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Glen Echo Park Historic District
GlenEchoNeonEntrance.JPG
Glen Echo Park, Maryland is located in Maryland
Glen Echo Park, Maryland
Location in Maryland
Glen Echo Park, Maryland is located in the United States
Glen Echo Park, Maryland
Location in the United States
Location 7300 MacArthur Blvd.
Glen Echo, Maryland
Area 9 acres (3.6 ha)
Built 1891 (1891)
Architect Multiple
Architectural style Moderne, Queen Anne, Shingle Style, Spanish Colonial Mission Revival
NRHP reference No. 84001850
Added to NRHP June 8, 1984

Glen Echo Park is an arts and cultural center located in Glen Echo, Maryland that, in its former incarnation, was a popular Washington, D.C.-area amusement park that operated for several decades from the early 1900s to the 1960s. The arts and cultural center takes its name from the amusement park.

Located roughly 9 miles (14 km) northwest of downtown Washington, D.C., the site of Glen Echo Park was originally conceived and developed as a National Chautauqua Assembly in 1891. Following the foreclosure and sale of the Chautauqua grounds in 1903, leisure facilities were then developed for the growing population of Washington, D.C. In 1911, the site was significantly expanded to become Glen Echo Amusement Park, which operated continuously until its closure in 1968.

Today Glen Echo Park is one of the more important cultural resources in the Washington, D.C. area, offering hundreds of classes, workshops and performances in the visual and performing arts. The facility is well known for its Art Deco architecture, an antique Dentzel carousel, a historic Spanish Ballroom, as well as its children's theaters, social dance programs, and many public festivals, including Family Day and the Washington Folk Festival. Each year more than 400,000 people attend events and participate in instructional activities at the park. The National Park Service also offers park history tours and maintains a visitors area.

History

Chautauqua

Edwin and Edward Baltzley, inventors, industrialists, and real estate developers, hoped to build upon the banks of the Potomac River a suburban community free of the urban pollution of late-nineteenth century Washington. In order to compete with other suburban developments, the Baltzley brothers planned a series of opulent attractions for their would-be community.

On February 24, 1891, the Baltzley brothers incorporated the National Chautauqua of Glen Echo, the 53rd such assembly, and immediately set to building a stone citadel of culture to complement their real estate and resort enterprises. Opened on June 16, 1891, their arts and culture program included lectures and concerts in a 6,000-seat amphitheater; special classes in Bible studies, Greek, and Hebrew; physical training regimens; and university extension courses. Hundreds flocked to the site to picnic, attend lectures on American history by Jane Meade Welch, courses on ancient Egypt by Lysander Dickerman, and concerts by John Philip Sousa and his band. Clara Barton, encouraged by the Baltzleys, not only located her home and the American Red Cross headquarters at Glen Echo, but she presided over the Women's Executive Committee for the Chautauqua itself. The inaugural season's success warranted an extension well into August.

Failure

By the spring of 1892 the various Baltzley enterprises were gravely in debt. On April 7, 1892, the Glen Echo Sand and Building Company, a Baltzley subsidiary, borrowed a large sum of money giving the Chautauqua site as collateral. This was one of many Baltzley mortgages on the site. The financial difficulties spread to the Glen Echo Railroad Company, yet another Baltzley enterprise, which, because of the U.S. Army Corps of Engineers and the adjacent Washington Aqueduct system, had failed to bring the much anticipated street car service to the Chautauqua site and Glen Echo Village.

Compounding their overextended credit, the Baltzley brothers found themselves the victim of common rumor. At the beginning of the 1892 season, rumor had spread throughout Washington that Glen Echo was rampant with malaria. Regardless of the validity of these accusations, when combined with the brother's precarious finances, the Chautauqua site fell into disuse.

Amusement park

Glen Echo Park Entrance
Park Entrance

In the early 20th century the Chautauqua site was turned into an amusement park named Glen Echo Park. The amusement park was one of the larger establishments of its type in the Washington, D.C. area, and was very popular well into the late 1940s. By the mid-1950s, however, attendance began to decline due to the growing popularity of larger regional theme parks, such as Disneyland. Another blow to the park occurred in 1960 when the trolley line from Washington, D.C. ceased operation. The amusement park managed to continue operations for a few more years, but was finally closed after the 1968 season.

Segregation at the amusement park

Like many public facilities in and around the Washington area, Glen Echo Park was restricted to whites for 63 out of the first 70 years of its history. On June 30, 1960, to draw attention to the continuing segregation, a group of college students (primarily from Howard University) staged a sit-in protest on the carousel. Five African American students were subsequently arrested for trespassing. The arrests were appealed to the Supreme Court four years later, and the convictions were reversed in Griffin v. Maryland on the grounds that the state had unconstitutionally used its police power to help a private business enforce its racial discrimination policy. This led to an eleven-week civil rights campaign against Park policies with students and residents of the nearby Bannockburn community joining together to demand change. As a result, the park opened its doors to all races for the 1961 season.

In 1966 on the day after Easter, bus transportation was shut down when race protests broke out.

