Cristóbal Oudrid facts for kids
Quick facts for kids
Cristóbal Oudrid
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![]() Cristóbal Oudrid, 22 March 1877
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Born |
Cristóbal Carlos Domingo Romualdo y Ricardo Oudrid y Segura
7 February 1825 Badajoz, Spain
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Died | 13 March 1877 Madrid, Spain
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(aged 52)
Spouse(s) | Vicenta Munoz Vallejo |
Parent(s) | Cristóbal Oudrid y Estarón, Antonia Segura González |
Cristóbal Oudrid (born February 7, 1825 – died March 13, 1877) was a talented Spanish musician. He was a pianist, a conductor, and a composer. He is best known for helping to create and develop the zarzuela in Spain. A zarzuela is a special type of Spanish musical play that mixes singing, speaking, and dancing.
Cristóbal Oudrid had a very successful career that lasted over 25 years. During this time, he created more than one hundred musical works. Many of these were made with other composers. His first musical play was a zarzuela called La Venta del Puerto o Juanillo El Contrabandista. It was first performed in 1846. He also worked with other famous artists like Francisco Asenjo Barbieri and Joaquín Gaztambide. Together, they helped make zarzuela a very important part of Spanish culture. In 1851, they even started a group called the Sociedad Artística Musical to promote their music.
Oudrid was also a very busy bandmaster, which means he led orchestras. In the 1850s and early 1860s, he conducted orchestras at important theaters like Teatro Real and Teatro de la Zarzuela. His very last performance was a rehearsal for an opera called Mignon.
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Early Life and Musical Start
Cristóbal Oudrid was born in Badajoz, Spain, on February 7, 1825. His grandfather was a military bandmaster, so music was in his family! Cristóbal's father, Carlos Oudrid Estarón, taught him the first steps of music. He learned basic music theory and how to play the piano.
Even when he was very young, Cristóbal showed a lot of musical talent. He started arranging music by famous composers like Haydn and Mozart. He also taught himself to play several wind instruments, such as the clarinet, French horn, and oboe. Later, he became the musical director for a group called the Liceo de Badajoz.
After his father passed away in 1843, Oudrid moved to Madrid. He wanted to become a successful musician there. He studied piano with Pedro Albéniz, a well-known teacher. Friends helped him find work playing piano in concerts and coffee shops. He also joined the Royal Orchestra as a clarinet player. Soon, he became known for playing piano and for arranging operas. He even started publishing his own songs and piano pieces in 1845.
A Career in Music and Zarzuela
In 1847, Oudrid began writing music for the stage. His zarzuela, La Venta del Puerto o Juanillo El Contrabandista, was a big hit. It made him one of Madrid's most popular composers. He then worked with Luis de Cepeda and Sebastián Iradier on another successful play, La Pradera del Canal.
A very important moment came in 1848. Oudrid worked with Rafael Hernando to put on El Ensayo de una Ópera. This show helped to bring back and refresh the modern zarzuela. It made Spanish theater more exciting and artistic.
In the following years, Oudrid created many more successful works. In 1850, he teamed up with Rafael Hernando Palomar, Francisco Asenjo Barbieri, and Joaquín Gaztambide y Garbayo for Escenas de Chamberí. This collaboration led to the creation of the Sociedad Artística Musical in 1851. This group of composers and artists worked together to create new zarzuelas. They wanted to share the profits equally.
However, not all their shows were equally successful. By 1853, some members felt that others were not contributing enough. This led to a change in the society. Oudrid, José Inzenga, and Rafael Hernando left the group. Even so, Oudrid continued to compose. He wrote about fifty more zarzuelas, including El Postillón de la Rioja (1856) and El Molinero de Subiza (1870).
In 1860, Oudrid became the director of the orchestra at Teatro del Circo. He later became the director of Teatro de la Zarzuela. He worked as a choirmaster and then as a music director at Teatro Real starting in 1870.
Oudrid's most famous work, a three-act zarzuela called El molinero de Subiza, was performed in 1870. His last work was Blancos y azules in 1876. Cristóbal Oudrid passed away suddenly on March 13, 1877, at the age of 52. He was at Teatro Real, preparing for an opera performance.
