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Grace Elliott
Portrait of Grace Elliott by Thomas Gainsborough, circa 1778 – from the Frick Collection
Portrait of Grace Elliott by Thomas Gainsborough, circa 1778 (in the Frick Collection)
Born
Grace Dalrymple

c. 1754
Edinburgh, Scotland
Died 16 May 1823(1823-05-16) (aged 68–69)
Ville d'Avray, France
Burial place Père Lachaise Cemetery, Paris
Nationality Scottish
Occupation Writer, spy
Known for mistress of the Louis Philippe II, Duke of Orléans
Notable work
Journal of my life during the French Revolution
Spouse(s) Sir John Eliot (divorced)
Children Georgina Seymour
Parent(s) Grisel Craw (mother)
Hew Dalrymple (father)

Grace Dalrymple Elliott (c. 1754 – 16 May 1823) was a Scottish writer and spy resident in Paris during the French Revolution. She was an eyewitness to events detailed in her memoirs, Journal of my life during the French Revolution (Ma Vie sous la Révolution) published posthumously in 1859. She was mistress to the Duke of Orléans and to the future George IV, by whom she is said to have borne an illegitimate daughter. Elliott trafficked correspondence and hid French aristocrats escaping from the French Revolution. She was arrested several times but managed to avoid the guillotine, and was released after the death of Robespierre.

Early life

Elliott was born probably in Edinburgh about 1754, the youngest daughter of Grissel Brown (died 30 September 1767) and Hew Dalrymple (died 1774), an Edinburgh advocate concerned in the great Douglas case. Her parents separated around the time of her birth, and she was most likely brought up at her grandparents' house.

She was educated in a French convent, and on her return to Scotland, was introduced by her father into Edinburgh society. Her beauty made such an impression on John Eliot, a prominent and wealthy physician, that he made her an offer of marriage in 1771. She accepted, although Eliot was about 18 years her senior. They were married on 19 October 1771 in London, when she was 17. The couple entered fashionable society, but eventually grew apart and divorced due to their difference in age and interests.

Life in England

Having met Lord Cholmondeley at the Pantheon in 1776, she began a relationship with him that lasted for three years. Thomas Gainsborough painted two portraits of her in 1778, which are in the Frick Collection and the Metropolitan Museum of Art. In 1782, she had a short, concealed intrigue with the Prince of Wales (afterwards George IV) and gave birth to a daughter on 30 March 1782, who was baptised at St Marylebone as Georgiana Augusta Frederica Seymour (d. 1813) but used the name Georgina Seymour.

Lord Cholmondeley brought up the girl, and after her early death in 1813, looked after her only child.

Life in France: French Revolution

Gainsborough - Grace Dalrymple Elliott
Grace Elliott (1754?–1823). Portrait by Thomas Gainsborough, 1778. (In the Metropolitan Museum of Art)

George, Prince of Wales, introduced her to the French Duke of Orleans in 1784 and by 1786, she had permanently set up residence in Paris.

Much of what is known about Elliott's life in France is recorded in her memoirs, Journal of my life during the French Revolution (Richard Bentley, 1859). Although there are a number of inconsistencies in her account, her work has become one of the best-known English-language accounts of The Terror, documenting the movements of the Duke of Orleans and those within his aristocratic Jacobin circle at the Palais-Royal. During her life in Paris, Elliott witnessed the horror of the September massacres and the body of the Princess de Lamballe carried through the streets. Although Elliott was an associate of the Duke of Orleans (who later took the name Philippe Égalité), her royalist sympathies soon became widely known throughout her district, and her home was frequently searched. It has been recently shown that Elliott was trafficking correspondence on behalf of the British government and assisting in the transportation of messages between Paris and members of the exiled French court in Coblenz and in Belgium.

Elliott several times risked her life to assist and hide aristocrats pursued by the Revolutionary government. Shortly after the Assault on the Tuileries Palace, on 10 August 1792, Elliott hid the injured Marquis de Champcentz by physically carrying him to her house on the Rue Miromesnil at great risk. During a search of her home, she placed him between the mattresses of her bed and feigned illness. On another occasion, Elliott agreed to take in and hide at her home in Meudon Madame de Perigord and her two children, who were attempting to flee to England. She helped to arrange false travel documents for several people wishing to escape the Revolution. After hiding Champcentz in the attic of her home in Meudon, she managed to fix his passage out of France. In the spring of 1793, however, she was arrested and imprisoned and spent the rest of the Terror in prisons, including the Recollets and the Carmes, where she claims to have met Joséphine de Beauharnais, although this has been questioned by historians. Her writings detail her harrowing prison experiences, the violent coercion she experienced, and the illness and deprivation endured by her fellow prisoners.

Later life

Although many of her friends met their deaths, including Madame du Barry, Elliott did not. She narrowly avoided death and was released after the Reign of Terror came to an end, not before she had been confined in a total to four different prisons by the Republican government. In later years, there were rumours that she had an attachment with Napoleon Bonaparte, but had rejected his offer of marriage. She died a wealthy woman at Ville d'Avray, in present-day Hauts-de-Seine, in May 1823, while a lodger with the commune's mayor.

She was buried in Père Lachaise Cemetery.

Depictions in film and literature

A dramatic portrayal of part of her life is contained in Eric Rohmer's 2001 film The Lady and the Duke. English actress Lucy Russell played Elliott and Jean-Claude Dreyfus played the Duke of Orleans.

Grace Elliott also appears as a major character in Hallie Rubenhold's novel The French Lesson (Doubleday, 2016).

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