Claire Denis facts for kids
Quick facts for kids
Claire Denis
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![]() Denis in 2022
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Born | Paris, France
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21 April 1946
Alma mater | IDHEC |
Occupation | Director, writer, professor |
Claire Denis (born 21 April 1946) is a famous French film director and writer. Many people consider her film Beau Travail (1999) to be one of the best movies ever made. She has also directed other well-known films like Trouble Every Day (2001), 35 Shots of Rum (2008), White Material (2009), and High Life (2018).
In 2022, she won the Silver Bear for Best Director at the Berlin International Film Festival for her movie Both Sides of the Blade. Later that year, her film Stars at Noon won the Grand Prix at the 2022 Cannes Film Festival.
Claire Denis's films often explore themes about West Africa during and after the time it was ruled by European countries. Her movies also look at important issues in modern France. Her unique style continues to shape European cinema.
Contents
Early Life and Childhood
Claire Denis was born in Paris, France. However, she grew up in French Africa, where her father worked for the government. She lived in countries like Burkina Faso, Cameroon, and Senegal. Living in West Africa as a child greatly influenced her views on political topics. Her father believed that these countries should become independent from France. This upbringing strongly shaped her films, which often deal with colonialism and its effects. Her family moved every two years because her father wanted his children to learn about different places.
While growing up in West Africa, Claire watched old war films from the United States. As a teenager, she loved to read. She would finish her schoolwork and then secretly read her mother's detective stories at night. When she was 12, Claire was diagnosed with polio and had to return to France for treatment. She spent the rest of her teenage years in Sceaux, a suburb of Paris. She felt different from everyone else in France because she had been raised for a life in Africa.
In 1969, Claire Denis married a photographer she had met when she was 15. She worked as his assistant. They divorced soon after because it was difficult to have him as both her husband and her teacher.
Becoming a Filmmaker
Claire Denis first studied economics, then Oriental languages. But she soon found her true calling in filmmaking. In 1969, she began studying at IDHEC (which is now called La Fémis), a famous French film school. Her husband encouraged her to go, telling her she needed to figure out what she truly wanted to do. She graduated from IDHEC in 1971. Since 2002, she has also been a film professor at the European Graduate School in Switzerland.
Before film school, she worked as an intern at Télé Niger. People there told her not to bother studying film, but to just start making movies with them.
After graduating and getting divorced, Claire Denis started working as an assistant director for many well-known filmmakers. She helped on films like Jacques Rivette's Out 1 (1971) and Costa-Gavras's Hanna K. (1983). She even traveled to the U.S. to be an assistant director for Wim Wenders on Paris, Texas (1984) and Wings of Desire (1987). Wenders said that Claire was "more than ready" to make her own films. Working with so many directors made her realize she wanted to direct her own movies to have more control over her work.
Her First Films
Claire Denis's first feature film was Chocolat (1988). This movie was partly based on her own life. It tells the story of a French woman remembering her childhood in Cameroon and her relationship with her family's African servant. While making Chocolat, Denis started working with Jean-Pol Fargeau as a co-writer. They still work together today. Chocolat was nominated for a major award at the Cannes Film Festival and was praised by critics.
Her second film, Man No Run (1989), was a documentary about a group of Cameroonian musicians touring France. Her next two films were No Fear, No Die (1990) and I Can't Sleep (1994). In 1996, she made Nénette et Boni, which explores the relationship between a lonely brother and his pregnant sister.
Her fifth and perhaps most famous film is Beau Travail (1999). It's about soldiers in the French Foreign Legion in Djibouti. The movie explores ideas of masculinity and obsession.
Many of Claire Denis's later films are inspired by existing books or movies. For example, The Intruder (2004) is based on a memoir about a man getting a heart transplant. 35 Shots of Rum (2008) is another highly praised film about a father and daughter's changing relationship, inspired by a Japanese film called Late Spring. Let the Sunshine In (2017) is a romantic comedy inspired by a book about love. One film not based on a book is White Material (2009), which she co-wrote. It's about a white French woman who stays in post-colonial Africa during a civil war.
With films like US Go Home (1994), Nénette et Boni, and Beau Travail, Claire Denis became known for combining the beautiful style of French cinema with the reality of modern France. She returned to Africa for White Material, set in an unnamed country during a civil war.
Claire Denis has also made many short films and documentaries. These include Keep It for Yourself (1991) and Voilà l'enchaînement (2014). Her documentaries include Jacques Rivette, the Watchman (1990) and Towards Mathilde (2005).
Her Unique Style
Claire Denis's films often focus on what it feels like to be an outsider or to belong. She once said that evil is "inside" people, not "outside" them.