Other Important Works
One of Oudrid's most famous pieces is La Rondalla Aragonesa. It comes from his symphonic poem El Sitio de Zaragoza. This music tells the story of the city of Zaragoza fighting against Napoleon's troops. It was first performed in 1856. Another well-known symphonic work is his Rondeña.
He also wrote many popular zarzuela-arias, which are songs for a single singer. These include La Pajarita and La Macarena. Oudrid also composed patriotic and military songs. One of his most famous is the Salve Marinera. This song was adopted as the official anthem of the Spanish Navy in 1870.
Zarzuelas List
Year | Title | Acts | Co-writers | Librettists | Notes | Refs |
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1847 | La Venta del Puerto o Juanillo el Contrabandista | 1 | Mariano Soriano Fuertes | Mariano Fernández | ||
1847 | La Pradera del Canal | 1 | Sebastián Iradier, Luis de Cepeda Baranda | Agustin Azcona | ||
1847 | El Turrón de Nochebuena | 1 | — | Juan de Alba | ||
1848 | El Ensayo de una Ópera | 1 | Rafael Hernando y Palomar | Juan del Peral | ||
1848 | Los Pícaros Castigados o La Fiesta en el Cortijo | 1 | Ignacio Ovejero | Mariano Fernández | ||
1849 | Misterios de Bastidores | 1 | — | Francisco de Paula Montemar | ||
1849 | La Paga de Navidad | 1 | — | Francisco de Paula Montemar | ||
1849 | El Alma en Pena | 1 | — | Francisco de Paula Montemar | ||
1850 | Pero Grullo | 2 | — | José María de Larrea, Antonio Lozano | ||
1850 | Escenas de Chamberí | 1 | Rafael Hernando Palomar, Francisco Asenjo Barbieri, Joaquín Gaztambide y Garbayo |
José de Olona | ||
1851 | Buenos Días, Señor Don Simón | 1 | Francisco Asenjo Barbieri, Joaquín Gaztambide y Garbayo, Rafael Hernando Palomar, José Inzenga |
Luis de Olona | ||
1851 | Un Embuste y una Boda | 2 | — | Luis Mariano de Larra | ||
1851 | Todo son Raptos | 1 | Francisco Asenjo Barbieri | Luis Mariano de Larra | ||
1851 | El Castillo Encantado | 3 | José Inzenga | Emilio Bravo y Romero | ||
1851 | Por Seguir a una Mujer | 2 | Francisco Asenjo Barbieri, José Inzenga, Joaquín Gaztambide y Garbayo, Rafael Hernando Palomar |
Luis de Olona | ||
1852 | Mateo y Matea | 4 | — | Rafael Maíquez | ||
1852 | Buenas Noches, Señor Don Simón | 1 | — | Luis de Olona | ||
1852 | De Este Mundo al Otro | 2 | — | Luis de Olona | ||
1852 | Las Dos Venturas | 1 | Luis Vicente Arche | José Picón García | ||
1852 | Salvador y Salvadora | 1 | Luis Vicente Arche | Antonio Auset | ||
1852 | Don Ruperto Culebrín | 1 | — | José de Olona, Luis de Olona | ||
1852 | Jugar con Vino | 1 | — | — | ||
1853 | El Violón del Diablo | 1 | — | Rafael García Santisteban | ||
1853 | El Alcalde de Tronchón | 1 | — | Calixto Boldún y Conde | ||
1853 | El Hijo de Familia o El Lancero Voluntario | 3 | Emilio Arrieta, Joaquín Gaztambide y Garbayo | Antonio García Gutiérrez, Luis de Olona | ||
1854 | Un Dia de Reinado | 1 | Francisco Asenjo Barbieri, José Inzenga, Joaquín Gaztambide y Garbayo |
