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Robert Christgau
Christgau in 2010
Christgau in 2010
Born Robert Thomas Christgau
(1942-04-18) April 18, 1942 (age 83)
New York City, U.S.
Occupation
  • Music critic
  • essayist
  • journalist
Alma mater Dartmouth College
Period 1967–present
Spouse
Carola Dibbell
(m. 1974)
Children 1

Robert Thomas Christgau (born April 18, 1942) is an American journalist and writer who focuses on music. He is one of the most famous and influential music critics in the world. He started his career in the late 1960s and was one of the first professional rock critics.

Christgau was an early supporter of new music styles like hip hop and riot grrrl. He also helped introduce African popular music to listeners in the West. For 37 years, he was the main music critic for the newspaper The Village Voice. There, he created the famous Pazz & Jop music poll, where critics from all over voted for the best music of the year.

He is best known for his short, witty album reviews where he gave each album a letter grade, like in school. His writing style is unique, often mixing jokes, political thoughts, and clever references. Many people in the music world paid close attention to his opinions.

Early Life and Education

Robert Christgau was born in New York City on April 18, 1942. He grew up in the borough of Queens. His father was a fireman. Christgau became a fan of rock and roll in 1954 when the famous radio DJ Alan Freed came to New York.

He went to Dartmouth College and graduated in 1962 with a degree in English. In college, he became interested in jazz music. However, he soon returned to loving rock and roll. He was also inspired by a new style of writing called New Journalism, which made non-fiction stories read like novels.

Career as a Music Critic

Getting Started

Before becoming a music critic, Christgau wrote short stories. In 1964, he decided to become a journalist. He worked as a sportswriter and a police reporter for a newspaper in New Jersey.

He became a full-time writer after a story he wrote was published in New York magazine. He was one of the very first critics to write seriously about rock music. In 1967, he started writing a music column for Esquire magazine. He later moved to The Village Voice in 1969, where he would work for many years.

Writing for The Village Voice

In 1974, Christgau became the music editor at The Village Voice. He stayed there for over 30 years. During this time, he became a very important voice in music. He even joked about a "Rock Critic Establishment," a group of powerful critics that included himself.

In August 2006, Christgau was fired from The Village Voice after the newspaper was bought by a new company. After leaving the Voice, he wrote for other famous magazines like Rolling Stone and Blender. He has also taught about music at New York University.

Famous for His Reviews

Pop Conference 2010 - Music in the '00s panel 03 (cropped)
Christgau speaking at the 2010 Pop Conference in Seattle.

The "Consumer Guide"

Christgau is most famous for his "Consumer Guide" column. It started in 1969 in The Village Voice. In this column, he would review about 20 albums in short, clever paragraphs. Each album got a letter grade, from A+ to E−.

An A+ meant the album was a masterpiece. A B+ or higher was a strong recommendation. He rarely gave grades lower than a C−. These reviews were later collected into three popular books:

  • Christgau's Record Guide: Rock Albums of the Seventies (1981)
  • Christgau's Record Guide: The '80s (1990)
  • Christgau's Consumer Guide: Albums of the '90s (2000)

After leaving The Village Voice, he continued writing reviews in a similar format for MSN Music, Cuepoint, and Noisey. Since 2019, he has published his column in a subscription newsletter called And It Don't Stop.

The Pazz & Jop Poll

In 1971, Christgau started the Pazz & Jop poll. It was an annual survey where music critics from all over the country sent in their "top ten" lists of the year's best albums. The Village Voice would publish the results.

Each year, Christgau wrote a long essay to go with the poll results. In the essay, he would analyze the votes and talk about the music of that year. The poll became a very important event for music fans and writers. The Village Voice continued the poll even after Christgau left.

The "Dean's List"

Along with the Pazz & Jop poll, Christgau also published his own personal list of favorite albums of the year. He called it the "Dean's List." While he voted for his top ten in the main poll, his full list was often much longer.

These lists showed his personal taste and were followed closely by his readers. Below is a table of the albums he picked as number one on his Dean's List each year.

