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Arthur Laurents
Outside of the Palace Theatre, 1983
Outside of the Palace Theatre, 1983
Born Arthur Levine
(1917-07-14)July 14, 1917
Brooklyn, New York City, U.S.
Died May 5, 2011(2011-05-05) (aged 93)
Manhattan, New York City, U.S.
Resting place Under a memorial bench in Quogue, New York
Occupation
  • Playwright
  • theatre director
  • film producer
  • screenwriter
Language English
Alma mater Cornell University
Period 1945–2011
Notable awards 1968 Tony Award for Best MusicalHallelujah, Baby!
1975 Drama Desk Award for Outstanding Director of a Musical – Gypsy
1977 Writers Guild of America Award for Best Original Screenplay – The Turning Point
1984 Tony Award for Best Direction of a Musical – La Cage aux Folles
Partner Tom Hatcher (co. 1954; d. 2006)

Arthur Laurents (July 14, 1917 – May 5, 2011) was an American writer and director. He wrote plays, musicals, and movie scripts. His career lasted for over 60 years. He won many awards, including two Tony Awards and a Drama Desk Award. He was also nominated for two Academy Awards.

Laurents wrote scripts for radio shows after college. During World War II, he wrote training films for the U.S. Army. After the war, he started writing for Broadway. He created famous musicals like West Side Story (1957) and Gypsy (1959). He won a Tony Award for Best Musical for Hallelujah, Baby! (1967). In 1983, he directed the musical La Cage aux Folles. For this, he won a Tony Award for Best Direction of a Musical.

Laurents also wrote for Hollywood movies. These include Alfred Hitchcock's thriller Rope (1948) and Anastasia (1956). He also wrote The Way We Were (1973) and The Turning Point (1977). For The Turning Point, he was nominated for two Academy Awards.

Early Life and Beginnings

Arthur Laurents was born Arthur Levine in Brooklyn, New York. His father was a lawyer, and his mother was a schoolteacher. He grew up in the Flatbush area of Brooklyn. He went to Erasmus Hall High School and then Cornell University.

After college, Laurents took a class in radio writing. His teacher, William N. Robson, helped him get his first script produced. It was a comedy called Now Playing Tomorrow. This success led him to write for other radio shows.

During World War II, Laurents joined the U.S. Army. He was assigned to a film studio in New York. There, he wrote training films for the army. He also wrote plays for a radio show called Armed Service Force Presents. This experience helped him learn about writing for film and theater. Later in life, he changed his last name from Levine to Laurents. He did this to help him get jobs.

A Career in Theatre

Harvey Fierstein, Jerry Herman, Arthur Laurents, La Cage aux Folles
Left to right:Harvey Fierstein, Jerry Herman, Arthur Laurents, creators of the musical La Cage Aux Folles, in front of the Palace theater where it is playing, 1983

Arthur Laurents' first play for the stage was Home of the Brave in 1945. Selling this play to a film studio helped him start his career in Hollywood. But he also kept writing plays.

In 1962, Laurents directed I Can Get It for You Wholesale. This musical helped make Barbra Streisand a star. He also wrote and directed Anyone Can Whistle. Later, he had big successes with the musicals Hallelujah, Baby! and La Cage Aux Folles.

Arthur laurents
Laurents in 2009

In 2008, Laurents directed a new Broadway version of Gypsy. In 2009, he directed a new version of West Side Story. This version included some Spanish words in the dialogue and songs. He wanted the characters to feel more real.

Writing for Hollywood

Laurents' first experience in Hollywood was difficult. He wrote a script for the movie The Snake Pit (1948). But he did not get credit for his work. This meant he missed out on some benefits later in his career.

After this, Alfred Hitchcock hired him to write Rope (1948). Laurents had to change the British play for an American audience. He also had to be careful because of strict rules about what could be shown in movies. He wrote the script so that the audience would understand the characters without anything being said directly.

Laurents also wrote the scripts for Anastasia (1956) and Bonjour Tristesse (1958). His movie The Way We Were (1973) included some of his own life experiences. He also wrote The Turning Point (1977).