García Gutiérrez, Luis de Olona | ||
1854 | La Tertulia o Los Manolos de Madrid en 1808 | 1 | — | Antonio Ruiz | ||
1854 | Moreto | 3 | — | Agustín Azcona | ||
1854 | Pablito o Segunda Parte de Don Simon | 1 | — | Luis de Olona | ||
1854 | La Cola del Diablo | 2 | Martín Sánchez Allú, Francisco Asenjo Barbieri | Luis de Olona | ||
1855 | Estebanillo Peralta | 3 | Joaquín Gaztambide y Garbayo | Ventura de la Vega | ||
1855 | Amor y Misterio | 3 | — | Luis de Olona | ||
1855 | Los Polvos de la Madre Celestina | 3 | — | Juan Eugenio Hartzenbusch | ||
1855 | Alumbra a Este Caballero | 1 | — | José de Olona | ||
1856 | El Conde de Castralla | 3 | — | Adelardo López de Ayala y Herrera | ||
1856 | El Postillón de La Rioja | 2 | — | Luis de Olona | ||
1856 | La Flor de la Serranía | 1 | — | José María Gutierrez de Alba | ||
1856 | Un Viaje al Vapor | 3 | — | José de Olona | ||
1857 | ¡Concha! | 1 | — | José de Olona, Pedro Niceto Sobrado y Goyri | ||
1857 | El Hijo del Regimiento | 3 | — | Victoriano Tamayo y Baus | ||
1857 | Dalila | 3 | Luis de Cepeda Baranda, Martín Sánchez Allú | José Maria Díaz | ||
1858 | Don Sisenando | 1 | — | Juan de la Puerta Vizcaíno | ||
1858 | La Pata de Cabra | 3 | — | Juan de Grimaldi | ||
1858 | Beltrán, el Aventurero | 3 | — | Francisco Camprodón | ||
1858 | El Joven Virginio | 1 | — | Mariano Pina y Bohigas | ||
1859 | Es un Genio | 1 | — | — | ||
1859 | ¡Un Disparate! | 1 | — | Ricardo Velasco Ayllón | ||
1859 | El Último Mono | 1 | — | Narciso Serra | ||
1859 | El Zuavo | 1 | — | Pedro Niceto de Sobrado y Goyri | ||
1859 | Enlace y Desenlace | 2 | — | Mariano Pina y Bohigas | ||
1859 | Un Viaje Aerostático | 1 | Joaquín Gaztambide y Garbayo | Javier de Ramírez | ||
1860 | Nadie se Muere Hasta que Dios Quiere | 1 | — | Narciso Serra | ||
1860 | Tetuán por España | 1 | Martín Sánchez Allú, Mariano Vázquez y Gómez Joaquín Gaztambide y Garbayo, Javier Gaztambide y Zía |
Mariano Pina y Domínguez | ||
1860 | Memorias d'un Estudiante | 3 | — | José Picón García | ||
1860 | Una Zambra de Gitanos | 1 | — | Francisco Camprodón, Ventura de la Vega | ||
1860 | Doña Mariquita | 1 | — | Carlos Frontaura y Vázquez | ||
1860 | A Rey Muerto | 1 | — | Luis Rivera | ||
1860 | El Gran Bandido | 2 | Manuel Fernández Caballero | Francisco Camprodón | ||
1861 | Un Concierto Casero | 1 | — | José Picón García | ||
1861 | Las Piernas Azules | 1 | Mariano Vázquez y Gómez | Ventura de la Vega | ||
1861 | Anarquía Conyugal | 1 | Joaquín Gaztambide y Garbayo | José Picón García | ||
1861 | El Caballo Blanco | 2 | Manuel Fernández Caballero | Carlos Frontaura y Vázquez | ||
1861 | Llegar y Besar el Santo | 1 | Manuel Fernández Caballero | Eduardo Inza | ||
1861 | Un Viaje Alrededor de mi Suegro | 3 | Mariano Vazquez y Gómez | Luis Rivera | ||
1862 | Roquelaure | 2 | Manuel Fernández Caballero, José Rogel Soriano | Cristóbal Oudrid | ||
1862 | Por Sorpresa | 1 | Mariano Vázquez y Gómez, José Rogel Soriano | Juan Ruiz del Cerro | ||