Year Artist Album
1971 Joy of Cooking Joy of Cooking
1974 Steely Dan Pretzel Logic
1975 Dylan, BobBob Dylan and the Band The Basement Tapes
1976 Hurley, MichaelMichael Hurley, The Unholy Modal Rounders, Jeffrey Frederick & the Clamtones Have Moicy!
1977 Television Marquee Moon
1978 Wire Pink Flag
1979 The Clash The Clash
1980 The Clash London Calling
1981 Various artists (Sugar Hill Records) Greatest Rap Hits Vol. 2
1982 Ornette Coleman Of Human Feelings
1983 James Blood Ulmer Odyssey
1984 Springsteen, BruceBruce Springsteen Born in the U.S.A.
1985 The Mekons Fear and Whiskey
1986 Various artists The Indestructible Beat of Soweto
1987 Rollins, SonnySonny Rollins G-Man
1988 Franco and Rochereau Omona Wapi
1989 Půlnoc Live at P.S. 122
1990 LL Cool J Mama Said Knock You Out
1991 Various artists Guitar Paradise of East Africa
1992 Mbuli, MzwakheMzwakhe Mbuli Resistance Is Defence
1993 Phair, LizLiz Phair Exile in Guyville
1994 Latin Playboys Latin Playboys
1995 Tricky Maxinquaye
1996 DJ Shadow Endtroducing.....
1997 Lindsay, ArtoArto Lindsay Mundo Civilizado
1998 Williams, LucindaLucinda Williams Car Wheels on a Gravel Road
1999 The Magnetic Fields 69 Love Songs
2000 Eminem The Marshall Mathers LP
2001 Dylan, BobBob Dylan "Love and Theft"
2002 The Mekons OOOH! (Out of Our Heads)
2003 King Sunny Adé The Best of the Classic Years
2004 Wilson, BrianBrian Wilson Brian Wilson Presents Smile
2005 West, KanyeKanye West Late Registration
2006 New York Dolls One Day It Will Please Us to Remember Even This
2007 M.I.A. Kala
2008 Franco Francophonic
2009 Paisley, BradBrad Paisley American Saturday Night
2010 The Roots How I Got Over
2011 Das Racist Relax
2012 Young, NeilNeil Young and Crazy Horse Americana
2013 Vampire Weekend Modern Vampires of the City
2014 Wussy Attica!
2015 Anderson, LaurieLaurie Anderson Heart of a Dog
2016 A Tribe Called Quest We Got It from Here... Thank You 4 Your Service
2017 Newman, RandyRandy Newman Dark Matter
2018 Noname Room 25
2019 Billie Eilish When We All Fall Asleep, Where Do We Go?
2020 Various artists Hanging Tree Guitars
2021 Neil Young and Crazy Horse Barn
2022 Selo i Ludy Performance Band Bunch One
2023 Olivia Rodrigo Guts
2024 Louis Armstrong Louis in London

Writing Style and Influence

How He Wrote

Christgau's reviews are known for being very dense and full of ideas. He could pack a lot of meaning into just a few words. His writing is often described as witty, smart, and thought-provoking. For example, in a very short review of the Ramones album Leave Home, he praised its "power, wit and economy."

His style has influenced many rock critics who came after him. Spin magazine once said that without Christgau, rock criticism as we know it might not exist.

What He Liked (and Didn't Like)

Christgau has a wide range of musical tastes. His all-time favorite artists include Louis Armstrong, Thelonious Monk, Chuck Berry, the Beatles, and the New York Dolls. He has called Frank Sinatra "the greatest singer of the 20th century."

However, he also admits to having dislikes. He is generally not a fan of genres like heavy metal, art rock, progressive rock, and classical music. He once wrote that he found heavy metal's ideas of power to be old-fashioned. He also found it hard to write about certain kinds of jazz music.

"Dean of American Rock Critics"

Christgau is often called the "dean of American rock critics." "Dean" is a title for the most senior or respected person in a group. He actually gave himself this nickname as a joke in the early 1970s when he was still a young man.

As the years went by, the joke became a reality. Many people now agree that he has earned the title. When asked about it, Christgau said that while there is no official ranking for critics, he does believe that some critics are better than others.

Personal Life

Christgau married writer and critic Carola Dibbell in 1974. They have a daughter named Nina. He grew up in a religious family but is now an atheist.

He has been friends with other famous critics like Greil Marcus and the late Ellen Willis. He has also been a mentor to younger critics, helping them in their careers.

Books

  • Any Old Way You Choose It: Rock and Other Pop Music, 1967–1973, Penguin Books, 1973
  • Christgau's Record Guide: Rock Albums of the Seventies, Ticknor & Fields, 1981
  • Christgau's Record Guide: The '80s, Pantheon Books, 1990
  • Grown Up All Wrong: 75 Great Rock and Pop Artists from Vaudeville to Techno, Harvard University Press, 1998
  • Christgau's Consumer Guide: Albums of the '90s, St. Martin's Griffin, 2000
  • Going into the City: Portrait of a Critic as a Young Man, Dey Street Books, 2015
  • Is It Still Good to Ya? Fifty Years of Rock Criticism 1967–2017, Duke University Press, 2018
  • Book Reports: A Music Critic on His First Love, Which Was Reading, Duke University Press, 2019

See also

Kids robot.svg In Spanish: Robert Christgau para niños

  • Album era
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