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Jerry Finn
Jerry Finn.jpg
Finn in 2001
Background information
Birth name Jermone Gregory Finn
Also known as
Born (1969-03-31)March 31, 1969
Ventura, California, U.S.
Died August 21, 2008(2008-08-21) (aged 39)
Los Angeles, California, U.S.
Genres
Occupations
Years active 1992–2008
Associated acts

Jermone Gregory Finn (March 31, 1969 – August 21, 2008), known as Jerry Finn, was an American record producer and audio engineer. He helped create music for many popular punk rock and pop-punk bands. Some of these bands include Blink-182, AFI, Sum 41, Alkaline Trio, Green Day, MxPx, and Rancid.

Jerry Finn was famous for making guitars sound warm and powerful in the songs he worked on. He was very important in shaping the sound of pop-punk music. This was especially true during its big rise in popularity from the mid-1990s to the early 2000s.

He went to the Dick Grove School of Music. Finn started his career in the early 1990s as an assistant engineer. He worked in different studios in Hollywood. He began working with producer Rob Cavallo. Together, they engineered and mixed Green Day's album Dookie in 1994.

After Dookie became a huge hit, Finn's career took off. He moved from being an engineer to producing albums himself. He worked with bands like Pennywise and Rancid. Jerry Finn formed a very close relationship with Blink-182. He produced four of their albums, starting with Enema of the State in 1999. He also worked a lot with Sum 41 and Alkaline Trio. In the 2000s, Finn produced many albums for the artist Morrissey. He sadly passed away in 2008.

People knew Jerry Finn for his kind personality and his great technical skills. He was respected by both engineers and musicians. Scott Heisel from Alternative Press said that Finn often "helped rough punk bands refine their sound." He also helped them find the power of a good vocal hook.

Jerry Finn's Life and Music Career

Jerry Finn was born on March 31, 1969, in Ventura, California. He was adopted and didn't know much about his family background. The first music he remembered hearing was from the musical Fiddler on the Roof. He studied music at the Dick Grove School of Music.

In the early 1990s, he became an assistant at The Music Grinder studio in Hollywood. Later, he became a second engineer. Finn then moved to Devonshire Sound Studios. There, he met Rob Cavallo, a producer. Jerry became Cavallo's "right-hand man." At that time, Cavallo was producing Green Day's first big album, Dookie (1994).

When Green Day wasn't happy with the first mix of their album, Finn and Cavallo worked together again. They created a brighter, more exciting mix. Alternative Press said that Green Day's earlier music showed their potential. But it was Cavallo and Finn who helped them truly shine.

After Dookie became a huge success, Finn worked independently. He joked that he thought his career would only last six months. But the success of Dookie changed everything for him. He said, "Before [Green Day], I was an assistant making eight bucks an hour. I was producing gold records less than a year after them."

Soon, Finn started working a lot with Epitaph Records. He co-produced Pennywise's album About Time (1995). He worked with Bad Religion guitarist Brett Gurewitz, who founded the label. Finn's first album produced all by himself was Rancid's …And Out Come the Wolves, released the same year. He also mixed important punk albums like Dear You by Jawbreaker in 1995. He mixed The ... Machines' Destruction by Definition in 1996, which was a big moment for ska-punk.

Working with Blink-182 and Other Bands

Jerry Finn became very close with Blink-182 in the late 1990s. He first worked with them on a song called "Mutt" for the American Pie movie soundtrack. After that, he produced their huge hit album Enema of the State. The band decided they would "never work with anyone else again."

Writer James Montgomery said that Finn was a key part of the Blink-182 team. He was like an adviser and an impartial observer. He helped them smooth out problems and perfect their multi-platinum sound. When recording sessions got tense, Finn would often use humor and good advice to help the band. He produced their albums The Mark, Tom, and Travis Show (2000), Take Off Your Pants and Jacket (2001), and Blink-182 (2003).

He also produced the 2002 album by Box Car Racer. This band included Blink-182's guitarist Tom DeLonge and drummer Travis Barker. Finn also co-produced and mixed When Your Heart Stops Beating (2006) for +44. This band featured Mark Hoppus and Travis Barker.

