Niño Ricardo facts for kids
Quick facts for kids
Niño Ricardo
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![]() Statue of Niño Ricardo. Cristo de Burgos Square. Seville.
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Background information | |
Birth name | Manuel Serrapí Sánchez |
Born | 11 July 1904 Seville, Spain |
Died | 14 April 1972 (aged 67) |
Genres | Flamenco |
Occupation(s) | Flamenco guitarist |
Instruments | flamenco guitar |
Manuel Serrapí Sánchez (born July 11, 1904 – died April 14, 1972) was a famous Flamenco guitar player and composer from Spain. He was known by his stage name, Niño Ricardo. Many people thought he was the best flamenco guitarist of his time. He played a huge part in how the flamenco guitar style grew and changed. He lived in the heart of Seville. When he was a child, he was so good at playing the guitar that people called him "Niño de Ricardo," which means "Ricardo's boy." This is how he got his stage name.
Contents
Early Life
Manuel was born on July 11, 1904, in a typical neighborhood in Seville, Spain. Today, you can see a hotel there with a special plaque honoring him.
His father, Ricardo Serrapí Torres, was also a guitarist. Along with a family friend named Antonio Moreno, they taught young Manuel about the world of flamenco when he was 13. At first, like his father, he didn't plan to play guitar for a living.
However, a guitarist named Javier Molina gave Niño Ricardo his first chance to perform. Manuel was only 14 years old. He joined a flamenco show where he met many singers. He would go on to play with them in Spain and other countries for the rest of his life. His professional career really took off in 1924. He started recording his own music when he was 20.
His Unique Guitar Style
Niño Ricardo had a special way of growing his fingernails. They curved upwards, which affected how he played and the sound he made. After a throat operation in 1945, his voice became deep and a bit rough. You can hear him humming along to his music in some of his recordings.
He was very creative with his guitar playing. He made up his own falsetas, which are short, improvised musical phrases. His left hand created bright and interesting chord arrangements. His right hand was unique because he constantly moved his fingers across the strings, creating a strong, rhythmic beat. Many singers said they performed their best when Niño Ricardo played with them. He loved to play and sing along with his guitar, which encouraged others to join in.
He was one of the smartest flamenco players ever. He believed that the guitar was his "religion." He said that the guitar and the singing should have a "dialogue." This meant that neither the singing nor the guitar should overpower the other. Many believe that flamenco guitar would not be the same without him. He created a completely new style that changed guitar playing. This style was so unique that it was called 'Ricardismo,' meaning "very much Ricardo." He brought a new challenge to flamenco guitar playing.
Who Influenced Him
Niño Ricardo was inspired by other flamenco players. These included Pepe Pinto, Manuel Torre, El Niño Gloria, Escacena, and Antonio Mairena. He spent his early years playing in bars and taverns in Seville. This is where he developed his own special style and created many of his songs. He was also inspired by three great flamenco guitarists: Ramón Montoya, Manolo de Huelva, and Javier Molina. Javier Molina helped him at the start of his professional career. Ricardo recorded music with many famous singers, such as Pastora, El Carbonerillo, Mazaco, Antonio and Manuel Mairena, Fernanda y Bernarda, Caracol, and Talega.
Later Life and Passing
Niño Ricardo married Lola Siguenza when he was in his early twenties. They had two children together.
In 1945, he had throat surgery. This made his voice deeper, but it did not stop him from playing music. You can easily recognize his voice in recordings where he hums while playing.
Niño Ricardo passed away in 1972 at the age of 67, due to a serious liver illness. There is a monument at his grave in the San Fernando Cemetery in Seville. It shows an angel lifting a guitar towards the sky. This monument was created by sculptor Sandino. Money for it came from a tribute album released in 1972. On this album, famous artists like Paco de Lucía and Sabicas, and Ricardo's own son, played his songs. In 2004, people celebrated 100 years since Niño Ricardo's birth in southern Spain. In 2005, a monument and a plaque were placed in the Plaza del Cristo de Burgos, near where he was born.
His Lasting Impact
After the Spanish Civil War and World War II, flamenco guitar music was greatly shaped by players like Niño Ricardo and Sabicas. Many modern flamenco guitarists were influenced by Ricardo. These include Paco de Lucia, Paco Peña, and Juan Martín.
He taught many guitarists of his time, such as Paco de Lucía, Enrique de Melchor, and Serranito. Paco de Lucia often said that Niño Ricardo "was the greatest master of the guitar of our generation. He was like the Godfather of flamenco guitar. We learned so much from him and tried to play like him."
He recorded with some of the most famous singers of his time. These included Porrina de Badajoz, La Niña de los Peines, Pastora, Tomás, Pepe Pinto, Gloria, Vallejo, El Carbonerillo, Mazaco, Antonio Chacón, Manuel Mairena, Fernanda y Bernarda, Caracol, and Talega. He especially liked playing with Manuel Torre. He toured with these singers in the 1940s. In 1949, he also performed in Mexico with Sabicas.
Niño Ricardo also wrote songs for many singers. For example, he composed "El emigrante" ("The Emigrant") and "El rey de la carretera" ("King of the Road") for Juanito Valderrama. These became some of Valderrama's biggest hits.
Films and Recordings
Niño Ricardo appeared in several films and made many recordings.
Partial Filmography
- Niño Ricardo appears in many episodes of NODE.
