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Paul Morrissey
Paul Morrissey photobooth self portrait 1967.jpg
Morrissey in 1967
Born
Paul Joseph Morrissey

(1938-02-23)February 23, 1938
Died October 28, 2024(2024-10-28) (aged 86)
New York City, U.S.
Alma mater Fordham University
Occupation Filmmaker
Years active 1961–2010
Known for Warhol superstar

Paul Joseph Morrissey (February 23, 1938 – October 28, 2024) was an American film director, known for his early association with Andy Warhol. His most famous films include Flesh (1968), Trash (1970), Heat (1972), Flesh for Frankenstein (1973), and Blood for Dracula (1974), all starring Joe Dallesandro, 1971's Women in Revolt and the 1980's New York trilogy Forty Deuce (1982), Mixed Blood (1985), and Spike of Bensonhurst (1988).

From 1965 to 1973, Morrissey ran the publicity and filmmaking activity for Warhol at The Factory (first at 231 E. 47th St. and then at 33 Union Square West in New York City). Additionally, between 1966 and 1967, he managed the Velvet Underground and Nico and co-conceived and named Warhol's traveling multi-media Happening the Exploding Plastic Inevitable. In 1969, alongside Warhol and publisher John Wilcock, Morrissey launched the print magazine Interview hiring its longtime editor Bob Colacello in autumn 1970.

In 1971, Warhol and Morrissey purchased Eothen in Montauk, New York, a 12-hectare oceanfront estate on the Long Island shore for $225,000. Morrissey would sell the estate in 2006 to J. Crew CEO Millard Drexler.

In 1998, Morrissey was given the Jack Smith Lifetime Achievement Award at the Chicago Underground Film Festival.

Early life and career

Born in Manhattan, New York, on February 23, 1938, to Irish Catholic parents Joseph and Eleanor Morrissey, Paul Joseph Morrissey grew up in Yonkers, New York. The second youngest of five children, Morrissey attended Fordham Prep and Fordham University, both Catholic schools. Upon graduation, he enlisted with the United States Army, going through basic training at Fort Benning and Fort Dix, achieving the rank of First Lieutenant. While on reserves from active duty, he moved to the East Village in late 1960 opening the Exit Gallery, a small cinematheque at 36 E. 4th St., where he programmed a mix of underground films and documentaries including Icarus (1960), the first film by Brian De Palma. Simultaneously, Morrissey began making his own short, silent 16mm comedies including Mary Martin Does It (1962), Taylor Mead Dances (1963), and Like Sleep (1964).

Village Voice ad for the Film-makers' Cinematheque. June 17, 1965. p. 15
Village Voice ad for the Film-makers' Cinematheque. June 17, 1965

Introduced by poet and filmmaker Gerard Malanga, he first met Andy Warhol in June 1965 at the Astor Place Playhouse where Morrissey was having a retrospective of his work. Warhol, taken by Morrissey's resourcefulness and filmmaking expertise, invited him to the Factory to assist him with his next project Space, filmed at the E. 47th St. Factory in July 1965 and featuring Edie Sedgwick, Danny Fields, Donald Lyons (a friend of Morrissey's from his Fordham University days), and folk-singer Eric Andersen. Several more Warhol-Morrissey collaborations followed.

Warhol and Morrissey filming Lonesome Cowboys in Arizona. January 1968.
Warhol and Morrissey filming Viva and Taylor Mead in Lonesome Cowboys. Oracle, Arizona. January 1968

While filming a scene in the Manhattan apartment of John Wilcock for Andy Warhol's 25 hour movie Four Stars, Morrissey first met Joe Dallesandro who happened to have friends living in the same building. Morrissey immediately cast him in a scene that would later appear in Loves of Ondine (1967), Dallesandro's first appearance in a Factory film.

After the attempt on Warhol's life in June 1968 by Valerie Solanas, Morrissey directed his first solo feature Flesh. Produced for $4,000 by Andy Warhol and starring Joe Dallesandro alongside Maurice Braddell, Geri Miller, Geraldine Smith, Patti D'Arbanville, Louis Waldon, Jackie Curtis, and Candy Darling, the film became a box office hit in West Germany with over 3 million tickets sold.

