Fisher Fine Arts Library facts for kids
Quick facts for kidsAnne and Jerome Fisher Fine Arts Library
The 4-story Main Reading Room acts as a lightwell for the inner rooms surrounding it.
|Former names||Furness Library, Furness Building|
|Architectural style||Venetian Gothic|
|Address||220 South 34th Street
|Named for||Anne and Jerome Fisher|
|Owner||University of Pennsylvania|
|Material||Sandstone, brick, terracotta|
|Size||65,026 square feet (6,041.1 m2)|
|Design and construction|
|Architecture firm||Furness, Evans & Company|
|Renovating firm||Venturi, Raunch, Scott, Brown and Associates|
The Fisher Fine Arts Library was the primary library of the University of Pennsylvania from 1891 to 1962. The red sandstone, brick-and-terra-cotta Venetian Gothic giant—part fortress and part cathedral—was designed by the acclaimed Philadelphia architect Frank Furness (1839–1912). The cornerstone was laid in October 1888, construction was completed in late 1890, and the building was dedicated in February 1891.
Following completion of the Van Pelt Library in 1962, it was renamed the Furness Building (after its architect), and housed the university's art and architecture collections. The building was designated a National Historic Landmark in 1985.
The Furness Building was renamed the Anne and Jerome Fisher Fine Arts Library following a 6-year, $16.5-million restoration, completed in 1991. It is located on the east side of College Green, at Locust Walk and 34th Street.
|“||"It is the work of an artist." — Frank Lloyd Wright.||”|
The library's plan is exceptionally innovative: circulation to the building's five stories is through the tower's staircase, separated from the reading rooms and stacks.
The Main Reading Room is a soaring four-story brick-and-terra-cotta-enclosed space, divided by an arcade from the two-story Rotunda Reading Room. The latter has a basilica plan – with seminar rooms grouped around an apse (like side-chapels) – the entire space lighted by clerestory windows. Above the Rotunda Reading Room is a two-story lecture hall, now an architecture studio. The Main Reading Room, with its enormous skylight and wall of south-facing windows, acts as a lightwell, illuminating the surrounding inner rooms through leaded glass windows.
The three-story fireproof stacks are housed in a modular iron wing, with a glass roof and glass-block floors to help light the lower levels. It was designed to initially hold 100,000 books – but also to be continuously expandable, one bay at a time, with a movable south wall. Furness's perspective drawing highlighted this growth potential by showing nine-bay stacks, although the initial three-bay stacks were never expanded.
Throughout the building are windows inscribed with quotations from Shakespeare, chosen by Horace Howard Furness (Frank's older brother), a University lecturer and a preeminent American Shakespearean scholar of the 19th century. The architect collaborated with Melvil Dewey, creator of the Dewey Decimal System, and others to make this the most modern American library building of its time.
|“||"The plans I sketched with Mr. Furness late that evening, seem to me better than any college library has yet adopted." — Melvil Dewey.||”|
The Henry Charles Lea Library, a two-story addition to the building's east side, was designed by Furness, Evans & Company and completed in 1905.
Within a generation, Frank Furness's exuberant masterwork was considered an embarrassment. The University Museum moved to its own building in 1899. In 1915, the Duhring Wing was built at the south end of the stacks, making their designed expansion impossible. Architect Robert Rodes McGoodwin drew up plans to cloak the entire building in sedate Collegiate Gothic brick and stone. The first step toward this was the 1931 addition of a reading room facing College Green (now the Arthur Ross Gallery) that masked the iron-and-glass stacks. Almost perversely, McGoodwin's incongruous Collegiate Gothic addition was dedicated as a memorial to Horace Howard Furness.
The building served as the main library of the University of Pennsylvania until the construction of Van Pelt Library in 1962. Today it houses collections related to architecture, landscape architecture, city and regional planning, historic preservation, history of art, and studio arts.
In 1957, Penn-trained architect and Philadelphia Evening Bulletin cartoonist Alfred Bendiner invited Frank Lloyd Wright to tour the Victorian behemoth, then threatened with demolition. Wright proclaimed: "It is the work of an artist."
The Furness Library was listed on the National Register of Historic Places in 1972; was additionally listed as a contributing property in the University of Pennsylvania Campus Historic District in 1978; and was declared a National Historic Landmark in 1985.
Between 1986 and 1991, the building was restored by a team that included Venturi, Rauch, Scott Brown & Associates, Inc., CLIO Group, Inc., and Marianna Thomas Architects. On the occasion of its centennial in February 1991, it was rededicated as the "Anne & Jerome Fisher Fine Arts Library" (named for the restoration's primary benefactors). The $16.5-million restoration garnered rave reviews from New York Times architectural critic Paul Goldberger, and received national awards from the Victorian Society in America (1991), the Advisory Council on Historic Preservation (1992), and the American Institute of Architects (1993).
The restored building was featured prominently in the 1993 film Philadelphia.
In a 2009 appreciation in The Wall Street Journal, architectural historian Michael J. Lewis called it "a cheeky act of architectural impertinence" and "the last of its kind": "Today, the University of Pennsylvania building, now known as the Fisher Fine Arts Library, is widely acknowledged as one of the great creations of 19th-century American culture, and the principal work of its architect, Frank Furness (1839-1912)."
Arthur Ross Gallery
Horace Howard Furness's collection of Shakespeare was moved to Van Pelt Library in the 1960s. The former Furness Reading Room was converted into the Arthur Ross Gallery, which houses the University's art collection. Opened in 1983, the gallery is named for its benefactor, noted philanthropist Arthur Ross, who started his college studies at the University of Pennsylvania, but later transferred to Columbia University. Admission to the public is free.
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