O. Henry Award facts for kids
Quick facts for kids O. Henry Award |
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Country | United States |
First awarded | 1919 |
The O. Henry Award is a special prize given every year in the United States for amazing short stories. It's named after a famous American short-story writer named O. Henry.
The PEN/O. Henry Prize Stories is a yearly collection of the twenty best short stories. These stories are chosen from magazines published in the U.S. and Canada. This collection, along with The Best American Short Stories, is one of the most well-known yearly books of short fiction.
Before 2002, there were first, second, and third place winners. From 2003 to 2019, three judges each picked a story they thought was very good. The collection is called The PEN/O. Henry Prize Stories. The very first collection in 1919 was called Prize Stories 1919: The O. Henry Memorial Awards.
Contents
History and How the Award Works
The O. Henry Award was first given out in 1919. It was started and paid for by the Society of Arts and Sciences.
Since 2021, a special guest editor chooses twenty short stories. Each of these stories becomes an O. Henry Prize story. Any story published in an American or Canadian magazine can be considered for the award. This includes stories that have been translated into English. The main goal of The O. Henry Prize Stories is to help the art of short story writing stay strong.
The current editor for The O. Henry Prize Stories is Jenny Minton Quigley. Many famous editors have worked on the series before her. There were no new books in the series in 1952, 1953, 2004, and 2020.
Working with PEN America
In 2009, the company that publishes The O. Henry Prize Stories, Anchor Books, teamed up with the PEN American Center. This group is now called PEN America. Because of this partnership, the series was renamed PEN/O. Henry Prize Stories.
Money earned from the PEN/O. Henry Prize Stories 2009 book went to PEN's Readers & Writers Program. This program sends well-known authors to schools that need extra help.
The 2009 collection included stories by many great writers. Some of the judges for that year were A. S. Byatt, Tim O'Brien, and Anthony Doerr. These authors had all won O. Henry Prizes in the past. The editor, Laura Furman, said that working with PEN was a "natural partnership."
First-Prize Winners (1919–2002)
Year | Author | Title | Publication | Ref. |
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1919 | Margaret Prescott Montague | England to America | The Atlantic Monthly, September 1918 | |
1920 | Maxwell Struthers Burt | Each in His Generation | Scribner's Magazine, July 1920 | |
1921 | Edison Marshall | The Heart of Little Shikara | Everybody's Magazine, January 1921 | |
1922 | Irvin S. Cobb | Snake Doctor | Cosmopolitan, November 1922 | |
1923 | Edgar Valentine Smith | Prelude | Harper's Magazine, May 1923 | |
1924 | Inez Haynes Irwin | The Spring Flight | McCall's, June 1924 | |
1925 | Julian Street | Mr. Bisbee's Princess | Redbook, May 1925 | |
1926 | Wilbur Daniel Steele | Bubbles | Harper's Magazine | |
1927 | Roark Bradford | Child of God | Harper's Magazine, April 1927 | |
1928 | Walter Duranty | The Parrot | Redbook, March 1928 | |
1929 | Dorothy Parker | Big Blonde | Bookman Magazine, February 1929 | |
1930 | W. R. Burnett | Dressing-Up | Harper's Magazine, November 1929 | |
William M. John | Neither Jew nor Greek | The Century Magazine, August 1929 | ||
1931 | Wilbur Daniel Steele | Can't Cross Jordan by Myself | Pictorial Review | |
1932 | Stephen Vincent Benét | An End to Dreams | Pictorial Review, February 1932 | |
1933 | Marjorie Kinnan Rawlings | Gal Young Un | Harper's Magazine, June-July 1932 | |
1934 | Louis Paul | No More Trouble for Jedwick | Esquire | |
1935 | Kay Boyle | The White Horses of Vienna | Harper's Magazine | |
1936 | James Gould Cozzens | Total Stranger | The Saturday Evening Post, February 15, 1936 | |