She loves to work with the same people again and again. She often casts the same actors in many of her films, like Alex Descas and Isaach de Bankolé. Other actors who have appeared in her films multiple times include Juliette Binoche and Robert Pattinson. She also often works with screenwriter Jean-Pol Fargeau, composer Stuart Staples (from the band Tindersticks), and cinematographer Agnès Godard. She met Agnès Godard in the 1970s at film school. Claire Denis says she often thinks of specific actors when she is writing scenes. She usually doesn't hold auditions for her films.
Jean-Pol Fargeau has co-written ten of her film scripts. Stuart Staples has composed music for eight of her films. Agnès Godard is one of her most important partners, working as a camera operator or cinematographer on 11 of her films.
Claire Denis has said that working with so many artists has taught her to trust the filmmaking process. She learned to trust actors and to feel free with the camera. She also gives her actors a lot of freedom.
Her collaborations go beyond her own films. She has appeared in other directors' films and worked as an assistant director for Jim Jarmusch on Down by Law (1986).
In 2005, Claire Denis was a judge at the 27th Moscow International Film Festival. In 2011, she was a judge at the Deauville American Film Festival. In 2006, she directed the music video for the song "Incinerate" by the band Sonic Youth.
In 2013, she received the Stockholm Lifetime Achievement Award at the Stockholm Film Festival.
In 2018, Claire Denis released High Life, her first English-language film, starring Robert Pattinson. The film was shown at the 2018 Toronto International Film Festival and received good reviews.
She has also been a member of the boards for several film festivals, including the Venice Film Festival and the Cannes Film Festival.
How She Makes Films
Claire Denis often shoots her films in real locations instead of studios. She sometimes positions her actors as if they were in a still photograph. She uses longer shots with a steady camera and often frames things from a distance, so there are fewer close-ups. However, she always focuses on her characters' faces and bodies. She pays close attention to how the environment, weather, and colors of a place affect the people in her films.
Film experts say that Claire Denis is a brilliant stylist. She focuses on sounds, textures, colors, and how things are arranged in the shot, as much as she does on the story or social messages.
She combines history with personal stories, giving her films an autobiographical touch. This mix of personal and historical elements makes her films unique. She has worked in many different film types, from horror (Trouble Every Day) to romance and drama (Friday Night). Even though critics notice common themes in her films, Claire Denis says she doesn't have a clear plan for her career.
Claire Denis is not very interested in film theories. She says she is only interested in "images and people and sound." She focuses on "human" stories, no matter where the film is set. She doesn't aim to make big social changes or make viewers feel better. She wants to share a "vision" or a "feeling." Her films are mainly about the characters.
She is known for bending the rules of different film types. She doesn't always follow the usual pacing or camera work for horror, science fiction, or fantasy movies. Instead, she focuses on the characters, their thoughts, feelings, and relationships. She is interested in telling the human story.
Claire Denis chooses the titles of her films very carefully. These titles are meant to make viewers think differently about the film's images and to describe the raw reality of her movies.
She is also known for "shooting fast, editing slowly." This means she does only a few takes on set but spends a lot of time in the editing room, putting the film together there. This often involves moving scenes around, changing the order from the script. For example, she put the dance scene in Beau Travail at the end of the film, even though it wasn't at the end of the script. She says she is always unsure when making a film, but she rarely doubts her actors.