- Café de Chinitas, where he also speaks.
- El Rey de la Carretera. (The King of the Road.) (1956)
- Puente de Coplas.
Partial Discography
Many of his older recordings have been lost. However, some CDs are still available. You can find his music in the "Masters of flamenco guitar" collection. Many recordings from his early career, which show how his musical style grew, are now missing. Some copies are kept by fans and collectors. Below are some of his available recordings, either solo or with singers.
Solo guitar
Title |
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El genio de Niño Ricardo" |
[[Grandes Figuras del Flamenco (Vol. 11). Niño Ricardo
Niño Ricardo]] |
[[Toques Flamencos de Guitarra. Historia del Flamenco
Niño Ricardo]] |
Recital de guitarra flamenca |
Composer and accompanist
Title |
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Grandes maestros de la Guitarra Flamenca. Vol. 2 |
Maestros de la guitarra flamenca Vol. 2 |
Rito y geografía del toque. Vol.1 |
Pa saber de guitarra |
Grandes maestros de la Guitarra Flamenca. Vol. 1 |
Cantes Gitanos, La Niña de los Peines |
Cantaores de Época. Campanilleros y otros éxitos |
Antología "La época dorada del flamenco". Vol. 42 |
Rito y geografía del toque. Colección completa. |
Por Siguiriyas |
Los cantes hispanoamericanos en el mundo del flamenco |
Antología "la época dorada del flamenco". Vol. 21 |
Antología "La época dorada del flamenco". Vol. 39 |
Antología "La época dorada del flamenco". Vol. 40 |
Por Malagueñas, Granaínas y Media Granaína |
Maestros de la guitarra flamenca Vol. 6 |
Rito y geografía del baile Vol 4. |
Grabaciones discos pizarra. 1930 - 1940. La Niña de los Peines |
Antología del cante flamenco. Flamencología Vol. 2 |
Maestros de la guitarra flamenca Vol. 8 |
Villancicos Flamencos. Grabaciones de Discos de Pizarra año 1930-50. Vol 1 |
Grandes Maestros del flamenco |
Maestros del cante flamenco Vol. 2 |
Homenaje al Niño Ricardo in memoriam |
Cantaores de Época Vol. 3 |
Grabaciones discos pizarra. 1930. Carbonillero |
Grabaciones discos pizarra. 1930 - 1950. Niña de la Puebla |
Antología "la época dorada del flamenco". Vol. 10 |
Antología del cante flamenco. Flamencología Vol. 4 |
Antología del cante Flamenco. Flamencología Vol. 7 |
Antología "la época dorada del flamenco". Vol. 23 |
Cinco guitarras históricas |
Antología "la época dorada del flamenco". Vol. 4 |
Antología "la época dorada del flamenco". Vol. 24 |
Flamenco Histórico. Vol. 8 |
Antología "la época dorada del flamenco". Vol. 5 |
Los ases del flamenco. Vol. 1. |
Grabaciones discos pizarra. 1930. Canalejas de Puerto Real |
Arte Flamenco Vol. 13 Nostalgia (Años 30) |
Grabaciones discos pizarra. 1935 - 1950. Juanito Valderrama |
Grabaciones discos pizarra. 1930 - 1940. Pepe Pinto |
Antología "la época dorada del flamenco". Vol. 8 |
Antología del cante flamenco. Flamencología Vol. 5 |
Antología "la época dorada del flamenco". Vol 17 |
Gabriel Moreno - Lo aflamencado. Flamencos en los archivos de RTVE. Vol. 11 |
Vol.1. Grabaciones de 1920-1940 |
Antología "La época dorada del flamenco". Vol. 3 |
Antología "la época dorada del flamenco". Vol. 9 |
Maestros del cante flamenco Vol. 1 |
Figuras del cante jondo, El Niño de Gloria |
Antología "la época dorada del flamenco". Vol. 25 |
Cantes antiguos del flamenco, Enrique Morente |
Antología del cante flamenco. Flamencología volumen 6 |
Copa Pavón y Llave de Oro del Cante Manuel Vallejo |
Grabaciones discos pizarra. 1930 - 1940 - 1950. Manolo Caracol |
El cante flamenco de Manolo Caracol |
Primeras grabaciones 1924 - 1934 Niño de Marchena |
Flamenco Histórico. Vol. 9 |
Antología "la época dorada del flamenco". Vol. 7 |
Copa Pavón y Llave de Oro del Cante. Vol. 2 |
Cantaores de época. Pepe Marchena. Vol 6 |
La Niña de los Peines y Manuel Vallejo |
Antología Manolo Caracol |
Early Cante Flamenco |
Grabaciones discos pizarra. 1945 - 1950. Porrina de Badajoz |
Flamenco viejo. Vol. III |
El cante flamenco de Canalejas de Puerto Real |
Cantaores de Época: Pepe Pinto / Niña de los Peines |
Antología de guitarristas flamencos |
La Perla de Triana y Familia. Grabaciones privadas 1964 - 1968 |
Niño de Marchena. Vol.1 |
El cante flamenco de Manuel Vallejo |
Cátedra del Cante Vol. 38. El Chato de las Ventas |
Cátedra del Cante Vol. 28. José Cepero |
Cátedra del Cante Vol. 14. Niño Gloria |
See also
In Spanish: Niño Ricardo para niños