1937 | Stephen Vincent Benét | The Devil and Daniel Webster | The Saturday Evening Post | |
1938 | Albert Maltz | The Happiest Man on Earth | Harper's Magazine | |
1939 | William Faulkner | Barn Burning | Harper's Magazine | |
1940 | Stephen Vincent Benét | Freedom's a Hard-Bought Thing | The Saturday Evening Post | |
1941 | Kay Boyle | Defeat | The New Yorker | |
1942 | Eudora Welty | The Wide Net | Harper's Magazine | |
1943 | Eudora Welty | Livvie is Back | The Atlantic Monthly | |
1944 | Irwin Shaw | Walking Wounded | The New Yorker | |
1945 | Walter Van Tilburg Clark | The Wind and the Snow of Winter | The Yale Review | |
1946 | John Mayo Goss | Bird Song | The Atlantic Monthly | |
1947 | John Bell Clayton | The White Circle | Harper's Magazine | |
1948 | Truman Capote | Shut a Final Door | The Atlantic Monthly | |
1949 | William Faulkner | A Courtship | The Sewanee Review | |
1950 | Wallace Stegner | The Blue-Winged Teal | Harper's Magazine | |
1951 | Harris Downey | The Hunters | Epoch | |
1952 | No edition | |||
1953 | No edition | |||
1954 | Thomas Mabry | The Indian Feather | The Sewanee Review | |
1955 | Jean Stafford | In the Zoo | The New Yorker | |
1956 | John Cheever | The Country Husband | The New Yorker | |
1957 | Flannery O'Connor | Greenleaf | The Kenyon Review | |
1958 | Martha Gellhorn | In Sickness as in Health | The Atlantic Monthly | |
1959 | Peter Taylor | Venus, Cupid, Folly and Time | The Kenyon Review | |
1960 | Lawrence Sargent Hall | The Ledge | The Hudson Review, Winter 1958–59 | |
1961 | Tillie Olsen | Tell Me a Riddle | New World Writing | |
1962 | Katherine Anne Porter | Holiday | The Atlantic Monthly, December 1960 | |
1963 | Flannery O'Connor | Everything That Rises Must Converge | New World Writing | |
1964 | John Cheever | The Embarkment for Cythera | The New Yorker, November 3, 1962 | |
1965 | Flannery O'Connor | Revelation | The Sewanee Review, Spring 1964 | |
1966 | John Updike | The Bulgarian Poetess | The New Yorker, March 13, 1965 | |
1967 | Joyce Carol Oates | In the Region of Ice | The Atlantic Monthly, August 1966 | |
1968 | Eudora Welty | The Demonstrators | The New Yorker, November 26, 1966 | |
1969 | Bernard Malamud | Man in the Drawer | The Atlantic Monthly, April 1968 | |
1970 | Robert Hemenway | The Girl Who Sang with the Beatles | The New Yorker, January 11, 1969 | |
1971 | Florence M. Hecht | Twin Bed Bridge | The Atlantic Monthly, May 1970 | |
1972 | John Batki | Strange-Dreaming Charlie, Cow-Eyed Charlie | The New Yorker, March 20, 1971 | |
1973 | Joyce Carol Oates | The Dead | McCall's, July 1971 | |
1974 | Renata Adler | Brownstone | The New Yorker, January 27, 1973 | |
1975 | Harold Brodkey | A Story in an Almost Classical Mode | The New Yorker, September 17, 1973 | |
Cynthia Ozick | Usurpation (Other People's Stories) | Esquire, May 1974 | ||
1976 | Harold Brodkey | His Son in His Arms, in Light, Aloft | Esquire, August 1975 | |
1977 | Shirley Hazzard | A Long Story Short | The New Yorker, July 26, 1976 | |
Ella Leffland | Last Courtesies | Harper's Magazine, July 1976 | ||
1978 | Woody Allen | The Kugelmass Episode | The New Yorker, May 2, 1977 | |
1979 | Gordon Weaver | Getting Serious | The Sewanee Review, Fall 1977 | |
1980 | Saul Bellow | A Silver Dish | The New Yorker, September 25, 1978 | |
1981 | Cynthia Ozick | The Shawl | The New Yorker, May 26, 1980 | |
1982 | Susan Kenney | Facing Front | Epoch, Winter 1980 | |
1983 | Raymond Carver | A Small, Good Thing | Ploughshares | |
1984 | Cynthia Ozick | Rosa | The New Yorker, March 21, 1983 | |
1985 | Stuart Dybek | Hot Ice | Antaeus | |
Jane Smiley | Lily | The Atlantic Monthly | ||
1986 | Alice Walker | Kindred Spirits | Esquire, August 1985 | |
1987 | Louise Erdrich | Fleur | Esquire, August 1986 | |
Joyce Johnson | The Children's Wing | Harper's Magazine, July 1986 | ||
1988 | Raymond Carver | Errand | The New Yorker, June 1, 1987 | |
1989 | Ernest J. Finney | Peacocks | The Sewanee Review, Winter 1988 | |