1862 | Equilibrios de Amor | 1 | Manuel Fernández Caballero | Fernando Martínez Pedrosa | ||
1862 | La Isla de San Balandrán | 1 | — | José Picón García | ||
1862 | Juegos de Azar | 2 | Manuel Fernández Caballero | Mariano Pina y Domínguez | ||
1862 | El Galán Incógnito | 3 | — | Francisco Camprodón | ||
1863 | Matilde y Malek-Adhel | 3 | Joaquín Gaztambide y Garbayo | Carlos Frontaura y Vázquez | ||
1863 | La Voluntad de la Niña | 1 | Miguel Carreras González | Emilio Álvarez | ||
1863 | Walter, o La Huérfana de Bruselas | 1 | Javier Gaztambide y Zía | Fernando Ossorio | ||
1863 | Por Amor al Prójimo | 1 | — | Juan Belza Rivera | ||
1863 | Influencias políticas | 1 | — | Mariano Pina y Domínguez | ||
1863 | Julio César | 1 | — | Luis Rivera | ||
1864 | Un Marido de Lance | 1 | — | Ricardo Caltañazor | ||
1865 | La Paloma Azul | 4 | — | Rafael María Liern y Cerach | ||
1866 | La Corte del Rey Reúma | 1 | José Rogel Soriano | Eusebio Blasco | ||
1866 | Los Encantos de Briján | 3 | — | Luis de Eguílaz | ||
1866 | 1866 y 1867 | 2 | Luis Vicente Arche | José María Gutiérrez de Alba | ||
1867 | El Camisolín de Paco | 2 | Mariano Vázquez y Gómez | Juan Catalina | ||
1867 | La Espada de Satanás | 4 | — | Rafael María Liern y Cerach | ||
1867 | Bazar de Novias | 1 | — | Mariano Pina y Domínguez | ||
1867 | Un Estudiante de Salamanca | 3 | — | Luis Rivera | ||
1868 | Don Isidro en San Isidro | 1 | — | Mariano Fernández | ||
1868 | Café Teatro y Restaurante Cantante | 1 | — | Emilio Álvarez | ||
1869 | La Reina de los Aires | 1 | — | Rafael García y Santisteban | ||
1869 | Yo y Mi Tía | 1 | — | Mariano Fernández | ||
1869 | Acuerdo Municipal | 1 | Enrique Alejo y Broca | Antonio Ramiro y Garcia | ||
1870 | El Paciente Job | 1 | — | Ricardo de la Vega de Oreiro y Lema | ||
1870 | La Gata de Mari Ramos | 2 | — | Mariano Pina y Bohigas | ||
1870 | El Molinero de Subiza | 3 | — | Luis de Eguílaz | ||
1871 | Justos por Pecadores | 3 | Pedro Miguel Marqués y García | Luis Mariano de Larra | ||
1872 | Miró y Compañía o Una Fiesta en Alcorcón | 1 | — | Francisco Garcia Vivanco | ||
1874 | El Testamento Azul | 3 | Francisco Asenjo Barbieri, Rafael Aceves y Lozano | Rafael María Liern y Cerach | ||
1874 | Ildara | 4 | — | Ricardo Puente y Brañas | ||
1874 | ¡El Demonio de los Bufos! | 1 | — | Rafael María Liern y Cerach | ||
1874 | El Señor de Cascarrabias | 2 | — | Rafael María Liern y Cerach | ||
1875 | Compuesto y Sin Novia | 3 | — | Mariano Pina y Domínguez | ||
1876 | ¡La Paz! | 1 | — | Ricardo Puente y Brañas | ||
1876 | Blancos y Azules | 3 | Manuel Fernández Caballero, José Casares | José María Nogués, Rafael María Liern y Cerach |
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1876 | Los Pajes del Rey | 2 | — | Luis Mariano de Larra | ||
1884 | El Consejo de los Diez (Op. post) | 3 | Gabriel Balart | Aurora Sánchez y Aroca |
See also
In Spanish: Cristóbal Oudrid para niños