Mona Hatoum facts for kids

Quick facts for kids Mona Hatoum
Mona Hatoum, 2021, during the closing of her exhibition at IVAM.
Born	1952 (age 71–72) Beirut, Lebanon
Education	Beirut University College
Awards	Rolf Schock Prizes in Visual Arts (2008) Joan Miró Prize (2011) Praemium Imperiale (2019) Julio González Prize (2020)

Mona Hatoum (Arabic: منى حاطوم; born 1952) is a British-Palestinian multimedia and installation artist who lives in London.

Biography

Mona Hatoum was born in 1952 in Beirut, Lebanon, to Palestinian parents. Although born in Lebanon, Hatoum was ineligible for a Lebanese identity card and does not identify as Lebanese. As she grew up, her family did not support her desire to pursue art. She continued to draw throughout her childhood, though, illustrating her work from poetry and science classes.

Hatoum studied graphic design at Beirut University College in Lebanon for two years and then began working at an advertising agency. Hatoum was displeased with the advertising work she produced. During a visit to London in 1975, the Lebanese Civil War broke out and Hatoum was forced into exile.

She stayed in London, training at both the Byam Shaw School of Art and the Slade School of Fine Art (University College, London) between the years 1975 and 1981. In the years since, "she has traveled extensively and developed a dynamic art practice that explores human struggles related to political conflict, global inequity, and being an outsider."

Artwork and themes

Hatoum explores a variety of different subject matter via different theoretical frameworks. Her work can be interpreted as a description of the body, as a commentary on politics, and on gender and difference as she explores the dangers and confines of the domestic world. Her work can also be interpreted through the concept of space as her sculpture and installation work depend on the viewer to inhabit the surrounding space to complete the effect. There are always multiple readings to her work. The physical responses that Hatoum desired to provoke psychological and emotional responses ensures unique and individual reactions from different viewers.

Early work

Hatoum's early work consisted largely of performance pieces that used a direct physical confrontation with an audience to make a political point. She used this technique as a means of making a direct statement using her own body; the performances often referenced her background and the political situation in Palestine. In her work, she addressed the vulnerability of the individual in relation to the violence inherent in institutional power structures. Her primary point of reference was the human body.

Measures of Distance

Created in 1988, Measures of Distance illustrates Hatoum's early themes of family and displacement. The fifteen-minute video piece explores how the war in Palestine and the war in Lebanon displaced the identity and the relationships of Hatoum and her family. The video is neither a documentary nor meant to be journalistic. Hatoum attempts to recreate the moments when she reunited with her mother in Beirut. Instead of directly depicting the Israeli–Palestinian conflict or the Lebanese Civil War, Hatoum shows how the conflicts affected her family's relationships and her identity. Hatoum both distances and draws in Western audiences through her narration in English and Arabic.

Measures of Distance was screened at the London Film Festival, AFI National Video Festival, and the Montreal Women's Film and Video Festival.

Grater Divide

Made in 2002, Grater Divide transforms an everyday object, in this case a common kitchen grater, into a 80 in × 76 in × 33 in (203 cm × 193 cm × 84 cm) divider, alluding to political alienation, perhaps caused by Israeli-built walls in Palestinian territory.

Hot Spot III

Hot Spot III, created in 2009, is a large installation piece of the globe tilted like the Earth and about as tall as a person. The title connects to the theme of political unrest, imagining conflict in one geographical area upsetting the whole world. The globe is made of cage-like steel that glows luminescent red, as though the world is ablaze, flickering quickly, meant to create an energetic environment that mesmerizes the audience. The installation also invokes a feeling of danger with the hot red lighting outlining the continents. Hatoum challenges whether minimalist or surrealist forms can adequately address the world's issues.

Later work

In the late 1980s, Hatoum abandoned performances as politically too direct and instead turned her attention to installations and objects, taking up some of the earlier ideas from her student days at the Slade School of Art in London. From then on, she relied on the kind of interactivity that lets the spectator become involved in the aesthetic experience without making the artist as performer the focus of attention.

Since the 1990s, her work has generally shifted from making statements to asking questions. Much more is required of the viewer as performances were replaced by sculptures and installations that required a level of mental and physical interactivity. Her practice has shifted towards site specificity in, for instance, Institute of Contemporary Art, Boston, and Kunsthalle Hamburg.

A notable piece exemplifying her turn from performance to physical objects is Keffieh (1993–1999), a scarf woven of human hair that juxtaposes ideas of femininity and religion.

At the end of the 1980s, she began to focus on common domestic objects—including kitchen utensils and house furnishings. T42 (1993–98) is a pair of teacups fused together at the rim.

Exhibitions

Since 1983, Mona Hatoum has been displaying both her installations and her video performance art pieces in exhibitions around the world. She has been featured in individual exhibitions as recently as 2018 at White Cube in Hong Kong.