Finn co-produced AFI's first major-label album, Sing the Sorrow (2003). Alternative Press said that Finn helped make the band's sound more polished and punk-rock. In his later years, Finn worked with Morrissey on his best-selling album You Are the Quarry (2004). Morrissey praised Finn, saying he made him feel very confident. Finn's last production work included Decemberunderground (2006) by AFI, Music from Regions Beyond (2007) by Tiger Army, and Years of Refusal (2009) with Morrissey.

Jerry Finn's Passing

In July 2008, Jerry Finn had a serious brain bleed and a major heart attack. He never woke up after that. He was taken off life support on August 9 and passed away on August 21, 2008.

Jerry Finn's Recording Style

Jerry Finn gear
Finn's recording equipment at Conway Recording Studios in September 2003.

Jerry Finn was known for his powerful, warm guitar sound. You can hear this sound clearly on Blink-182 albums and Sum 41's All Killer No Filler (2001). Producer John Feldmann said he often asked Finn how he got his guitars and mixes to sound so strong.

Finn created this sound by recording instruments using more than one amplifier at the same time. He believed that musicians play better when they hear the sound they want right away. He would then mix these different sounds together to get the perfect tone. Finn reportedly owned over 100 guitars. He often brought many instruments and amplifiers to the studio.

He usually took about 10 to 12 days to mix an album. When mixing, Finn would first focus on the drums to get a good room sound. Then he would work on the vocals. For bass and drums, he made sure they each had their own space in the sound. This prevented them from clashing. Finn also used a lot of compression in his mixes. He said this made things "kinda popping the whole time."

Blink-182 bassist Mark Hoppus said Finn was "meticulous in getting great sounds." Finn loved recording drums and focused on using room microphones to capture the natural sound. Blink-182 drummer Travis Barker sometimes found this challenging. As a producer, Finn would give ideas and offer a fresh perspective. He might suggest making a part longer or adding an intro to a song.

Jerry Finn often worked with drum technician Mike Fasano and engineers Sean O'Dwyer, Ryan Hewitt, and Joe McGrath. He also frequently brought in keyboardist Roger Joseph Manning Jr. for sessions. Finn said that John Bonham was a musical inspiration for him. He also learned a lot from other engineers like Don Was and Ed Cherney.

Jerry Finn's Legacy

Jerry Finn was known for being friendly and very skilled. Pierre Perrone from The Independent said that Finn could be a good listener and a trusted friend. He would encourage musicians to perform their best. He created a relaxed atmosphere by ordering food and chatting with his clients. Finn sometimes mixed albums for independent bands or friends for free or at a lower price. He did this because he simply enjoyed the music.

Bobby Owsinski, who wrote The Mixing Engineer's Handbook, said Finn was part of a new generation of mixers. These mixers knew all the rules but were also willing to break them. After his death, Alternative Press listed nine "classic" albums Finn had worked on. They wrote that Finn helped punk bands improve their sound and find strong vocal hooks.

Jerry Finn had such a big impact on Blink-182 that bassist Mark Hoppus called him the "fourth member" of the band. Hoppus wrote after Finn's death that every day he spent with Jerry, he learned something new about music, recording, or life. When Blink-182 started working on their reunion album Neighborhoods (2011), they found it very hard without Finn. They worked alone until 2016. Then, they brought in John Feldmann for their album California. Feldmann sees himself as a student of Finn's. He said, "the sound of my records was influenced by the records Jerry made."

Production Discography

This list shows some of the albums Jerry Finn produced or engineered. It does not include "greatest hits" albums.

