Little Eva: The Flower of the South facts for kids
Front cover of the first edition, stereotyped by Vincent Dill
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| Author | Philip J. Cozans |
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| Illustrator | Vincent Dill (stereotyper) |
| Country | United States |
| Language | English |
| Genre | Anti-Tom literature |
| Published | Philip J. Cozans |
| Media type | Print (hardcover) |
| Pages | 8 (first edition) |
| OCLC | 990067664 |
Little Eva: The Flower of the South is an Anti-Tom children's book by American writer Philip J. Cozans. Although its publication date is unknown, scholars estimated the release was either in the 1850s or early 1860s. The book follows Little Eva, the daughter of a wealthy Alabama planter. She is characterized through her kindness toward slaves as she reads the Bible to them and teaches the alphabet to slave children. On her ninth birthday, Little Eva nearly drowns, but is rescued by a slave named Sam. Her parents free Sam who decides to remain with the family because he loves them.
Like other Anti-Tom literature, the book was published as a response to Harriet Beecher Stowe's criticism of slavery in the United States in her 1852 novel Uncle Tom's Cabin. Scholars have identified its protagonist as a loose adaptation of the Uncle Tom's Cabin character Little Eva. Little Eva: The Flower of the South was one of the few Anti-Tom books intended for children.
A major theme of the book is education during the slave period in the United States, which is explored through Little Eva's portrayal as an educator. This version of the character was introduced in an Uncle Tom's Cabin illustration, and popularized by artists and children's literature writers, such as Cozans. The book has also been the subject of academic analysis for its proslavery message, although one scholar described it as an "embattled text" with an "abolitionist impetus".
Plot
Little Eva, the daughter of a wealthy Alabama planter, is known as the "Flower of the South" due to her kindness. She teaches slave children the alphabet, and both Little Eva and the children enjoy the lessons. Little Eva comforts her old nursemaid by giving her chicken broth and keeping her informed of the news. The nursemaid enjoys her company and shares memories of Little Eva's infancy.
Every Sabbath morning, Little Eva reads the Bible to the slaves; even though she has taught several slaves to read, they prefer to listen to her. Little Eva frequently wakes up early to take walks and pick flowers for her mother. On her ninth birthday, she tries to pick grass by a body of water but falls into it and nearly drowns. A slave named Sam rescues her. Little Eva gives Sam a Bible, and her parents free him. He chooses to remain with the family because he loves them.
Background
Historical background
Little Eva: The Flower of the South is an example of Anti-Tom literature, a literary movement created in response to Harriet Beecher Stowe's criticism of slavery in the United States in her 1852 novel Uncle Tom's Cabin. The Anti-Tom novel was preceded by the plantation novel, and while similar, they are separate types of literature. Slavery received a more "incidental treatment" in plantation literature, but was more prominently featured in Anti-Tom literature. Lisa Hinrichsen and Michael Pitts, writing for the Oxford Research Encyclopedia of Literature, considered Little Eva: The Flower of the South one of the "key publications that serve to romanticize the South while condemning the abolitionist ideals of Stowe’s novel". It is one of the few instances of Anti-Tom children's literature. Prior to the book's release, its writer and publisher Philip J. Cozans already had an established reputation in children's literature, and was likely motivated by John P. Jewett's success publishing Uncle Tom's Cabin to release Little Eva: The Flower of the South and Little Eva, the First Book.
In both of his Little Eva books, Cozans reimagined Little Eva, a minor Uncle Tom's Cabin character, as the protagonist. Historian Robert D. Morritt remarked that the Little Eva from Stowe and Cozans could be the same character "to a certain degree". Other children's books had also elevated the character to the lead role, including All about Little Eva, printed in 1853 by British publisher Partridge and Oakey. In his version, Cozans introduced the "Flower of the South" nickname for Little Eva, and made several revisions to her character. Little Eva: The Flower of the South is set in Alabama rather than New Orleans, and Little Eva is rescued by Sam instead of Uncle Tom. Cozans aged up Little Eva from six-years-old to nine-years-old. Stowe and Cozans both characterized Little Eva through her kindness, but Cozans depicted her as not taking any issues with slavery.
Education
A prominent theme in the book is education during the slave period in the United States. The portrayal of Little Eva as an educator was first popularized by an illustration in the first edition of Uncle Tom's Cabin. In the image, Little Eva engages in a "a pedagogical exchange with Tom", which displaced the novel's description that he was her "confidant rather than pupil". This idea was further expanded on by children's literature writers, like Cozans, and illustrators. Stowe connected Little Eva with education in a more limited way, by writing how she advised slaves to convert to Christianity and attend Bible readings whenever possible. Unlike Cozans' book, in Uncle Tom's Cabin, Little Eva does not organize classes for slaves.
The book presents education through personalism, with a focus on how a "charismatic teacher mediates between the slave and the printed word" and an argument in favor of a "necessity and moral authority of white intervention". Scholars noted that Little Eva is presented as the ideal Southern belle who uses teaching to fulfill the Noblesse oblige concept. The Roy Rosenzweig Center for History and New Media posed questions on the book's representation of "southern white girlhood", asking if southern adolescent girls really challenged slavery, the patriarchy, and the "late 19th and 20th century social order".
Images for kids
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Anti-Tom novels, like Little Eva: The Flower of the South, were written in response to Harriet Beecher Stowe (depicted in 1855).
