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Society of Illustrators
Formation February 1, 1901; 121 years ago (1901-02-01)
Founder Henry S. Fleming, Otto Henry Bacher, Frank Vincent DuMond, Henry Hutt, Albert Wenzell, Albert Sterner, Benjamin West Clinedinst, F. C. Yohn, Louis Loeb, and Reginald Birch
Purpose Encourage high ideals through exhibitions, lectures, education, and by fostering a sense of community and open discussion. Its mission is to promote the art and appreciation of illustration, as well as its history.
  • 128 E. 63rd Street, New York, New York
Fields Illustration
Anelle Miller (2007-present)
Subsidiaries Museum of Comic and Cartoon Art

The Society of Illustrators is a professional society based in New York City. It was founded in 1901 to promote the art of illustration and, since 1959, has held an annual exhibition.



Illustrators at play 2-19-14 LCCN2014695493 (cropped)
Society of Illustrators members at the Berkeley Theater in Manhattan, 1914

The Society of Illustrators was founded on February 1, 1901, by a group of nine artists and one advising businessman. The advising businessman was Henry S. Fleming, a coal dealer who offered his legal staff to the Society in an advisory role and also served as the Society of Illustrators Secretary and Treasurer for many years. The nine artists who, with Fleming, founded the Society were Otto Henry Bacher, Frank Vincent DuMond, Henry Hutt, Albert Wenzell, Albert Sterner, Benjamin West Clinedinst, F. C. Yohn, Louis Loeb, and Reginald Birch. The mission statement was "to promote generally the art of illustration and to hold exhibitions from time to time". Women first became part of the organization in 1903, when Elizabeth Shippen Green and Florence Scovel Shinn were named Associate Members; but women were prohibited from full membership until 1922.

World War I

J. M. Flagg's 1917 poster, used to recruit soldiers for both World War I and World War II. Flagg used a modified version of his own face for Uncle Sam, and veteran Walter Botts provided the pose.

During the World War I years, with Charles Dana Gibson as the acting president, Society members worked through the Committee on Public Information's Division of Pictorial Publicity, creating many original poster designs, including James M. Flagg's US Army iconic recruiting poster of Uncle Sam, as well as advertising of the massive War Bond effort. Photo journalism was impractical during these years and eight Society members, commissioned Captains in the Engineers, were sent to France to sketch the war. After the war, the Society operated the School for Disabled Soldiers.


In 1920, the Society was incorporated, and in 1922 women were allowed to become full members.

The early history of the Society was documented in 1927 and 1939 by Norman Price. His hand written notes are held in the Society of Illustrators archives.

During the 1920s and 1930s the Society presented the Illustrator's Shows, featuring artists and their models as actors, songwriters, set designers and painters. Professional talent such as the Cotton Club band and Jimmy Durante also performed. Through member and set designer Watson Barrett, the Illustrator's Show of 1925 was held at the Shubert Theatre, and the Shuberts purchased the rights to the skits for their Broadway productions of Artists and Models. In 1939, those funds allowed the Society to acquire its present headquarters, at 128 East 63rd Street. Norman Rockwell's Dover Coach became the backdrop for the bar on the fourth floor, donated by Rockwell in honor of the Society's new building. This painting currently hangs in the Members Dining Room.

World War II


In 1948, the Joint Ethics Committee, of which The Society is a member developed the first Code of Fair Practice, which still serves today in addressing concerns of artists and art directors working in the graphic communications field where abuses and misunderstandings regarding usage rights and ownership of works of illustration and other works of art created for a wide range of public media.

In 1954, the U.S. Air Force began sending Society of Illustrators members around the world to document its activities. This program continues today. Thousands of paintings have been contributed over the years.

The year 1959 saw the Society hold its first Annual Exhibition, juried by Bob Peak, Bradbury Thompson, Stevan Dohanos and others. It opened with 350 original works of art and led to the publication of the first Illustrators Annual.


Society of Illustrators (48064102492)
Current Headquarters (2019)

2001 was the Society's centennial year, a 12-month celebration begun with the U.S. Postal issue, Great American Illustrators. That year was punctuated with the 9/11 Memorial Exhibition, Prevailing Human Spirit.

The Society of illustrators continues to maintain an annual of illustration, student scholarship competitions and various awards honoring excellence in the field of illustration. The Society maintains outreach programs with The New York City Parks Department (2001–present), the New York City Board of Education (1999–present).

Anelle Miller has been the director of the Society since 2007.

Society Presidents

As of 2020, the president of the Society of Illustrators is Tim O'Brien.

Notable past presidents of the Society:

  • Charles Dana Gibson (1904–1905, 1909–1920)
  • Albert Sterner (1907–1908) — founding member
  • George Hand Wright (1926–1927)
  • Wallace Morgan (1929–1936)
  • Harold von Schmidt (1938–1941)
  • Albert Dorne (1947–1948)

The Museum of American Illustration and Exhibitions

New York View Art Exhibit (18486043822)
The Museum of American Illustration, Main Upstairs Gallery

The Museum of American Illustration was established at the Society in 1981, under the stewardship of then President John Witt. The Society’s permanent collection, featuring pieces on rotational display throughout the building, includes nearly 2500 works by such artists as Norman Rockwell, Howard Pyle, N.C. Wyeth, James Montgomery Flagg, Bob Peak and Bernie Fuchs.

The Museum hosts the Annual Illustration show and smaller topical exhibits related to illustration. In recent years, the main galleries have played host to numerous acclaimed, contemporary, and popular exhibitions including:

  • R. Crumb: Lines Drawn on Paper (March 23- April 11, 2011), curated by Monte Beauchamp.
  • Maurice Sendak: A Celebration of the Artist and his Work (June 11-August 17, 2013), curated by Justin Schiller and Dennis David.
  • The ZAP Show (March 2-May 17, 2016), curated by Monte Beauchamp and Eric Sack.
  • Will Eisner: The Centennial Celebration 1917–2017 (March 1-June 3, 2017).
  • The Art of MARCH: A Civil Rights Masterpiece (February 28-June 30, 2018), curated by John Lind and Charles Brownstein.
  • Illustrating Batman: Eighty Years of Comics and Pop Culture (June 12-October 12, 2019), curated by Rob Pistella, John Lind, and Chip Kidd.

The Museum of Comic and Cartoon Art (MoCCA) transferred its assets in August 2012 to the Society, which has continued the MoCCA Fest. The Society also has a gallery on the second floor dedicated to MoCCA that frequently hosts smaller exhibits of comic book art.


The Society of Illustrators inaugurated the Hall of Fame program in 1958, to recognize "distinguished achievement in the art of illustration". The first recipient was Norman Rockwell. Like other recognized artists, he was elected by former Society presidents for his contributions to the field of illustration. Every year since 1958, one or more illustrators have been added to the Hall of Fame. In 2001, two additional forms of recognition were added: Dean Cornwell Recognition Award and the Arthur William Brown Achievement Award, which may be awarded annually.

In 1965, The Society established The Hamilton King Award, which is given annually to one society member, and is widely considered to be the most prestigious award in illustration.

In 1981, The Society established the Student Scholarship Competition, which has continued annually to the present. The Highest Award presented to a student by the society is the Zankel Scholarship Award, established in 2006 in honor of Arthur Zankel, an advocate for higher education whose bequest made the scholarship possible.

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