Hou Hsiao-hsien facts for kids
Quick facts for kids
Hou Hsiao-hsien
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Hou in February 2016 at a screening of The Assassin at the Cinémathèque Française.
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Born | Meixian County, Guangdong, Republic of China
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8 April 1947 ||||||||||||||||||||
Occupation | Film director Screenwriter Producer Actor |
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Spouse(s) | Tsao Pao-feng | ||||||||||||||||||||
Children | 1 | ||||||||||||||||||||
Awards | Golden Lion : 1989 A City of Sadness Jury Prize (Cannes Film Festival) : 1993 The Puppetmaster Leopard of Honour : 2007 Best Director Award (Cannes Film Festival) : 2015 The Assassin Golden Horse Awards – Best Feature Film 2015 The Assassin Best Adapted Screenplay 1983 Growing Up 1984 Ah Fei Best Original Screenplay 1985 The Time to Live and the Time to Die Best Director 1989 A City of Sadness 1995 Good Men, Good Women 2015 The Assassin Best Taiwanese Filmmaker of the Year 2005 Three Times 2015 The Assassin Lifetime Achievement Award 2020 |
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Chinese name | |||||||||||||||||||||
Traditional Chinese | 侯孝賢 | ||||||||||||||||||||
Simplified Chinese | 侯孝贤 | ||||||||||||||||||||
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Hou Hsiao-hsien (born April 8, 1947) is a famous film director, screenwriter, producer, and actor from Taiwan. He is known as a very important person in world cinema and a leader in Taiwan's New Wave cinema movement. This movement brought new ideas and styles to filmmaking.
Hou has won many top awards for his movies. He won the Golden Lion award at the Venice Film Festival in 1989 for his film A City of Sadness. He also won the Best Director award at the Cannes Film Festival in 2015 for The Assassin. Other well-known films he directed include The Puppetmaster (1993) and Flowers of Shanghai (1998).
Many film critics have praised Hou's work. He was even called "Director of the Decade" for the 1990s by important film magazines. In 1998, a poll of critics said he was "one of the three directors most crucial to the future of cinema."
Life and Career
Hou Hsiao-hsien was born in Meixian District, Guangdong, China, in 1947. His family moved to Taiwan when he was very young. He studied at the National Taiwan University of Arts.
Hou is known for making serious and beautiful films. These films often show how big changes in Taiwanese history affected regular people. For example, his film A City of Sadness (1989) tells the story of a family during a difficult time in Taiwan after World War II. This film was brave because it talked about the February 28 Incident and the White Terror, which were events where many Taiwanese people suffered under the new government. This film was a huge success and was the first Taiwanese movie to win the top prize at the Venice Film Festival.
His movies often use very long shots with little camera movement. He lets actors improvise a lot, which means they make up some of their lines as they go. This makes the acting feel very natural. Hou has often worked with writer Chu T’ien-wen and famous puppeteer Li Tian-lu, who even acted in some of his films, like The Puppetmaster.
Hou's films have won awards at major international festivals like Venice, Cannes, and Berlin. Six of his films have been nominated for the Palme d'Or, which is the top award at the Cannes Film Festival.
In 2003, Hou directed a Japanese film called Café Lumière. It was a tribute to a famous Japanese director named Yasujirō Ozu. His 2005 film Three Times tells three different love stories from different time periods, using the same two actors.
In 2007, Hou made his first film outside of Asia, called Flight of the Red Balloon. It was filmed in France and starred French actress Juliette Binoche. In 2015, he won the Best Director award at the Cannes Film Festival for his film The Assassin.
Hou has also acted in a few films. He played the main character in Taipei Story (1984), a film by another important Taiwanese director, Edward Yang.
Films Directed
Hou Hsiao-hsien has directed 18 feature films and three short film segments. He also wrote or co-wrote many of these films.