The commercial and popular success of Flesh continued into the 1970s with two more films directed by Morrissey, produced by Warhol and starring Dallesandro: Trash, featuring Jane Forth and Holly Woodlawn, and Heat, a satire about Hollywood based on Sunset Boulevard starring Dallesandro alongside Sylvia Miles.

In 1971, Morrissey executive produced and directed Women in Revolt, a send-up of the Women's liberation movement starring trans Warhol superstars Jackie Curtis, Holly Woodlawn, and Candy Darling. A film still of Candy Darling from Women in Revolt appears on the cover of the "Sheila Take a Bow" single by The Smiths, the second such instance of a Morrissey film appearing on the cover of a Smiths record.

Reflecting on this period in an interview with Lucy Hughes-Hallett for British Vogue in March 1978, Morrissey said: "To me, moviemaking is dealing with personalities, people who are always the way they are in every film, like John Wayne or Clint Eastwood, that kind of film-star personality which is not very fashionable now. It doesn't really matter what the camera's doing as long as the people are worth watching."

Post-Factory years

In March 1973, Morrissey went to Rome and directed two back-to-back features Flesh for Frankenstein (1973) and Blood for Dracula (1974) starring Dallesandro and Udo Kier. Produced by Carlo Ponti and presented by Andy Warhol, their international success propelled Morrissey out of the Factory and into his first and only attempt at directing a studio film, The Hound of the Baskervilles, co-written by Morrissey, Peter Cook, and Dudley Moore. It was a commercial and critical flop. Morrissey moved to Los Angeles in the late 1970s and returned to independently produced features starting with Madame Wang's (1981), a satire on the LA punk-rock scene, starring Patrick Schoene alongside Morrissey's niece Christina Indri.

Returning to New York City in the early 1980s, Morrissey began a collaboration with playwright and screenwriter Alan Bowne, directing a film version of his 1981 play Forty Deuce (1982) starring Orson Bean and Kevin Bacon. Morrissey worked again with Bowne on the screenplays for Mixed Blood (1985) and Spike of Bensonhurst (1988) completing a trilogy of films taking a satirical, empathetic look at the political, social and moral decay of New York City and its outer boroughs during the Ed Koch years.

Morrissey's last feature News From Nowhere (2010) made its U.S. debut at Film at Lincoln Center in fall 2010.

Morrissey died from pneumonia at a hospital in Manhattan, on October 28, 2024, at the age of 86.

Filmography

  • Ancient History (short) 1961
  • Dream and Day Dream (short) 1961
  • Mary Martin Does It (short) 1962
  • Civilization and Its Discontents (short) 1962
  • Taylor Mead Dances (short) (1963)
  • Peaches and Cream (short) (1964)
  • Merely Children (short) (1964)
  • About Face (short) (1964)
  • The Origin of Captain America (short) (1964)
  • Like Sleep (short) (1964)
  • All Aboard the Dreamland Choo-Choo (short) (1965)
  • Paul Swan (1965)
  • More Milk, Yvette (1966)
  • Hedy (1966)
  • Chelsea Girls (1966)
  • The Velvet Underground and Nico: A Symphony of Sound (1966)
  • Imitation of Christ (1967)
  • Tub Girls (1967)
  • I, a Man (1967)
  • Bike Boy (1967)
  • Loves of Ondine (1967)
  • The ... Restaurant (1967)
  • Four Stars
  • San Diego Surf (1968)
  • Flesh (1968)
  • Lonesome Cowboys (1968)
  • Trash (1970)
  • I Miss Sonia Henie (short) (1971)
  • Women in Revolt (1971)
  • Heat (1972)
  • L'Amour (1973)
  • Flesh for Frankenstein (1973)
  • Blood for Dracula (1974)
  • The Hound of the Baskervilles (1978)
  • Madame Wang's (1981)
  • Forty Deuce (1982)
  • Mixed Blood (1985)
  • Beethoven's Nephew (1985)
  • Spike of Bensonhurst (1988)
  • Changing Fashions (short) (1993)
  • Veruschka: A Life for the Camera (documentary) (2005)
  • News from Nowhere (2010)

See also

Kids robot.svg In Spanish: Paul Morrissey para niños

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