Jerry Goldsmith facts for kids
Quick facts for kids
Jerry Goldsmith
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Goldsmith conducts the London Symphony Orchestra, 2003
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Background information | |
Birth name | Jerrald King Goldsmith |
Born | Los Angeles, California, United States |
February 10, 1929
Died | July 21, 2004 Beverly Hills, California, United States |
(aged 75)
Genres | Film score, contemporary classical music |
Occupation(s) | Composer, conductor |
Instruments | Synthesizers, Orchestra |
Years active | 1951–2004 |
Jerrald King "Jerry" Goldsmith (February 10, 1929 – July 21, 2004) was an American composer and conductor most known for his work in film and television music scores. He composed for such films as Star Trek: The Motion Picture and four other films within the Star Trek franchise, Logan's Run, Planet of the Apes, Patton, Chinatown, The Omen, Alien, Outland, Gremlins, Total Recall, Air Force One, L.A. Confidential, Mulan, The Mummy, three Rambo films and Explorers. He collaborated with some of film history's most accomplished directors.
He has often been considered one of film music history's most innovative and influential composers.
Contents
Early life and education
Goldsmith, was born in Los Angeles, California. He started playing piano at age six, but only "got serious" by the time he was eleven. At age thirteen, he studied piano privately with legendary concert pianist and educator Jakob Gimpel and by the age of sixteen he was studying both theory and counterpoint under Italian composer Mario Castelnuovo-Tedesco.
At age sixteen, Goldsmith saw the 1945 film Spellbound in theaters and was inspired by veteran composer Miklós Rózsa's soundtrack to pursue a career in music. Goldsmith later enrolled and attended the University of Southern California where he was able to attend courses by Rózsa, but dropped out in favor of a more "practical music program" at the Los Angeles City College. There he was able to coach singers, work as an assistant choral director, play piano accompaniment, and work as an assistant conductor.
Personal life and death
Goldsmith was married twice. He was first married to Sharon Hennagin in 1950; they divorced in 1970. He married Carol Heather in 1972, and the couple remained together until his death in 2004. His oldest son Joel Goldsmith (1957–2012) was also a composer and collaborated with his father on the score for Star Trek: First Contact.
Goldsmith died at his Beverly Hills home on July 21, 2004 at the age of 75. He was survived by his wife Carol and his children Aaron, Joel (who also died from cancer on April 29, 2012), Carrie, Ellen Edson, and Jennifer Grossman.
Style and influences
Goldsmith cited Igor Stravinsky, Aaron Copland, Miklós Rózsa, Bernard Herrmann, Béla Bartók, and Alban Berg, among others, as some of the main influences to his style of composition.
His style has been noted for its unique instrumentation, utilizing a vast array of ethnic instruments, recorded sounds, synthetic textures, and the traditional orchestra, often concurrently. When asked about his inclination for embracing new techniques and constantly shifting his musical palette throughout his career, Goldsmith said, "It seems like it's me, and that's that! Certain composers are doing the same thing over and over again, which I feel is sort of uninteresting. I don't find that you grow very much in that way. I like to keep changing, trying to do new things. Basically, I'm saying the same thing with a little different twist on it. Once you get caught up in the creative process, something inside takes over, and your subconscious just does it for you."
Goldsmith had a longtime professional association with orchestrator Arthur Morton. Their partnership endured for over 30 years and included the notable scores for Planet of the Apes (1968), Patton (1970), Tora! Tora! Tora! (1970), Papillon (1973), Chinatown (1974), The Omen (1976), MacArthur (1977), Capricorn One (1978), Alien (1979), Star Trek: The Motion Picture (1979), Poltergeist (1982), First Blood (1982), Under Fire (1983), The Russia House (1990). The final score that Arthur Morton orchestrated for Goldsmith was L.A. Confidential (1997).
Awards and nominations
Over the course of his career, Goldsmith received 18 total Academy Award nominations, making him one of the most nominated composers in the history of the Awards. Despite this, Goldsmith won only one Oscar, his score for The Omen (1976). This makes Goldsmith the most nominated composer to have won an Oscar only on one occasion. In 1991, Goldsmith received an Honorary Doctorate of Music from Berklee College of Music.
On May 9, 2017, Goldsmith posthumously received a star on the Hollywood Walk of Fame for his achievements in the music industry, located at 6752 Hollywood Boulevard.
