Female Comedy Performance | 1964 | Take Her, She's Mine | 4th place | ||
Top Female Star | — | 7th place | |||
1965 | — | 9th place | |||
1966 | — | 10th place | |||
1967 | — | 14th place |
Box-office ranking
For a number of years, exhibitors voted Dee one of the most popular box-office stars in the United States:
- 1959—16th
- 1960—7th
- 1961—6th
- 1962—9th
- 1963—8th
See also
In Spanish: Sandra Dee para niños