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Littlefield Fountain
Littlefield Fountain, a monument by Italian-born sculptor Pompeo Coppini located on the main campus of The University of Texas at Austin in Austin, Texas LCCN2014632359.tif
Littlefield Fountain in front of the Main Building Tower
Artist Pompeo Coppini (sculptor)
Paul Philippe Cret (architect)
Completion date April 29, 1933 (1933-April-29)
Type Memorial fountain and sculpture
Medium Sculpture: bronze
Fountain: granite
Fountain wall: limestone
Location Austin, Texas
Coordinates 30°17′02″N 97°44′23″W / 30.28389°N 97.73972°W / 30.28389; -97.73972Coordinates: 30°17′02″N 97°44′23″W / 30.28389°N 97.73972°W / 30.28389; -97.73972
Owner University of Texas at Austin

Littlefield Fountain (also known as the Littlefield Memorial Gateway) is a World War I memorial monument designed by Italian-born sculptor Pompeo Coppini on the main campus of the University of Texas at Austin in Austin, Texas, at the entrance to the university's South Mall. Completed in 1933, the monument is named after university regent and benefactor George W. Littlefield, whose donation paid for its design and construction.

History

In 1916 Major George W. Littlefield, a former regent of the University of Texas at Austin and major benefactor to its development, proposed the construction of a memorial arch over the university's southern entrance that would honor the Confederate dead from the Civil War. In 1919 Littlefield contacted San Antonio-based Italian-born sculptor Pompeo Coppini, requesting a design that would include images of notable figures from the history of Texas and the American South, and proposing to fund the project with a donation of $200,000 (equivalent to $2,000,000 in 2018).

Coppini developed a design featuring a 40-foot (12 m) blind arch framing statues of six Confederate figures behind a pool and fountains, but he warned Littlefield that the project would require a larger budget, even after Littlefield agreed to increase his donation to $250,000. On April 15, 1920, Coppini presented university officials with a new, cheaper design that eliminated the arch and expanded the fountain pool to hold a large allegorical sculpture. Coppini also persuaded Littlefield to dedicate the monument to the students and alumni who had died in the Great War (now known as World War I), arguing that a Confederate memorial would only prolong the lingering resentments from the Civil War.

Littlefield died in November 1920, and Coppini spent most of the next decade developing the sculptures that he intended for the memorial. The project was impeded by cost overruns and delays, including a labor strike by Coppini's bronze workers. The six human figures were completed in 1925 and temporarily displayed in the Texas State Capitol, and the central sculpture was completed in 1928. Construction of the fountain was begun in the fall of 1932, with its plan somewhat altered by campus architect Paul Philippe Cret and the six statues relocated to the adjoining South Mall. The memorial was dedicated on April 29, 1933, and the water was turned on that March.

Design

Littlefield fountain UT
Detail of the bronze sculpture in Littlefield Fountain

The memorial consists of a fountain set in a three-tiered semicircular granite pool, with a large bronze sculpture rising above the water, backed by a limestone wall. Two rows of fountain nozzles run from front to back in the top tier along the sides of the central sculpture, spraying diagonal jets of water onto the sculpture's base.

The sculpture depicts the prow of a ship emerging from the stone wall behind it, with an eagle perched on its tip. The ship bears the winged figure of Columbia, who holds two raised torches and is flanked by the figures of a soldier and a sailor. Ahead of the ship are three hippocamps, partially submerged in the pool, two of which are mounted by mermen. The group represents American armed forces sailing overseas to defend democracy in the Great War, surrounded by symbols of American strength and unity.

The limestone wall behind the fountain bears two bronze plaques. One is inscribed "THESE SONS AND DAUGHTERS OF THE UNIVERSITY OF TEXAS GAVE THEIR LIVES TO THEIR COUNTRY IN THE WORLD WAR," followed by two columns of names listing all UT students and alumni killed in the Great War; the other reads "BREVIS A NATVRA NOBIS VITA DATA EST AT MEMORIA BENE REDDITAE VITAE SEMPITERNA" (Latin: "A short life hath been given by Nature unto man; but the remembrance of a life laid down in a good cause endureth forever").

Changes to Coppini's design

In Coppini's original design, the fountain was to be backed by a pair of 37-foot (11 m) stone obelisks, representing the Confederacy and the Union. In front of the Confederacy's pylon he intended to place a statue of Jefferson Davis, faced on the Union's side by one of Woodrow Wilson. Coppini meant to present the men as two "war presidents," one governing the Confederacy through the Civil War, the other leading America through the Great War, with their juxtaposition symbolizing the reunification of the United States after the divisions of the Civil War. Littlefield also selected Confederate generals Robert E. Lee and Albert Sidney Johnston, Confederate postmaster general John Reagan, and Texas governor Jim Hogg to be depicted in bronze statues which would flank the fountain, representing historical figures of Texas and the South.

However, in the late 1920s the university regents decided to remove the obelisks from the plan, in part to reduce the memorial's cost (which had overrun Littlefield's donation), and in part to preserve the view of the university's Main Building along the South Mall. In 1930 the university's campus architect, Paul Philippe Cret, decided that the six bronze statues Coppini had meant to surround the fountain would instead be installed at various points along the South Mall, asserting that the figures would appear too crowded in the small space around the memorial. These alterations were vehemently opposed by Coppini, who felt that the omission of the obelisks ruined the symbolism he had intended, and that the disarrangement of the statues reduced them to mere decorations.

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