AFI
The American Film Institute respectively ranked Goldsmith's scores for Chinatown (1974) and Planet of the Apes (1968) No. 9 and No. 18 on their list of the 25 greatest film scores. He is one of only five composers to have more than one score featured in the list, including Elmer Bernstein, Bernard Herrmann, Max Steiner, and John Williams. His scores for the following films were also nominated for inclusion:
- Alien (1979)
- L.A. Confidential (1997)
- The Omen (1976)
- Papillon (1973)
- A Patch of Blue (1965)
- Patton (1970)
- The Sand Pebbles (1966)
- Star Trek: The Motion Picture (1979)
- The Wind and the Lion (1975)
Accolades
Award | Year | Project | Category | Outcome |
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Academy Awards | 1963 | Freud | Best Music Score—substantially original | Nominated |
1966 | A Patch of Blue | Best Music Score—substantially original | Nominated | |
1967 | The Sand Pebbles | Best Original Music Score | Nominated | |
1969 | Planet of the Apes | Best Original Score—for a motion picture [not a musical] | Nominated | |
1971 | Patton | Best Original Dramatic Score | Nominated | |
1974 | Papillon | Best Original Dramatic Score | Nominated | |
1975 | Chinatown | Best Original Score | Nominated | |
1976 | The Wind and the Lion | Best Original Score | Nominated | |
1977 | The Omen | Best Original Score | Won | |
"Ave Satani" (from The Omen) | Best Original Song | Nominated | ||
1979 | The Boys from Brazil | Best Original Score | Nominated | |
1980 | Star Trek: The Motion Picture | Best Original Score | Nominated | |
1983 | Poltergeist | Best Original Score | Nominated | |
1984 | Under Fire | Best Original Score | Nominated | |
1987 | Hoosiers | Best Original Score | Nominated | |
1993 | Basic Instinct | Best Original Score | Nominated | |
1998 | L.A. Confidential | Best Original Dramatic Score | Nominated | |
1999 | Mulan (shared nomination with Matthew Wilder and David Zippel) | Best Original Musical or Comedy Score | Nominated | |
Annie Awards | 1998 | Mulan (shared with Matthew Wilder and David Zippel) | Music in a Feature Production | Won |
British Academy Film Awards | 1974 | Chinatown | Best Film Music | Nominated |
1975 | The Wind and the Lion | Best Film Music | Nominated | |
1979 | Alien | Best Film Music | Nominated | |
1997 | L.A. Confidential | Best Film Music | Nominated | |
Emmy Awards | 1961 | Thriller (shared nomination with Pete Rugolo) | Outstanding Achievement in the Field of Music for Television | Nominated |
1966 | The Man From U.N.C.L.E. | Individual Achievements in Music | Nominated | |
1973 | The Red Pony | Outstanding Achievement in Music Composition | Won | |
1975 | QB VII (ABC Movie Special) | Outstanding Achievement in Music Composition for a Special | Won | |
1976 | Babe | Outstanding Achievement in Music Composition for a Special | Won | |
1981 | Masada | Outstanding Achievement in Music Composition for a Limited Series or a Special (dramatic underscore) | Won | |
1995 | Star Trek: Voyager | Outstanding Main Title Theme Music | Won | |
Golden Globe Awards | 1965 | Seven Days in May | Best Original Score | Nominated |
1967 | The Sand Pebbles | Best Original Score | Nominated | |
1975 | Chinatown | Best Original Score | Nominated | |
1980 | Alien | Best Original Score | Nominated | |
Star Trek: The Motion Picture | Best Original Score | Nominated | ||
1984 | Under Fire | Best Original Score | Nominated | |
1993 | Basic Instinct | Best Original Score | Nominated | |
1998 | L.A. Confidential | Best Original Score | Nominated | |
1999 | Mulan (shared nomination with Matthew Wilder and David Zippel) | Best Original Score | Nominated | |
Golden Raspberry Awards | 1986 | Rambo: First Blood Part II (shared nomination with Peter Schless and Frank Stallone) | Worst Original Song | Won |
King Solomon's Mines | Worst Musical Score | Nominated | ||
1996 | Congo (shared nomination with Lebo M) | Worst Original Song | Nominated | |
Grammy Awards | 1966 | The Man From U.N.C.L.E. (shared nomination with Lalo Schifrin, Morton Stevens, and Walter Scharf) | Best Original Score from a Motion Picture or Television Show | Nominated |
1975 | QB VII | Album of Best Original Score Written for a Motion Picture or a Television Special | Nominated | |
1976 | The Wind and the Lion | Album of Best Original Score Written for a Motion Picture or a Television Special | Nominated | |
1977 | The Omen | Album of Best Original Score Written for a Motion Picture or a Television Special | Nominated | |
1980 | Alien | Best Album of Original Score Written for a Motion Picture or a Television Special | Nominated | |
1981 | "The Slaves" (track from Masada soundtrack) | Best Instrumental Composition | Nominated | |
Satellite Awards | 1998 | L.A. Confidential | Best Original Score | Nominated |
Saturn Awards | 1978 | The Boys from Brazil | Best Music | Nominated |
Magic | Best Music | Nominated | ||
1979 | Star Trek: The Motion Picture | Best Music | Nominated | |
1981 | Outland | Best Music | Nominated | |
1982 | Poltergeist | Best Music | Nominated | |
1984 | Gremlins | Best Music | Won | |
1986 | Link | Best Music | Nominated | |
1990 | Gremlins 2: The New Batch | Best Music | Nominated | |
Total Recall | Best Music | Nominated | ||
1991 | Sleeping with the Enemy | Best Music | Nominated | |
Warlock | Best Music | Nominated | ||
1992 | Basic Instinct | Best Music | Nominated | |
1994 | The Shadow | Best Music | Nominated | |
1996 | Star Trek: First Contact | Best Music | Nominated | |
1999 | The Mummy | Best Music | Nominated | |
2000 | Hollow Man | Best Music | Nominated | |
2003 | Looney Tunes: Back in Action | Best Music | Nominated |
Images for kids
See also
In Spanish: Jerry Goldsmith para niños