Some of her other solo exhibitions of note include: Centre Pompidou, Paris (1994), Museum of Contemporary Art, Chicago (1997), The New Museum of Contemporary Art, New York (1998), Castello di Rivoli, Turin (1999), Tate Britain, London (2000), Hamburger Kunsthalle, Kunstmuseum Bonn, Magasin 3, Stockholm (2004) and Museum of Contemporary Art, Sydney (2005), Parasol Unit, London (2008), Darat Al Funun, Jordan (2008), Fondazione Querini Stampalia, Venice (2009), Beirut Art Center (2010), and the Menil Collection (2017).

She has also participated in a number of recognized group exhibitions, including: The Turner Prize (1995), Venice Biennale (1995 and 2005), Biennale of Sydney (2006) and the Biennale of Montreal; Drone the automated image (2013). A solo exhibition entitled Turbulence is organized in 2014 by Mathaf Arab Museum of Modern Art in Doha.

Hatoum's work was featured in a solo exhibition at the Institute of Contemporary Art, Boston in 2015.

In May 2016, Tate Modern held a "comprehensive exploration into 35 years of Hatoum's work in Britain, from her early performance and video works to her sculpture and large-scale installation"

The Menil Collection in Houston, Texas organized a solo exhibition titled "Mona Hatoum: Terra Infirma" that was on view from 12 October 2017 to 25 February 2018. This exhibition then traveled to the Pulitzer Arts Foundation and was on view from 6 April to 11 August 2018.

In March 2018, Hatoum was shortlisted for the Hepworth Prize for Sculpture, alongside Michael Dean, Phillip Lai, Magali Reus and Cerith Wyn Evans. The work of the shortlisted artists was displayed at the Hepworth Wakefield gallery from the end of October of that year.

In January 2020, Hatoum was part of Artpace’s exhibit titled Visibilities: Intrepid Women of Artpace. Also in 2020, she received the Julio González award, featuring in a solo exhibition at Institut Valencià d'Art Modern in 2021.

