William Cameron Menzies facts for kids

Quick facts for kids William Cameron Menzies
William Cameron Menzies in 1925
Born	(1896-07-29)July 29, 1896 New Haven, Connecticut, U.S.
Died	March 5, 1957(1957-03-05) (aged 60) Los Angeles, California, U.S.
Education	Yale University, University of Edinburgh
Occupation	Production designer, film director
Years active	1917–1956
Awards	Best Art Direction 1928 The Dove ; Tempest Academy Honorary Award 1939 Gone with the Wind

William Cameron Menzies (July 29, 1896 – March 5, 1957) was an American film production designer (a job title he invented) and art director as well as a film director and producer during a career spanning five decades. He began his career during the silent era, and later pioneered the use of color in film for dramatic effect.

Early years

Menzies was born in New Haven, Connecticut, to Scots immigrant parents, Charles A. and Helen originally from Aberfeldy, Scotland. He studied at Yale and the University of Edinburgh and, after serving in the United States Army during World War I, he attended the Art Students League of New York.

Career

Menzies joined Famous Players–Lasky, later to evolve into Paramount Pictures, working in special effects and design. He soon worked on such films as Robin Hood (1922), The Thief of Bagdad (1924), The Bat (1926), The Dove (1927), Sadie Thompson (1928), and Tempest (1928). His contributions to The Dove (1927), as well as Tempest (1928) lead to Menzies receiving the first Academy Award for Best Production Design, an accolade for achievement in art direction. In 1929, Menzies formed a partnership with producer Joseph M. Schenck to create a series of early sound short films visualizing great works of music, including a 10-minute version of Dukas's The Sorcerer's Apprentice, and created the production design and special effects for Schenck's feature film The Lottery Bride (1930).

Menzies's work on The Adventures of Tom Sawyer (1938) prompted David O. Selznick to hire him for Gone with the Wind (1939). Selznick's faith in Menzies was so great that he sent a memorandum to everyone at Selznick International Pictures who was involved in the production reminding them that "Menzies is the final word" on everything related to Technicolor, scenic design, set decoration, and the overall look of the production. His work on the film would also net Menzies an honorary academy award for production design.

"Production designer" (which is sometimes used interchangeably with "art director") was coined specifically for Menzies, to refer to his being the final word on the overall look of the production; it was intended to describe his ability to translate Selznick's ideas to drawings and paintings from which he and his fellow directors worked.

Menzies was the director of the burning of Atlanta sequence in Gone with the Wind. He also re-shot the Salvador Dalí dream sequence of Alfred Hitchcock's Spellbound (1945).

In addition, Menzies directed dramas and fantasy films. He made two science-fiction films: Things to Come (1936), based on a novel by H.G. Wells, for producer Alexander Korda which predicted war and technical advancement; and Invaders from Mars (1953), which mirrored many fears about aliens and outside threats to humanity in the 1950s.

Death

Shortly after completing his work as an associate producer on Around the World in 80 Days (1956), Menzies died of cancer. He was interred in the Forest Lawn Memorial Park Cemetery in Glendale, California.

Accolades

At the first Academy Awards, held on May 16, 1929, Menzies won for Best Art Direction for The Dove and Tempest. He was the first to win the Academy Award for art direction. The following year he was nominated in the same categories for his work on Bulldog Drummond, Alibi, and The Awakening, but lost to Cedric Gibbons.

At the 12th Academy Awards held on February 29, 1940, Menzies won an Academy Honorary Award "for outstanding achievement in the use of color for the enhancement of dramatic mood" in the production of Gone With the Wind.

Legacy

In 2005, Menzies was in the first group of art directors and production designers inducted into the Art Directors Guild Hall of Fame.

Several of Menzies home movies are part of the collection of the Academy Film Archive and were preserved by the archive in 2015.

Silent Films, 1918-1930

Sound Era: 1930-1955

Stage Chronology

DVD release

In October 2009, Alpha Video released the public domain collection The Fantastic World of William Cameron Menzies on DVD, which included four early experimental films created by Menzies and Joseph M. Schenck, shorts that visualize great works of classical music:

• "Irish Fantasy" (1929)
• "Impressions of Tschaikowsky's Overture '1812'" (1930)
• "Hungarian Rhapsody" (1930)
• Paul Dukas' "The Wizard's Apprentice" (1930).

According to Dave Kehr, The Wizard's Apprentice "clearly influenced Disney's version in Fantasia.

See also

In Spanish: William Cameron Menzies para niños

• Art Directors Guild Hall of Fame