1990 | Leo E. Litwak | The Eleventh Edition | TriQuarterly, Winter 1989 | |
1991 | John Updike | A Sandstone Farmhouse | The New Yorker, June 11, 1990 | |
1992 | Cynthia Ozick | Puttermesser Paired | The New Yorker, October 8, 1990 | |
1993 | Thom Jones | The Pugilist at Rest | The New Yorker, December 2, 1991 | |
1994 | Alison Baker | Better Be Ready 'Bout Half Past Eight | The Atlantic Monthly, January 1993 | |
1995 | Cornelia Nixon | The Women Come and Go | New England Review, Spring 1994 | |
1996 | Stephen King | The Man in the Black Suit | The New Yorker, October 31, 1994 | |
1997 | Mary Gordon | City Life | Ploughshares | |
1998 | Lorrie Moore | People Like That Are the Only People Here | The New Yorker, January 27, 1997 | |
1999 | Peter Baida | A Nurse's Story | The Gettysburg Review | |
2000 | John Edgar Wideman | Weight | The Callaloo Journal | |
2001 | Mary Swan | The Deep | The Malahat Review | |
2002 | Kevin Brockmeier | The Ceiling | McSweeney's |
Juror Favorites (2003–2019)
Year | Author | Title | Publication | Ref. |
---|---|---|---|---|
2003 | A. S. Byatt | The Thing in the Forest | The New Yorker, June 3, 2002 | |
Denis Johnson | Train Dreams | The Paris Review, Summer 2002 | ||
2004 | No award | |||
2005 | Sherman Alexie | What You Pawn I Will Redeem | The New Yorker, April 21, 2003 | |
Ruth Prawer Jhabvala | Refuge in London | Zoetrope: All-Story, Winter 2003 | ||
Elizabeth Stuckey-French | Mudlavia | The Atlantic Monthly, September 2003 | ||
2006 | Deborah Eisenberg | Window | Tin House, Spring 2004 | |
Edward P. Jones | Old Boys, Old Girls | The New Yorker, May 3, 2004 | ||
Alice Munro | Passion | The New Yorker, March 22, 2004 | ||
2007 | Eddie Chuculate | Galveston Bay, 1826 | Manoa, Winter 2004 | |
William Trevor | The Room | The New Yorker, May 16, 2005 | ||
2008 | Alice Munro | What Do You Want To Know For? | The American Scholar | |
William Trevor | Folie a Deux | The New Yorker | ||
Alexi Zentner | Touch | Tin House | ||
2009 | Junot Díaz | Wildwood | The New Yorker | |
Graham Joyce | An Ordinary Soldier of the Queen | The Paris Review | ||
2010 | James Lasdun | Oh, Death | The Paris Review, Spring 2009 | |
Daniyal Mueenuddin | A Spoiled Man | The New Yorker, September 15, 2008 | ||
William Trevor | The Woman of the House | The New Yorker, December 15, 2008 | ||
2011 | Lynn Freed | Sunshine | Narrative Magazine | |
Matthew Neill Null | Something You Can't Live Without | Oxford American | ||
Jim Shepard | Your Fate Hurtles Down at You | Electric Literature | ||
2012 | Yiyun Li | Kindness | A Public Space | |
Alice Munro | Corrie | The New Yorker | ||
2013 | Andrea Barrett | The Particles | Tin House | |
Deborah Eisenberg | Your Duck Is My Duck | Fence | ||
Kelly Link | The Summer People | Tin House | ||
2014 | Mark Haddon | The Gun | Granta | |
Kristen Iskandrian | The Inheritors | Tin House | ||
Laura van den Berg | Opa-locka | The Southern Review | ||
2015 | Elizabeth McCracken | Birdsong from the Radio | Zoetrope: All-Story | |
Christopher Merkner | Cabins | Subtropics | ||
Dina Nayeri | A Ride Out of Phrao | The Alaska Quarterly Review | ||
2016 | Elizabeth Genovise | Irises | The Cimarron Review | |
Asako Serizawa | Train to Harbin | The Hudson Review | ||
Frederic Tuten | Winter, 1965 | BOMB | ||
2017 | Michelle Huneven | Too Good to Be True | Harper's | |
Amit Majmudar | Secret Lives of the Detainees | The Kenyon Review | ||
Fiona McFarlane | Buttony | The New Yorker | ||
2018 | Jo Ann Beard | The Tomb of Wrestling | Tin House | |
Marjorie Celona | Counterblast | The Southern Review | ||
2019 | Tessa Hadley | Funny Little Snake | The New Yorker | |
Rachel Kondo | Girl of Few Seasons | Ploughshares Solos | ||
Weike Wang | Omakase | The New Yorker |
Guest Editors (2021–Present)
Year | Editor | Ref. |
---|---|---|
2021 | Chimamanda Ngozi Adichie | |
2022 | Valeria Luiselli | |
2023 | Lauren Groff | |
2024 | Amor Towles | |
2025 | Edward P. Jones |
See also
In Spanish: Premio O. Henry para niños
- The Best American Short Stories