Facing Challenges

During the 1950s, some people in Hollywood were "blacklisted." This meant they were not allowed to work because of their political views. Arthur Laurents was also blacklisted for a time. This happened because a newspaper called the Daily Worker had reviewed his play Home of the Brave.

Because of the blacklist, Laurents could not get a passport. He spent time trying to clear his name. After explaining his beliefs, his passport was given back. Soon after, he was offered a movie writing job. This showed that the blacklisting had ended for him.

Memoirs and Later Life

Laurents wrote several books about his life and career. His book Original Story By Arthur Laurents: A Memoir of Broadway and Hollywood was published in 2000. In it, he shared stories from his long career. He also wrote Mainly on Directing: Gypsy, West Side Story and Other Musicals in 2009. This book discussed the musicals he directed. His last memoir, The Rest of the Story, was published after he passed away in 2012.

Arthur Laurents lived with his partner, Tom Hatcher, for 52 years. Tom Hatcher passed away in 2006.

Death

Arthur Laurents passed away on May 5, 2011, in Manhattan. He was 93 years old. The lights of Broadway theaters were dimmed for one minute in his memory. His ashes were buried next to Tom Hatcher's in Quogue, New York.

Work

Writing

Musicals
Novels
  • The Way We Were – 1972
  • The Turning Point – 1977
Plays
  • Home of the Brave – 1945
  • The Bird Cage – 1950
  • The Time of the Cuckoo – 1952
  • A Clearing in the Woods – 1957
  • Invitation to a March – 1960

Directing

  • Invitation to a March – 1960
  • I Can Get It for You Wholesale – 1962
  • Anyone Can Whistle – 1964
  • Gypsy – 1974 – Tony Nomination for Best Direction of a Musical
  • The Madwoman of Central Park West – 1979
  • La Cage aux Folles – 1983 – Tony Award for Best Direction of a Musical
  • Nick & Nora – 1991
  • West Side Story - 1998 Prince Edward theatre London
  • Gypsy – 2008 – Tony Award nomination as Best Director of a Musical
  • West Side Story – 2009 Broadway Revival

Additional Credits

  • Anna Lucasta (screenwriter)
  • A Clearing in the Woods (playwright)
  • Invitation to a March (playwright, director)
  • The Madwoman of Central Park West (playwright, director)
  • My Good Name (playwright)
  • Jolson Sings Again (playwright)
  • The Enclave (playwright, director)
  • Radical Mystique (playwright, director)
  • Big Potato (playwright)
  • Two Lives (playwright)
  • My Good Name (playwright)
  • Claudia Lazlo (playwright)
  • Attacks on the Heart (playwright)
  • 2 Lives (playwright)
  • New Year's Eve (playwright)
  • Come Back, Come Back, Wherever You Are (playwright, director)
  • Caught (screenwriter)
  • Rope (screenwriter)

Awards and Honors

Year Award Category Work Result Ref.
1977 Academy Awards Best Picture The Turning Point Nominated
Best Screenplay – Written Directly for the Screen Nominated
1957 British Academy Film Awards Best British Screenplay Anastasia Nominated
1958 Bonjour Tristesse Nominated
1975 Drama Desk Awards Outstanding Director of a Musical Gypsy Won
1948 Edgar Allan Poe Awards Best Motion Picture Rope Nominated
1977 Golden Globe Awards Best Screenplay – Motion Picture The Turning Point Nominated
1999 National Board of Review Awards Best Screenplay (for career achievement) N/A Won
1958 Tony Awards Best Musical West Side Story Nominated
1960 Gypsy Nominated
1968 Hallelujah, Baby! Won
1975 Best Direction of a Musical Gypsy Nominated
1984 La Cage aux Folles Won
2008 Gypsy Nominated
1973 Writers Guild of America Awards Best Drama – Written Directly for the Screen The Way We Were Nominated
1977 The Turning Point Won

Honors In 2010, a new award was created in his honor: The Laurents/Hatcher Foundation Award. This award helps new American playwrights who write plays about important social topics. The award gives money to the writer and also helps pay for the play to be produced.

See Also

  • List of Jewish American playwrights
  • List of novelists from the United States
  • List of pneumonia victims
  • List of people from Brooklyn, New York
  • List of playwrights from the United States
  • List of theatre directors
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