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Miguel Salinas Arteche
Born 4 June 1926
Nueva Imperial, Cautín Province, Chile
Died 22 July 2012 (aged 86)
Santiago, Santiago Province, Chile, Chile

Miguel Salinas Arteche (born June 4, 1926 – died July 22, 2012) was a famous Chilean poet and writer. He is better known as Miguel Arteche. He changed his last name legally in 1972 to use his mother's surname first. Miguel was born in Nueva Imperial, Cautín, Chile. He spent most of his adult life in Santiago, Chile, working as a university professor. He also held important government jobs in Chile and other countries. His first writings were featured in a book called the "Anthology of the Generation of 1950." This book was put together by Enrique Lafourcade, another well-known Chilean writer.

About Miguel Arteche

Miguel Arteche first studied Law at the Universidad de Chile. But he soon decided to study Literature instead. He went to the Universidad de Madrid in Spain from 1951 to 1954. His writings include many different types of work. He wrote poetry, novels, and short stories.

In 1947, he published his first book, Invitación al olvido (Invitation to Forgetfulness). After writing several poetry books, he published Cantata del desterrado (Cantata of the Exiled) in 1951. This was just before he moved to Europe. Living in Spain was very important for his writing. It helped him connect with his family's history and the world of European thinkers. After some years, he returned to Chile. There, he continued his writing career. In 1976, he published one of his most famous books, Destierros y tinieblas (Exiles and Darkness).

In 1956, the Chilean president Eduardo Frei Montalva appointed him to work at the Chilean Embassy in Madrid. He stayed there until 1970. Later, he worked at the Chilean Embassy in Honduras until 1971. He also spent extra time there as a visiting professor. After returning to Chile, he disagreed with the military government of Augusto Pinochet. This made it harder for him to publish his books in Chile. He could not publish again until democracy returned to the country.

In 1996, he received the Premio Nacional de Literatura (National Prize for Literature). This is the biggest award for writers in Chile.

The 1950s Writers

Miguel Arteche was part of a group called the Generación literaria de 1950 (Literary Generation of 1950). Writers in this group were born between 1920 and 1934. This way of grouping writers was suggested by Enrique Lafourcade in 1954. Some important writers from this time were Miguel Arteche, Enrique Lafourcade, Pablo Neruda, Vicente Huidobro, Humberto Díaz Casanueva, Rosamel del Valle, Jorge Edwards, and Claudio Giaconi.

These writers were inspired by authors like Walt Whitman, William Faulkner, and Ernest Hemingway. Miguel Arteche also said that the Spanish Siglo de oro (Golden Age) was a big influence on him. He taught his students a traditional way of writing poetry with specific rhythms. He preferred this over using a more free style of verse.

Miguel Arteche's Books

El agua (The Water), from his book Destierros y Tinieblas (Exiles and Darkness), published in 1963, is one of his most famous poems. He even had it carved in wood at the entrance of his studio. Here is the poem, translated by Walter Hilliger:

EL AGUA THE WATER

A media noche desperté.
Toda la casa navegaba.
Era la lluvia con la lluvia
de la postrera madrugada.
Toda la casa era silencio,
y eran silencio las montañas
de aquella noche. No se oía
sino caer el agua.
Me vi despierto a medianoche
buscando a tientas la ventana;
pero en la casa y sobre el mundo
no había hermanos, madre, nada.
Y hacia el espacio oscuro y frío
y frío el barco caminaba
conmigo. ¿Quién movía
todas las velas solitarias?
Nadie me dijo que saliera.
Nadie me dijo que me entrara,
y adentro, adentro de mí mismo
me retiré: toda la casa.
Me vio en el tiempo que yo fui,
y en el seré la vi lejana,
y ya no pude reclinar
mi juventud sobre la almohada.
A medianoche busqué
mientras la casa navegaba.
Y sobre el mundo no se oyó
sino caer el agua.

I woke up at midnight
the whole house set sail.
In the early morning,
there was rain with rain.
The house was in silence,
the mountains restrained,
that night, one could hear
but the falling rain.
I saw me that night
searching vents in vain;
at home, and the world,
no brothers, mum, friends.
The space was dark, cold,
and cold the ship stayed
with me. Who moved all
lonely candle flames?
No one told me, go,
No one told me, stay,
inside, within me,
Home, I left away.
She saw who I was,
she seemed far someday.
I couldn't lean back
on the pillow's surface.
That midnight I searched
while the house sailed straight.
Above the world hearing
but the fall of rain.

Poetry Books

  • La invitación al olvido, 1947
  • Oda fúnebre, 1948
  • Una nube, 1949
  • El sur dormido, 1950
  • Cantata del desterrado, 1951
  • Solitario, mira hacia la ausencia, 1953
  • Otro continente, 1957
  • Quince poemas, 1961
  • Destierros y tinieblas, 1963
  • De la ausencia a la noche, 1965
  • Resta poética, 1966
  • Para un tiempo tan breve, 1970
  • Antología de veinte años, 1972
  • Noches, 1976
  • Cantata del Pan y la Sangre, 1980, 1981, 1986
  • Variaciones alemanas, 1986
  • Variaciones sobre versos de Karol Wojtyla, 1987
  • Monólogo en la Torre, 1989
  • Siete canciones, 1989
  • Tercera antología, 1991
  • Fénix de madrugada, 1975–1992
  • Poemas para nietos, 1996
  • Para un tiempo tan breve, 1997
  • Jardín de relojes, 2002

Novels

  • La otra orilla, 1964
  • El Cristo hueco, 1969
  • La disparatada vida de Félix Palissa, 1975
  • El alfil negro, 1992 (unpublished)

Short Stories

  • Mapas del otro mundo, 1977
  • Las naranjas del silencio, 1987

Autobiography

  • Los ángeles de la provincia, 1975

Essays

  • Notas para la vieja y la nueva poesía chilena, 1958
  • La extrañeza de ser americano, 1962
  • Discurso de incorporación a la Academia Chilena de la Lengua, 1965
  • El extraño caso de Gabriela Mistral, 1968
  • Tres visiones de Carlos Droguett. 1971
  • Alfonso Calderón o cuarenta años después, 1978
  • Llaves para la poesía, 1984
  • Algunos de mis fantasmas, 1985
  • Algo acerca de la experiencia poética, 1988
  • La crítica poética y el crítico único, 1988
  • Exposición sobre un taller de poesía, 1988
  • La fuente dividida de Gabriela Mistral, 1989
  • El nombre perdido y buscado en América, 1989
  • Cómo leer un poema, 1989
  • Gabriela Mistral: seis o siete materias alucinadas, 1989
  • Escribir como niño para niños, 1990
  • De modo inseguro y problemático, 1990
  • Los coléricos hijos de Damaso Alonso, 1990
  • Algunos aprendices de brujo, 1989
  • Palabras en Alberti, 1991.

See also

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