Carousel

Carousel at Glen Echo Park
U.S. Historic district
Contributing property
Carousel at Glen Echo Park.jpg
Animals on the carousel
Area less than one acre
Built 1921 (1921)
Architect Dentzel, Gustav; Dentzel, William
Part of Glen Echo Park Historic District (ID84001850)
NRHP reference No. 80000351
Significant dates
Added to NRHP July 4, 1980
Designated CP June 8, 1993

The last operating park ride, and one of the highlights of the park today, is a 1921 Dentzel menagerie carousel with 38 horses, 2 chariots, 4 rabbits, 4 ostriches, a lion, a tiger, a giraffe, and a prancing deer. A Wurlitzer style 165 Band Organ (formerly a Wurlitzer style 153 band organ), provides the carousel's music. In its heyday the carousel sported an operating brass ring, in which daring riders could reach out and pull a ring out of a holder next to the carousel. Grabbing a brass ring would win the lucky rider a free ride. The brass ring arm is still visible today, although it no longer operates.

The face of the carousel had changed greatly since 1921, with the animals, rounding boards, inner drum panels, and band organ receiving several new coats of paint over the years. An installation photograph from 1921, as compared to the carousel in 1983, showed an original design of the body and tack on the Indian horse that was very different from the present-day animal. Chipping away at the horse's paint revealed several strata of differently colored and styled paint jobs spanning the past sixty years, with the original 1921 paint at the bottom.

The carousel was restored by specialist Rosa Ragan, who has restored several other carousels in the United States. She restored the Indian horse by removing the park paint, exposing as much of the original paint as possible, and filling in the gaps in the original paint, a process called inpainting, before covering the horse in a protective varnish. This process, however, exposed the original paint to damage from riders, thus rendering the horse unrideable. In order to restore each animal without risking damage to the original paint, Ragan developed a new process of uncovering the original paint job, recording the colors and design, and then covering the original paint with a reversible varnish before giving the animal a white base coat and repainting it in the original colors. However, Ragan did leave a small window of original paint exposed on each animal for riders to find.

These glimpses of the original 1921 paint are called "windows to the past" and can be found on the plain side (the inward-facing side) of each animal. Ragan's 20-year restoration of the carousel completely overhauled the animals, the band organ, and the rounding boards and drum panels, returning the carousel to its original beauty and splendor.

The carousel was in a scene in the 1989 comedy Chances Are starring Robert Downey Jr. and Cybill Shepherd. The carousel was individually listed on the National Register of Historic Places in 1980.

Management by National Park Service

Since 1971, Glen Echo Park has been part of the National Park Service. Various renovations, backed by government funds and individual donations, have been undertaken throughout the park, notably the Spanish Ballroom, the Arcade building that now hosts art classes and art studios, and the art deco style neon sign.

Arts and cultural center

Management by Glen Echo Park Partnership for Arts and Culture

Glen Echo Park is managed by the Glen Echo Park Partnership for Arts and Culture in cooperation with Montgomery County, Maryland, and the National Park Service. Established by Montgomery County in 2002, the Partnership is a nonprofit organization charged with managing Glen Echo Park's arts programs and facilities, including its historic buildings. The Partnership's mission is to present vibrant artistic, cultural, and educational offerings at the Park and to promote the Park as a unique destination for the region's diverse population. In collaboration with Montgomery County and the National Park Service, the Partnership works with resident artists and organizations to develop distinctive arts programming; operates the historic Dentzel carousel and the Spanish Ballroom; presents an extensive social dance program; produces festivals and special events; conducts fundraising and marketing; and manages and maintains all facilities.

Resident arts programs

Glen Echo Park is home to thirteen resident artists and arts organizations. The resident artists and organizations offer classes, concerts, exhibitions, open studios hours, workshops, and lectures. Resident programs and artists include: Adventure Theatre MTC, Art Glass Center at Glen Echo, Glen Echo Glassworks, Glen Echo Pottery, J. Jordan Bruns, Photoworks, Playgroup in the Park, the Puppet Co., SilverWorks, Glen Echo Park Aquarium, Washington Conservatory of Music, Yellow Barn Studio & Gallery, and Young Creative Spirit.

"Crowd surfing" at the culmination of Contrastock 2011, Glen Echo Park,Md
At the culmination of Contrastock 2011, dance caller Nils Fredland whips the crowd into a frenzy, beckons them up to the stage, and dives into the spontaneous mosh pit.

Special events and concerts

The park hosts several family festivals and special events throughout the year, including Family Day (when the carousel opens for the season), Then & Wow, Labor Day Art Show, Irish Music and Dance Showcase, Washington Folk Festival, Fall Frolic, Contrastock, an extensively-decorated Halloween dance, inaugural balls, and Winter's Eve.  From June through August, the Glen Echo Park Partnership presents a free summer concert series each Thursday night in the Bumper Car Pavilion.

Social dancing

Glen Echo Park contra dance
Contra dancers at a Friday night dance in the Spanish Ballroom

Glen Echo Park offers a broad array of social dance events and classes as part of its standard programs. There are regular dances and classes in waltz, swing, contra, and salsa. Dances take place in the historic Spanish Ballroom, the Bumper Car Pavilion, and the recently renovated, climate-controlled Ballroom Annex (The Back Room). Approximately 60,000 people attend Glen Echo Park's dances each year. A $19 million renovation of the Spanish Ballroom in 2003 returned it to its original splendor, giving it continued prominence as one of the premiere sites for dancing in the Washington DC area. The 18-month renovation was preceded by a National Park Service led, volunteer-labor makeover of the deteriorating Bumper Car Pavilion, converting it into an all-weather dance pavilion & band shell, for uninterrupted dancing through the renovation. Currently, it remains in use as an alternative dance venue and for private events, such as wedding receptions.

All social dances are open to the public, for all ages, with no prior experience or partner required. All dances offer an introductory lesson before the dance begins and most include live music. Alcohol is prohibited on park grounds, and smoking is prohibited in all buildings.

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