Selected Filmography
Feature films
Year | Title | Original Title | Notes |
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1988 | Chocolat | ||
1990 | No Fear, No Die | S'en fout la mort | |
1994 | US Go Home | TV film | |
I Can't Sleep | J'ai pas sommeil | ||
1996 | Nenette and Boni | Nénette et Boni | |
1999 | Beau Travail | ||
The City | La ville | ||
2004 | The Intruder | L'intrus | |
2008 | 35 Shots of Rum | 35 rhums | |
2009 | White Material | ||
2017 | Let the Sunshine In | Un beau soleil intérieur | |
2018 | High Life | ||
2022 | Both Sides of the Blade | Avec amour et acharnement | |
Stars at Noon |
Short films
Year | Title | Notes |
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1969 | Le 15 Mai | Film made at IDHEC |
1991 | Contre l'oubli /
Against Oblivion |
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Keep It for Yourself | ||
1993 | La robe à cerceau / Monologues | TV series |
1994 | Boom-Boom | |
1995 | À propos de Nice, la suite | Segment: Nice, Very Nice |
1997 | We, France's Undocumented Immigrants | |
2002 | Ten Minutes Older: The Cello | Segment: Vers Nancy / Towards Nancy |
2010 | On bosse ici! On vit ici! On reste ici! | Co-director |
2011 | To the Devil | |
2013 | Venezia 70 - Future Reloaded | Segment: Claire Denis |
2014 | Contact | |
Voilà l'enchaînement |
Documentary films
Year | Title | Original Title | Notes |
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1972 | New Reports from France | Chroniques de France N° 77 | Segment "Magic Circus, burlesque" |
1973 | New Reports from France | Chroniques de France N° 87 | Segment "Bibliothèque modèle pour enfants, Clamart" |
1989 | Man No Run | ||
1990 | Jacques Rivette, the Watchman | Jacques Rivette, le veilleur | |
2005 | The Breidjing Camp | TV documentary | |
Towards Mathilde | Vers Mathilde |
Assistant Director Roles
Year | Title | Role | Notes |
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1974 | The Secret | Second assistant director | |
Sweet Movie | |||
1975 | The Old Gun | ||
The Golden Mass | |||
1976 | Surreal Estate | First assistant director | |
1979 | Mais où et donc Ornicar | ||
Zoo zéro | |||
Return to the Beloved | Assistant director | ||
1980 | Pile ou face | ||
The Imprint of Giants | |||
1981 | We're Not Angels... Neither Are They | ||
1982 | The Passerby | First assistant director | |
1983 | Hanna K. | ||
Le bâtard | |||
1984 | To Catch a King | TV movie | |
Paris, Texas | Assistant director | ||
1986 | Down by Law | ||
1987 | Wings of Desire | First assistant director |
Awards and Nominations
Year | Festival | Award | Film | Result | Notes |
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1988 | Cannes Film Festival | Palme d'Or | Chocolat | Nominated | |
1989 | César Awards | Best First Feature Film | Nominated | ||
1990 | Venice Film Festival | Golden Lion | No Fear, No Die | Nominated | |
1994 | Torino International Festival of Young Cinema | FIPRESCI Prize – Special Mention | Tous les garçons et les filles de leur âge... | Won | |
1994 | Cannes Film Festival | Un Certain Regard | J'ai Pas Sommeil | Nominated | |
1996 | Locarno International Film Festival | Golden Leopard | Nenette and Boni | Won | |
Prize of the Ecumenical Jury – Special Mention | Won | ||||
Namur International Festival of French-Speaking Film | Golden Bayard for Best Artistic Contribution | Won | |||
Namur International Festival of French-Speaking Film | Nominated | ||||
1998 | Independent Spirit Awards | Independent Spirit Award for Best Foreign Film | Nominated | ||
2000 | Berlin International Film Festival | Reader Jury of the "Berliner Zeitung" – Special Mention | Beau Travail | Won | |
2001 | Chicago Film Critics Association | Best Foreign Language Film | Nominated | ||
Rotterdam International Film Festival | KNF Award – Special Mention | Won | |||
Ghent International Film Festival | Grand Prix | The Intruder | Nominated | ||
2004 | Venice Film Festival | Golden Lion | Nominated | ||
2005 | Tribeca Film Festival | Best Documentary Feature | Vers Mathilde | Nominated | |
2009 | Venice Film Festival | Golden Lion | White Material | Nominated | |
2011 | National Society of Film Critics | Best Foreign Language Film | 3rd place | ||
2014 | Zurich Film Festival | A Tribute To... Award | Lifetime Achievement | Won | |
2015 | La Cabina Valencia International Medium-Length Film Festival | La Cabina Award | Voilà l'enchaînement | Nominated | |
2017 | Cannes Film Festival | SACD Prize | Let the Sunshine In | Won | |
Film by the Sea International Film Festival | Le Prix TV5Monde | Nominated | |||
Munich Film Festival | Best International Film | Nominated | |||
2018 | International Online Cinema Awards (INOCA) | Best Non-English Language Film | Nominated | ||
2019 | Dublin Film Critics Circle | Best Director | High Life | Nominated | |
2019 | International Online Cinema Awards (INOCA) | Best Director | Nominated | ||
Jerusalem Film Festival | Best International Film | Nominated | |||
Women Film Critics Circle | Best Woman Storyteller | Nominated | |||
2020 | San Sebastián International Film Festival | Golden Shell for Best Film | Nominated | ||
FIPRESCI Prize | Won | ||||
2021 | Prix Jean Vigo | Honorary Jean Vigo Award | Herself | Won | |
2022 | Berlin International Film Festival | Golden Bear for Best Film | Both Sides of the Blade | Nominated | |
Silver Bear for Best Director | Won | ||||
Cannes Film Festival | Grand Prix | Stars at Noon | Won |
See also
In Spanish: Claire Denis para niños