Solo exhibitions

2021 "Mona Hatoum", IVAM Institut Valenciá d'Art Modern, Valencia

2019 Remains to be Seen, White Cube, London

2019 Galerie Chantal Crousel, Paris

2018 Remains of the Day, White Cube, Hong Kong

2018 Every wall a door, Riverrun, Istanbul

2017 The 10th Hiroshima Art Prize, Hiroshima City Museum of Contemporary Art

2017 Terra Infirma, Menil Collection, Houston, Texas

2017 Terra Infirma, Pulitzer Arts Foundation, St. Louis, Missouri, 2018

2017 Displacements/Entortungen: Ayşe Erkmen & Mona Hatoum, Museum der bildenden Künste, Leipzig, Germany

2016 Twelve Windows, Tate Modern, London

2016 Twelve Windows, Kiasma Museum of Contemporary Art, Helsinki, 2016

2014 Turbulence, Mathaf: Arab Museum of Modern Art, Doha, Qatar

2014 Twelve Windows, Alexander and Bonin, New York

2014 Galerie René Blouin, Montreal

2014 Close Quarters, Museum of Fine Arts Ghent, Belgium

2014 Pinacoteca do Estado de São Paulo

2013 Mappings, Centre d’art des Pénitents Noirs, Aubagne, France

2013 A Body of Work, Galleria Continua, San Gimignano, Italy

2013 Kunstmuseum St. Gallen, Switzerland

2013 Reflection, Galerie Chantal Crousel, Paris

2012 You Are Still Here, Arter, Istanbul

2012 Projection, Joan Miró Prize, Fundació Joan Miró, Barcelona

2012 Shift, Galerie Max Hetzler, Berlin

2011 Silver Lining, Hochschule der Künste, Bern, Switzerland

2011 Bunker, White Cube, London

2011 Bourj, Alexander and Bonin, New York

2011 Sammlung Goetz, Munich

2010 Galerie Chantal Crousel, Paris

2010 Suspendu, MAC/VAL Musée d’art contemporain du Val–de–Marne, Vitry–sur–Seine, France

2010 Witness, Beirut Art Center

2010 Käthe – Kollwitz Prize 2010, Akademie der Künste, Berlin

2010 Electrified, Kunsthal 44 Møen, Askeby, Sweden

2010 Le Grand Monde, Fundación Botín, Santander, Spain

2010 Keeping It Real: Act 3, Current Disturbance, Whitechapel Gallery, London

2009 Alexander and Bonin, New York

2009 Measures of Entanglement, Ullens Center for Contemporary Art, Beijing

2009 Hanging Garden, Kunsthalle Wien, Vienna

2009 Interior Landscape, Fondazione Querini Stampalia, Venice

2009 Undercurrent (red), Galleria Continua, San Gimignano, Italy

2009 Natura Morta, Fondazione Merz, Turin, Italy

2009 Mona Hatoum: Collected Works, Rennie Collection at Wing Sang, Vancouver

2008 Galerie Chantal Crousel, Paris

2008 Undercurrents, XIII Biennale Donna, Palazzo Massari PAC, Ferrara, Italy

2008 Unhomely, Galerie Max Hetzler, Berlin

2008 Hanging Garden, DAAD Galerie, Berlin

2008 Present Tense, Parasol Unit, London

2008 Darat al Funun – The Khalid Shoman Foundation, Amman, Jordan

2006 Kairotic, Townhouse Gallery, Cairo

2006 Galerie Max Hetzler, Berlin

2006 Galleria Continua, San Gimignano, Italy

2006 Hot Spot, White Cube, London

2005 Over My Dead Body, Museum of Contemporary Art Australia, Sydney

2005 Mobile Home, Alexander and Bonin, New York

2005 Douglas F. Cooley Memorial Art Gallery, Reed College, Portland, Oregon

2004 Hamburger Kunsthalle, Germany; Kunstmuseum Bonn, Germany; Magasin III, Stockholm

2004 Galerie René Blouin, Montreal

2003 Photo and Video Works, Uppsala Konstmuseum, Sweden

2003 Artist’s Choice: Mona Hatoum, Here Is Elsewhere, Museum of Modern Art, New York

2003 Museo de Arte Contemporáneo de Oaxaca

2003 Exconvento de Conkal, Yucatan, Mexico

2002 Laboratorio Arte Alameda, Mexico City

2002 Grater Divide, White Cube, London

2002 Centro de Arte de Salamanca

2002 Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain

2002 Alexander and Bonin, New York

2002 Galerie Nordenhake, Stockholm

2001 Sala Mendoza, Caracas

2000 The Entire World as a Foreign Land, Tate Britain, London

2000 Images from Elsewhere, fig–1, London

2000 SITE Santa Fe, New Mexico; as Domestic Disturbance, Massachusetts Museum of Contemporary Art, North Adams, 2001

1999 The Box, Turin, Italy

1999 Castello di Rivoli, Turin, Italy

1999 Artpace, San Antonio, Texas

1999 Le Creux de l’enfer – Centre d’art contemporain, Thiers, France; Le Collège, FRAC

1999 Fonds régional d’art contemporain Champagne–Ardenne, Reims, France, 2000

1999 Museum van Hedendaagse Kunst Antwerpen, Antwerp, Belgium, 2000

1999 Alexander and Bonin, New York

1998 Kunsthalle Basel

1998 Measures of Distance, Contemporary Arts Center, Cincinnati, Ohio

1998 Over My Dead Body, Der Standard, Museum in Progress, Vienna

1998 Museum of Modern Art, Oxford, UK

1998 Scottish National Gallery of Modern Art, Edinburgh

1997 Museum of Contemporary Art, Chicago

1997 New Museum of Contemporary Art, New York

1997 Galerie René Blouin, Montreal

1996 The Fabric Workshop and Museum, Philadelphia

1996 Gallery Anadiel, Jerusalem

1996 Current Disturbance, Capp Street Project, San Francisco

1996 Quarters, Viafarini, Milan

1996 De Appel, Amsterdam

1995 Socle du Monde, White Cube, London

1995 Short Space, Galerie Chantal Crousel, Paris

1995 British School at Rome

1994 Mona Hatoum, Centre Georges Pompidou, Paris

1994 Galerie René Blouin, Montreal

1994 Centre Georges Pompidou, Paris

1994 CRG Gallery, New York

1993 Mona Hatoum, Arnolfini, Bristol

1993 Recent Work, Arnolfini, Bristol, UK

1993 South London Gallery (with Andrea Fisher), London

1993 Socle du monde, Galerie Chantal Crousel, Paris

1993 Positionings/Transpositions (with Barbara Steinman), Art Gallery of Ontario, Toronto, Canada

1992 Mario Flecha Gallery, London

1992 Dissected Space: New Installations 1990–1992, Chapter Arts Centre, Cardiff

1992 Dissected Space, Chapter, Cardiff, UK

1989 Mind the Gap, A Space, Toronto, Canada (performance)

1989 The Light at the End, The Showroom, London; Oboro, Montreal

1989 Galerie Obscure, Quebec

1989 Forest City Gallery, London, Canada

1986 Nine One One Contemporary Arts Center, Seattle, Washington

1985 Between the Lines, The Orchard Gallery, Derry, UK (performance)

1985 Variation on Discord and Divisions, Western Front, Vancouver; Articule, Montreal (performance)

1984 Variation on Discord and Divisions, ABC No Rio, New York (performance)

1984 Variation on Discord and Divisions, AKA Gallery, Saskatoon, Canada (performance)

1984 The Negotiating Table, Franklin Furnace, New York (performance)

1983 The Negotiating Table, SAW Gallery, Ottawa, Canada (performance)

1983 The Negotiating Table, Niagara Artists Centre, St Catharines (performance)

1983 The Negotiating Table, Western Front, Vancouver (performance)

Awards

• 2008 – Rolf Schock Prize in Visual Arts
• 2011 – Joan Miró Prize, Fundació Joan Miró
• 2017 – 10th Hiroshima Art Prize, Hiroshima City Museum of Contemporary Art, Hiroshima
• 2018 – Whitechapel Gallery Art Icon
• 2019 – Praemium Imperiale for the sculpture category, in recognition of her lifetime achievement in the medium.
• 2021 – Julio González Price 2020

See also

In Spanish: Mona Hatoum para niños

• Palestinian art