Feature Films
Early Films (1980-1982)
Hou's first film as a director was Cute Girl (1980), a romantic comedy. He also directed Cheerful Wind (1981) and The Green, Green Grass of Home
(1982). These early films helped him develop his unique style.The Boys from Fengkuei (1983)
This film showed the beginning of Hou's special filmmaking style. It focused on young people and life in small towns. The story is about a group of boys from a fishing village who move to a big city to find work and face new challenges. The film won an award at the Nantes Three Continents Festival.
The "Coming of Age" Trilogy (1984-1987)
This group of films explores growing up. It includes:
- A Summer at Grandpa's (1984)
- A Time to Live, A Time to Die (1985)
- Daughter of the Nile (1987)
A Time to Live, A Time to Die was one of Hou's first films to gain international attention. It won many awards around the world.
The Taiwan Trilogy (1986-1993)
This important series of films explores Taiwan's history and identity. It includes:
- Dust in the Wind (1986)
- A City of Sadness (1989)
- The Puppetmaster (1993)
A City of Sadness was a groundbreaking film because it was the first to openly discuss the difficult period of Kuomintang rule in Taiwan after World War II. It won the top prize, the Golden Lion, at the Venice Film Festival. The Puppetmaster is a unique film that combines documentary and storytelling to tell the life story of a famous Taiwanese puppeteer. It won the Jury Prize at the Cannes Film Festival.
The Urban Youth Trilogy (1995-2001)
This group of films focuses on young people living in cities. It includes:
- Good Men, Good Women (1995)
- Goodbye South, Goodbye (1996)
- Millennium Mambo (2001)
Millennium Mambo was the first film where Hou worked with actress Shu Qi, who would become a frequent collaborator.
Later Films (2003-2015)
- Café Lumière (2003): A Japanese film that was a tribute to director Yasujirō Ozu.
- Three Times (2005): This film tells three love stories set in different time periods, starring Shu Qi and Chang Chen. It won Best Actress for Shu Qi at the Golden Horse Film Festival and Awards.
- Flight of the Red Balloon (2007): Hou's first film made in France, starring Juliette Binoche.
- The Assassin (2015): This martial arts film won Hou the Best Director award at the Cannes Film Festival. It also won many awards at the Golden Horse Film Festival and Awards, including Best Feature Film.
Short Film Segments
Hou has also directed short films that are part of larger collections of films. These include a segment in The Sandwich Man (1983), "The Electric Princess House" in To Each His Own Cinema (2007), and "La Belle Epoque" in 10+10
(2011).Writing
Hou has written or co-written many films, including 8 of the films he directed. He also helped write films directed by others, like Edward Yang's Taipei Story (1985), in which Hou also acted.
Producing
Hou has worked as a producer or executive producer on 14 films. This means he helped manage the making of these films. One notable film he produced was Zhang Yimou's Raise the Red Lantern (1991), which was nominated for an Oscar. He also produced Beyond Beauty: Taiwan from Above (2013), a documentary that won an award.
Acting
Hou has acted in four films. His most famous acting role was playing the main character, Lung, in Edward Yang's Taipei Story (1985). He also had a small role in the high school comedy Young Style (2013).
Personal Life
Hou Hsiao-hsien is married to Tsao Pao-feng, who also worked as a producer on his film Flight of the Red Balloon. They have one daughter.
Hou was born in mainland China and moved to Taiwan as a child. He has said that he will "always be Chinese, no matter where I am."
In October 2023, it was announced that Hou Hsiao-hsien has Alzheimer's disease and has retired from making films.