Name of artist, release, details, and year released.
Year Artist Release Details Ref.
1992 Color Me Badd Young, Gifted & Badd: The Remixes Assistant engineer, remix assistant
PH Factor PH Factor Assistant engineer
1993 Everette Harp Common Ground Mixing
Ill Repute Big Rusty Balls Engineer and mixing
León Gieco Mensajes del Alma Assistant
Lea Salonga Lea Salonga Assistant engineer
Man "Chocolate Rocket"
The Muffs The Muffs Assistant engineer
Taj Mahal Dancing the Blues Engineer
999 You Us It! Engineered
1994 Alvin and the Chipmunks A Very Merry Chipmunk Assistant engineer
Body Count Born Dead Assistant engineer
Front Page Front Page Second engineer
Green Day Dookie Mixing
Woodstock '94 Mixing ("When I Come Around")
Matthew Sweet Son of Altered Beast Assistant mixing
Maria Muldaur Meet Me at Midnite Engineer, assistant engineer
Patrice Rushen Anything But Ordinary Assistant engineer
Peter Rodgers Melnick Arctic Blue Engineer
1995 Ash "Kung-Fu / Jack Names the Planets" Mixing
Dance Hall Crashers Lockjaw Mixing
Goo Goo Dolls A Boy Named Goo Engineer and mixing
"Don't Change"
Green Day Insomniac Mixing
The Jerky Boys Remix ("2000 Light Years Away")
IV Xample For Example Engineer
Jawbreaker Dear You Mixing
Love Spit Love Angus: Music from the Motion Picture Mixing ("Am I Wrong")
The Muffs Blonder and Blonder Engineer and mixing
Pennywise About Time Producer and engineer
Rancid ...And Out Come the Wolves Producer and mixing
Slash's Snakepit It's Five O'Clock Somewhere Engineer
That Dog Totally Crushed Out! Mixing
Weezer Angus: Music from the Motion Picture Engineer ("You Gave Your Love to Me Softly")
1996 Daredevils "Hate You"
Fastball Make Your Mama Proud
Goo Goo Dolls "Hit or Miss"
Green Day Bowling Bowling Bowling Parking Parking Mixing ("Dominated Love Slave")
"Brain Stew / Jaded" Mixing ("Do Da Da")
Jawbreaker Jabberjaw...Pure Sweet Hell Mixing ("Sister")
Magnapop Fire All Your Guns at Once Mixing
N.Y. Loose Year of the Rat Mixing
The Presidents of the United States of America II Mixing
Schleprock (America's) Dirty Little Secret Mixing
The ... Machines Destruction By Definition Mixing
Sukia Contacto Especial con el Tercer Sexo
Van Gogh's Daughter Shove Mixing
1997 Coward Coward Producer and mixing
Green Day "Good Riddance (Time of Your Life)" Mixing ("Rotting")
Kara's Flowers The Fourth World Engineer
Millencolin "Lozin' Must" Remix ("The Story of My Life")
Smoking Popes Destination Failure
1998 Liars Inc. Superjaded Mixing
The Living End The Living End Mixing
Madness Universal Madness Mixing
The Presidents of the United States of America "Tiki God" Mixing ("Tiki Lounge God")
Rancid Life Won't Wait Mixing
Superdrag Head Trip in Every Key Co-producer, engineer, and mixing
The Vandals Hitler Bad, Vandals Good Mixing
1999
Blink-182 Enema of the State Producer and mixing ("The Party Song" and "Wendy Clear")
"Family Reunion" Producer and mixing
Fenix*TX Fenix*TX
The Offspring " ..."
"The Kids Aren't Alright" Mixing
2000 Blink-182 The Mark, Tom, and Travis Show (The Enema Strikes Back) Producer and mixing
Green Day 86 (Live from Prague) Mixing
Marvelous 3 "Reelin' in the Years"
ReadySexGo!
MxPx The Ever Passing Moment
New Found Glory "Hit or Miss" Mixing
Sum 41 Half Hour of Power Mixing
2001 Alkaline Trio From Here to Infirmary Mixing
Blink-182 Take Off Your Pants and Jacket
Fenix*TX Lechuza
MxPx Fat Club
Sum 41 All Killer No Filler
2002 Bad Religion The Process of Belief Mixing
Box Car Racer Box Car Racer
MxPx "Christmas Party" Mixing
Sparta Wiretap Scars
2003 AFI Sing the Sorrow
Alkaline Trio Good Mourning Co-producer and mixing
Blink-182 Blink-182 Producer and mixing ("Feeling This", "The Fallen Interlude", "Asthenia", and "Here's Your Letter")
The Offspring "I Wanna Be Sedated"
Vendetta Red Between the Never and the Now
2004 Marjorie Fair Self Help Serenade
Morrissey You Are the Quarry
Nancy Sinatra "Let Me Kiss You" Mixing
The Vandals Hollywood Potato Chip Mixing
2005 Alkaline Trio Crimson
Blink-182 Greatest Hits Producer and mixing ("Not Now" and "Another Girl, Another Planet")
Eisley Room Noises Mixing
The Offspring "Can't Repeat"
2006 AFI Decemberunderground
+44 When Your Heart Stops Beating Co-producer and mixing
2007 Tiger Army Music from Regions Beyond
2009 Morrissey Years of Refusal

See also

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