Star WallowingBull facts for kids
Quick facts for kids
Star WallowingBull
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Born | Minneapolis, Minnesota
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August 18, 1973
Citizenship | White Earth Band of the Minnesota Chippewa Tribe, United States |
Notable work
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Black Elk's Little Sand Man Detritus of the Light People American Dreamers |
Parent(s) |
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Awards | NACF Regional Artist (2014) |
Star WallowingBull, born in 1973, is a talented Native American artist. He is famous for his unique drawings made with special colored pencils called Prismacolor. He is a member of the White Earth Band of the Minnesota Chippewa Tribe and also has Arapaho heritage. His art often uses shapes and figures that look like machines, and he gets ideas from Pop culture.
Contents
About Star WallowingBull
Early Life and Art
Star WallowingBull was born on August 18, 1973, in Minneapolis, Minnesota. His father, Frank Big Bear, was a well-known artist. Star started drawing when he was very young, at just 8 months old! He was inspired by Native American art, Pop Art, and famous European artists. As he grew up, he faced some challenges. He found that art helped him express himself. He used his art to show what life was like for Native American people as they adapted to new ways in the United States.
Starting His Art Career
Star's father, Frank Big Bear, helped him connect with an art dealer named Todd Bockley. This connection helped Star's career take off! His art was shown at the Weisman Art Museum in Minneapolis. Many art collectors loved his unique style, especially his use of Prismacolor pencils. These pencils gave his collage-like drawings a cool, metallic look.
The Native Arts and Cultures Foundation describes his work. They say he uses colored pencils and paint to explore how American Indian culture and U.S. pop culture mix in the 21st century. One of his early artworks is Black Elk’s Little Sand Man. This piece showed how different Indigenous cultures contrasted with what many people in the U.S. thought Indigenous culture was. His art helps us understand the different parts of identity for Native American people. They have faced many changes and challenges over time.
Learning from a Mentor
In 2005, Star WallowingBull met a very important person: James Rosenquist. Rosenquist was a famous artist who became Star's mentor. Star was having pain in his hands from drawing so much. Rosenquist taught him how to paint instead. He even gave Star $1000 and a full set of painting tools to help him start. Star continued to use painting in much of his work after this.
Teaching Art
Today, Star WallowingBull teaches art to students of all ages. He shares his knowledge and passion for art near his home in Minneapolis. He also teaches in parts of North Dakota and other areas of the Midwest.
Star WallowingBull's Artworks
Plains Art Museum Mural
In 2003, Star WallowingBull created a large mural for the Plains Art Museum in Fargo, North Dakota. He worked on this piece with his father, Frank Big Bear. This mural was different from some of Star's other works. It had a stronger influence from traditional Native art styles and patterns. The mural uses very bright colors. It shows native birds flying around the heads of gods, surrounded by abstract designs. A quote on the mural says, "I will not be there. I will not fall. Bury my heart at Wounded Knee." This refers to the Wounded Knee Massacre and honors the struggles of Indigenous people from the past.
American Dreamers
This artwork, made with Prismacolor pencils in 2000, is full of bright colors. It shows a Native American chief in the front. Another Native person holds a gun. Other Native elements, like deer, also appear. These are contrasted by a hundred-dollar bill in the background. You can also see faces of important American figures like Martin Luther King Jr. and John F. Kennedy. This piece shows how Star WallowingBull felt growing up, influenced by two different societies. The title, American Dreamers, suggests that Native American people share the same spirit as others searching for their identity.
Clown Face
Clown Face is one of Star's artworks that focuses on the environment. It was released in 2010 and printed in 2015 for the New Art 2.0 print for Eiteljorg Museum. This piece uses abstract colors and shapes. It features a man drawn with abstract Native patterns. You can also see rain, drawn in a similar abstract way, falling from the sky. The rain hits the man's arm, making it look like it's burning. This artwork is a comment on environmental issues like smog and acid rain. It shows how these problems can affect people and nature. The artist uses inverse colors to create a powerful image.
Art Shows and Exhibitions
Solo Exhibitions
Dates | Exhibition | Location |
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January 24, 2015 - July 31, 2015 | Star Wallowing Bull: Transformer Star Wallowing Bull: Mechanistic Renderings |
Plains Art Museum, Fargo, ND Museum of Contemporary of Native Arts, Santa Fe, NM |
October 23, 2013 - November 30, 2013 | Star Wallowing Bull: Mechanistic Renderings | Bockley Gallery, Minneapolis, MN |
November 21, 2009 - January 2, 2010 | Star Wallowing Bull: Wind-talker | Bockley Gallery, Minneapolis, MN |
November 18, 2008 - December 23, 2008 | The Art of Star Wallowing Bull | Bockley Gallery, Minneapolis, MN |
October 18, 2006 - November 15, 2006 | Star Wallowing Bull: Beyond Tradition | Bockley Gallery, Minneapolis, MN |
September 22, 2005 - January 8, 2006 | Between Two Cultures: The Art of Star Wallowing Bull | Plains Art Museum, Fargo, ND |
2001 | Star Wallowing Bull: Ubiquitous Visions | Plains Art Museum, Fargo, ND |
Group Exhibitions
Dates | Exhibition | Location | People Involved |
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January 31, 2014 - May 18, 2014 | Contemporary American Indian Art | Nerman Museum of Contemporary Art, Overland Park KS | Various Artists |
2013-14 | Before and after the Horizon: Anishinaabe Artists of the Great Lakes | Smithsonian National Museum of the American Indian, George Gustav Heye Center (August 3 - June 15, 2014) Art Gallery of Ontario, Toronto (July 26, 2014 - December 7, 2014) |
curated by David Penney and Gerald McMaster |
September 25, 2011 - August 10, 2011 | Vantage Point: The Contemporary Native Art Collection | Smithsonian National Museum of the American Indian, Washington, DC | Various Artists |
September 13, 2007 - October 27, 2007 | Oshki-bawaajige - New Dreaming | October Gallery, London, England | Frank Big Bear, Andrea Carlson, and Star WallowingBull |
September 28, 2004 - December 5, 2004 | Waasa Inaabidaa - We Look in All Directions | Carl Gorman Museum, University of California, Davis | curated by The Minneapolis Foundation |
2004 | Detritus of the Light People | Plains Art Museum, Fargo, ND | Frank Big Bear |
2000 | Contemporary Native Art in Minnesota | Weisman Art Museum, Minneapolis | Julie Buffalohead and Jim Denomie, curated by Kathie Bennewitz and Jill Boldenow |
Art Collections
Star WallowingBull's art can be found in several important collections, including:
- British Museum
- National Museum of the American Indian
- Plains Art Museum
- Weisman Art Museum
- Tweed Museum of Art
- Nerman Museum of Contemporary Art
Awards and Honors
Star WallowingBull has received several awards for his amazing artwork:
- Native Arts and Cultures Foundation Regional Artist Fellowship
- This fellowship helped him study the history of the Arapaho tribe and keep their cultural traditions alive through art.
- Bush Foundation - Bush Artist Fellowship
- Plains Art Museum, Art on the Plains 6 - Juror Award
- Smithsonian National Museum of the American Indian - Native Artist Fellowship