Filmography
As director
Year | English title | Original title | Notes |
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1980 | Cute Girl | 就是溜溜的她 | First full-length feature film |
1981 | Cheerful Wind | 風兒踢踏踩 | |
1982 | The Green, Green Grass of Home | 在那河畔青草青 | |
1983 | The Sandwich Man | 兒子的大玩偶 | Directed with Wan Jen and Tseng Chuang-hsiang |
1983 | The Boys from Fengkuei | 風櫃來的人 | Golden Montgolfiere at the 1984 Three Continents Festival |
1984 | A Summer at Grandpa's | 冬冬的假期 | Golden Montgolfiere at the 1985 Three Continents Festival |
1985 | A Time to Live, A Time to Die | 童年往事 | FIPRESCI Prize at the 1986 Berlin International Film Festival |
1986 | Dust in the Wind | 戀戀風塵 | Entered into the 1985 Three Continents Festival |
1987 | Daughter of the Nile | 尼羅河的女兒 | Entered into Directors' Fortnight at the 1988 Cannes Film Festival |
1989 | A City of Sadness | 悲情城市 | Golden Lion at the 1989 Venice Film Festival |
1993 | The Puppetmaster | 戲夢人生 | Jury Prize at the 1993 Cannes Film Festival |
1995 | Good Men, Good Women | 好男好女 | Best Feature Film at the 1995 Hawaii International Film Festival |
1996 | Goodbye South, Goodbye | 南國再見,南國 | Entered into the 1996 Cannes Film Festival |
1998 | Flowers of Shanghai | 海上花 | Entered into the 1998 Cannes Film Festival |
2001 | Millennium Mambo | 千禧曼波 | Technical Grand Prize at the 2001 Cannes Film Festival |
2003 | Café Lumière | 咖啡時光 | Japanese production, Entered into the 2004 Venice Film Festival |
2005 | Three Times | 最好的時光 | Entered into the 2005 Cannes Film Festival |
2007 | The Electric Princess House | 電姬館 | Segment of the anthology film To Each His Own Cinema |
2008 | Flight of the Red Balloon | Le voyage du ballon rouge 紅氣球的旅行 |
French production |
2011 | La Belle Epoque | 黃金之弦 | Segment of the anthology film 10+10 |
2015 | The Assassin | 聶隱娘 | Best Director Award at the 2015 Cannes Film Festival |
As producer
Year | English title | Original title | Director | Notes |
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1991 | Raise the Red Lantern | 大紅燈籠高高掛 | Zhang Yimou | |
1992 | Dust of Angels | 少年吔,安啦 | Hsu Hsiao-ming | |
1993 | Treasure Island | 只要為你活一天 | Chen Kuo-fu | |
1994 | A Borrowed Life | 多桑 | Wu Nien-jen | |
1995 | Heartbreak Island | 去年冬天 | Hsu Hsiao-ming | |
2000 | Mirror Image | 命帶追逐 | Hsiao Ya-chuan | |
2007 | Reflection | 愛麗絲的鏡子 | Yao Hung-i | |
2010 | One Day | 有一天 | Hou Ji-ran | |
2010 | Taipei Exchanges | 第36個故事 | Hsiao Ya-chuan | |
2010 | Return Ticket | 到阜陽六百里 | Teng Yung-shing | |
2011 | Hometown Boy | 金城小子 | Yao Hung-i | |
2013 | Beyond Beauty: Taiwan from Above | 看見台灣 | Chi Po-lin | |
2016 | Small Talk | 日常對話 | Huang Hui-chen | As executive producer |
2017 | Missing Johnny | 強尼.凱克 | Huang Xi | As executive producer |
2022 | Salute | 我心我行 | Yao Hung-i | |
2024 | Mongrel | 白衣蒼狗 | Chiang Wei-liang Yin You-qiao |
As executive producer |
Daughter's Daughter | 女兒的女兒 | Huang Xi |
As actor / himself
Year | English title | Original title | Director |
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1983 | The Boys from Fengkuei | 風櫃來的人 | Himself |
1984 | I Love Mary | 我愛瑪莉 | Ko I-chen |
1985 | Taipei Story | 青梅竹馬 | Edward Yang |
1986 | Soul | 老娘夠騷 | Shu Kei |
1996 | Yang±Yin: Gender in Chinese Cinema | 男生女相 | Stanley Kwan |
1997 | HHH: A Portrait of Hou Hsiao-hsien | HHH - Un portrait de Hou Hsiao-hsien | Olivier Assayas |
2010 | I Wish I Knew | 海上傳奇 | Jia Zhangke |
2013 | Young Style | 青春派 | Jie Liu |
See also
In Spanish: Hou Hsiao-Hsien para niños