Georg Muffat facts for kids
Quick facts for kids
Georg Muffat
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Born | Megève, Duchy of Savoy |
1 June 1653
Died | 23 February 1704 | (aged 50)
Genres | Baroque |
Occupation(s) | Composer, organist |
Instruments | Organ |
Georg Muffat (born June 1, 1653 – died February 23, 1704) was an important composer and organ player from the Baroque period. He is famous for writing very clear instructions on how to play his music. These instructions were printed with his collections of string pieces called Florilegium Primum and Florilegium Secundum (meaning "First and Second Bouquets") in 1695 and 1698. They are still very helpful for musicians today.
Contents
Georg Muffat's Early Life and Studies
Georg Muffat was born in a place called Megève, which is now part of France. His father, André Muffat, had Scottish family roots.
Between 1663 and 1669, Georg studied music in Paris. Many people think his teacher was the very famous French composer Jean Baptiste Lully. Muffat himself wrote that he "avidly pursued this style which was flowering in Paris at the time under the most famous Jean Baptiste Lully." This sentence can be understood in a few ways. It might mean he studied with Lully, or just that he learned the musical style that Lully made popular. Either way, the music style Muffat learned was definitely Lully's French style.
Travels and Work
After leaving Paris, Muffat worked as an organist in towns like Molsheim and Sélestat. He later studied law in Ingolstadt before moving to Vienna.
In 1677, he traveled to Prague and then to Salzburg. In Salzburg, he worked for the archbishop for about ten years. Around 1680, he went to Italy. There, he learned more about playing the organ from Bernardo Pasquini. Pasquini followed the style of another famous organist, Girolamo Frescobaldi. Muffat also met Arcangelo Corelli, whose music he greatly admired.
From 1690 until his death, Muffat was a Kapellmeister (a music director) for the bishop of Passau.
It's good to know that Georg Muffat should not be confused with his son, Gottlieb Muffat, who also became a successful composer.
Georg Muffat's Musical Works
Georg Muffat's music shows strong influences from both French and Italian composers. He helped to blend these different European musical styles.
Here are some of his important works:
- Sonatas for various instruments: These were collected in a work called Armonico Tributo (meaning "Harmonic Tribute") in 1682. A sonata is a piece of music usually for one or two instruments.
- Orchestral suites: These are collections of dance pieces for an orchestra. His most famous ones are Florilegium Primum and Florilegium Secundum, published in 1695.
- Concerti grossi: These are pieces for a small group of solo instruments playing against a larger orchestra. He wrote 12 of these, published in 1701 as Auserlesene... Instrumental Musik (meaning "Selected Instrumental Music"). Some of the tunes in these pieces were also used in his Armonico Tributo.
- Organ music: He wrote 12 toccatas for the organ, along with other pieces like a passacaglia, a chaconne, and an air with variations. These were published in 1690 in a collection called Apparatus Musico-Organisticus. A toccata is a fast, showy piece, often for keyboard instruments.
- Harpsichord pieces: He also wrote some partitas (another type of suite) for the harpsichord, which are kept as handwritten copies.
- Religious music: Muffat composed several religious works, including three masses. Only one of these, Missa in Labore Requies, written for 24 different parts, still exists today.
Muffat was a "cosmopolitan" composer, meaning he traveled a lot and brought together musical ideas from different countries. Like Johann Jakob Froberger before him and Handel after him, he played a key role in sharing musical traditions across Europe.
The detailed instructions in his Florilegium Primum and Florilegium Secundum are very special. They were meant to help German musicians understand how to play French dance music. They include specific rules for how fast to play and how to use the bow on string instruments. They also give general tips for playing well together in an ensemble. These texts are still incredibly valuable for musicians today who want to play Baroque music the way it was originally intended.
Recordings
Many recordings of Georg Muffat's music are available today, allowing new generations to enjoy his compositions. Some notable recordings include:
- Armonico Tributo by Les Muffatti
- 12 Concerti Grossi 1701 by Musica Aeterna Bratislava
- Apparatus Musico-Organisticus (Complete) by Adriano Falcioni