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Jakob Lorber.

Jakob Lorber (22 July 1800 – 23 August 1864) was a Christian mystic and visionary from the Duchy of Styria, who promoted liberal Universalism. He referred to himself as "God's scribe". He wrote that on 15 March 1840 he began hearing an "inner voice" from the region of his heart and thereafter transcribed what it said. By the time of his death 24 years later he had written manuscripts equivalent to more than 10,000 pages in print.

His writings were published posthumously as amounting to a "New Revelation", and the contemporary "Lorber movement" forms one of the major neo-revelationist sects, mostly active in German-speaking Europe, although parts of Lorber's writings have also been translated into more than 20 languages (according to the website of the Lorber Publisher). Its adherents have not formed a sect or cult, but rather continue in their denominations.

Biography

Jakob Lorber was born in Kanischa, a small village in the Jahring parish, Duchy of Styria (now Kaniža pri Jarenini in Lower Styria, Slovenia) to a peasant family, Michael Lorber and his wife Maria, née Tautscher. He was trained as a village teacher.

A brief biography by his friend Karl Gottfried Ritter von Leitner indicates that Lorber was an uncomplicated person.

He was observed while writing by well-educated men in the city of Graz, such as Dr. Carl-Friedrich Zimpel, the mayor of Graz, Anton Hüttenbrenner, his brother the composer Anselm Hüttenbrenner, the poet and Secretary to the Estates Karl Gottfried von Leitner, Dr. Anton Kammerhuber, Leopold Cantily, pharmacist of Graz, and others. Too, these men verified his simple life. Lorber was open and friendly regarding his transcriptions yet found himself involved in small intrigues designed to prove that he was a fake. For instance, the wife of one of his friends was certain that Lorber had studied the material he was pretending to hear from the inner voice, but she never found the scientific books she had supposed he was hiding, eventually finding his only research material to be a single copy of the Bible.

He had musical talent and learned the violin, taking lessons from the virtuoso violinist Paganini, and once giving a violin concert at the La Scala Opera House in Milan. In 1840 –the same year he claimed to begin hearing the inner voice– Lorber was offered the position of assistant musical director at the theater in Trieste. He claimed that the inner voice, however, directed him to decline and take up a life of solitude instead. Lorber's writings reveal that the inner voice spoke freely in first person as the voice of Jesus Christ.

Prose style

Lorber's prose has been described as compelling, moving some readers to compare it with writings by other mystics such as Emanuel Swedenborg, Jakob Boehme and Rudolf Steiner. Lorber himself makes reference to Swedenborg, in his book From Hell to Heaven (book 2 chapter 104 verse 4) and in The Spiritual Sun (vol. 1, chap. 16).

The Great Gospel of John

In the Great Gospel of John, the narrator, Jesus, explains that he is the creator of the material universe, which was designed both as a confinement of Satan, and so he could take upon himself the condition of a man. He says he did this to inspire his children who could otherwise not perceive him in his primordial form as a spirit. He gives descriptions of the eons of time involved in creating the Earth. He does so in a manner similar to the modern theory of evolution all the way up to the point several thousand years ago when Jesus placed Adam upon the Earth, which at the time contained man-like creatures who did not have free will, being simply the most clever of the animals.

In a comprehensive manner the Great Gospel of John continually emphasizes the importance of free will. In this book, heaven and hell are presented as conditions already within us, expressed according to whether we live in harmony or contrary to God's divine order. The Great Gospel of John also states that the gospels of John and Matthew were written at the time of the events they chronicle; for instance, Lorber writes that Jesus specifically told Matthew to take notes during the Sermon on the Mount. Such an account seems at first contrary to the current consensus of biblical scholarship which typically places the authorship of Matthew some years after the resurrection of Jesus Christ and that of John even later. However, in the Great Gospel of John the narrator explains how this happened. He claims that there were many writers who described him, including several authors named Matthew, who all wrote similarly over a period of many years.

Paul's epistle to the Laodiceans

Lorber claimed to have heard by the inner voice, in 1844, the "lost" letter Paul wrote to the assembly of the Laodiceans, as referred to in Colossians 4:16. [1]

Several texts purporting to be the "lost" letter survive, notably one brief text preserved in medieval Vulgate manuscripts, attested from the 6th century. Another candidate is attributed to Marcion, listed in the Muratorian fragment. Marcion's text is lost, and the Vulgate text is widely recognized as pseudepigraphical, and was decreed uncanonical by the Council of Florence of 1439–43. There is no resemblance between the letters produced by Lorber via the inner voice and the original manuscripts that survived. Publisher of this Lorber manuscript claims that the letter's being lost reflects the falling away of the Church from true Christianity.

See also

Kids robot.svg In Spanish: Jakob Lorber para niños

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