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Francis Picabia
Francis Picabia, 1919, Danse de Saint-Guy, The Little Review, Picabia number, Autumn 1922.jpg
Francis Picabia, 1919,
inside Danse de Saint-Guy
Born
Francis-Marie Martinez Picabia

(1879-01-22)22 January 1879
Paris, France
Died 30 November 1953(1953-11-30) (aged 74)
Paris, France
Known for Painting
Notable work
Amorous Parade
Movement Cubism, Abstract art, Dada, Surrealism
Spouse(s) Gabrièle Buffet-Picabia

Francis Picabia (born Francis-Marie Martinez de Picabia; 22 January 1879 – 30 November 1953) was a French painter, poet, and designer. He was known for his "avant-garde" art, which means he created new and experimental styles.

Picabia explored many art movements. He started with Impressionism and Pointillism. Later, he became famous for his colorful and bold abstract paintings. He was a key figure in the Dada movement in the United States and France. He also briefly joined Surrealism before creating his own path.

About Francis Picabia

His Early Life

Francis Picabia, 1912, La Source, The Spring, oil on canvas, 249.6 x 249.3 cm, Museum of Modern Art, New York. Exhibited, 1912 Salon d'Automne, Paris
Francis Picabia, 1912, La Source (The Spring), a large oil painting.

Francis Picabia was born in Paris, France. His mother was French, and his father was Cuban with Spanish roots. His family was wealthy.

Sadly, his mother died when he was seven years old. His grandmother also passed away soon after. Francis was then raised by his father.

From a young age, Picabia showed great artistic talent. When he was 15, he copied some Spanish paintings. He secretly swapped his copies for the real ones. Then he sold the originals to buy stamps for his collection!

His Art Journey

In the late 1890s, Picabia began studying art. He attended the École des Arts Decoratifs in Paris. Famous artists like Vincent van Gogh had also studied there.

For two years, he learned from teachers like Fernand Cormon. By the time he was 20, Picabia was earning a living from his paintings. He also inherited money, which made him financially independent.

Early Influences

From 1903 to 1908, Picabia painted in the style of Impressionism. He was inspired by artists like Alfred Sisley. His paintings showed everyday scenes. These included small churches, Paris rooftops, and riverbanks.

Some art critics said his work looked too much like other Impressionist painters. They felt he was not original enough.

Francis Picabia - Caoutchouc
Francis Picabia, around 1909, Caoutchouc.

Moving to Cubism

Around 1909, Picabia's style changed. He became interested in a new art movement called Cubism. Cubist artists broke objects into geometric shapes. They showed different angles of a subject at the same time.

Picabia joined a group of artists who would later be called the "Golden Section." In the same year, he married Gabrielle Buffet. They later divorced in 1930.

Salon d'Automne 1912, Paris, works exhibited by Kupka, Modigliani, Csaky, Picabia, Metzinger, Le Fauconnier
Artworks displayed at the Salon d'Automne in Paris, 1912.

Around 1911, Picabia joined the Puteaux Group. He met many artists there, including Marcel Duchamp and Guillaume Apollinaire. This group helped shape his new artistic ideas.

Francis Picabia, 1913, Udnie (Young American Girl, The Dance), oil on canvas, 290 x 300 cm, Musée National d’Art Moderne, Centre Georges Pompidou, Paris.
Francis Picabia, 1913, Udnie (Young American Girl, The Dance).
Francis Picabia paintings published in New York Tribune, 9 March 1913
Picabia's paintings featured in the New York Tribune, 1913.

The Dada Movement

Picabia was the only Cubist artist to attend the famous Armory Show in New York in 1913. This show introduced modern art to America. He even had his own exhibition there.

From 1913 to 1915, Picabia visited New York City several times. He played a big part in bringing new art ideas to America. During this time, France was involved in World War I.

In 1915, Picabia traveled to New York again. He was on his way to Cuba for a business trip. But he found New York City so interesting that he stayed longer.

Francis Picabia, 1915, New York.
Three of Picabia's "mechanical portraits" from 1915.

During these years, Picabia created his "mechanical portraits." These artworks looked like machine parts. They were part of his early involvement with the Dada movement. Dada was an art movement that challenged traditional art. It often used humor and nonsense to express ideas.

Dada in Europe

Picabia Machine Turn
Machine Turn Quickly, 1916–1918.

In 1916, Picabia started his own Dada magazine called 391 in Barcelona, Spain. He continued publishing it with the help of Marcel Duchamp in the United States.

Later, Picabia met Tristan Tzara in Zurich, Switzerland. Tzara's radical ideas excited Picabia. Back in Paris, Picabia became a key figure in the Dada scene. He was known for being a "provocateur," someone who liked to stir things up.

Francis Picabia, Réveil Matin (Alarm Clock), Dada 4-5, Number 5, 15 May 1919
Francis Picabia, Réveil Matin (Alarm Clock), 1919.

Picabia stayed involved with Dada until 1921. Then he became interested in Surrealism. Surrealism was another art movement that explored dreams and the unconscious mind. He later criticized the Dada movement and its leader, André Breton.

In 1924, Picabia appeared in the surrealist film Entr'acte. He was shown firing a cannon from a rooftop! The film was an intermission for his avant-garde ballet, Relâche.

Later Years

In 1922, André Breton restarted his magazine Littérature. He gave Picabia complete freedom to design the covers. Picabia used religious images and symbols from games of chance.

In 1925, Picabia returned to painting in a more realistic style. In the 1930s, he became good friends with the writer Gertrude Stein.

Francis Picabia, Francis chante le Coq, 391, n. 14, November 1920
Francis Picabia, Francis chante le Coq, 1920.

In 1940, he married Olga Mohler. This was on the same day that the Nazis took over Paris during World War II. Soon after, he moved to the South of France.

After the war, he returned to Paris. He went back to painting abstract art and writing poetry. A large show of his work was held in Paris in 1949. Francis Picabia passed away in Paris in 1953. He is buried in the Montmartre Cemetery.

His Legacy

Picabia's artworks are held in major museums around the world. These include the Museum of Modern Art in New York and the Tate Gallery in London.

In 2016, a big exhibition of his work was held. It was called Francis Picabia: Our Heads Are Round so Our Thoughts Can Change Direction. It was shown at the Kunsthaus Zürich and the Museum of Modern Art in New York.

Many artists have been influenced by Picabia's unique style. These include American artists David Salle and Julian Schnabel.

Art Market

Picabia's paintings are very valuable. In 2003, one of his paintings sold for US$1.6 million. In 2013, his painting Volucelle II sold for US$8.789 million at an auction.

Gallery

See also

Kids robot.svg In Spanish: Francis Picabia para niños

  • Dadaglobe
  • Anti-art
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