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Albert R. Broccoli
Albert Cubby Broccoli 1976 crop.JPG
"Cubby" Broccoli in 1976
Born
Albert Romolo Broccoli

(1909-04-05)April 5, 1909
Died June 27, 1996(1996-06-27) (aged 87)
Resting place Forest Lawn Memorial Park, Hollywood Hills
Other names Cubby Broccoli
Occupation Film producer
Years active 1953–1996
Notable work
James Bond film series
Spouse(s)
Gloria Blondell
(m. 1940; div. 1945)
Nedra Clark
(m. 1951; died 1958)
Dana Natol
(m. 1959)
Children 3, including Barbara
Relatives
  • Michael G. Wilson (stepson)
  • David G. Wilson (step-grandson)
  • Pat DiCicco (cousin)

Albert Romolo Broccoli (/ˈbrɒk.ə.li/ brok-Ə-lee; April 5, 1909 – June 27, 1996), nicknamed "Cubby", was an American film producer who made more than 40 motion pictures throughout his career. Most of the films were made in the United Kingdom and often filmed at Pinewood Studios. Co-founder of Danjaq, LLC and Eon Productions, Broccoli is most notable as the producer of many of the James Bond films. He and Harry Saltzman saw the films develop from relatively low-budget origins to large-budget, high-grossing extravaganzas, and Broccoli's heirs continue to produce new Bond films.

Early life

Broccoli was born in the borough of Queens, New York City, the younger of two children of immigrants from the Calabria region of Italy, Giovanni Broccoli and Kristina Vence. He had an older brother. He acquired his nickname after his cousin, mobster Pat DiCicco, began calling him "Kabibble", after a similarly named cartoon character. This was eventually shortened to "Kubbie" and adopted by Broccoli as "Cubby". The family later bought a farm in Smithtown, New York, on Long Island, near their relatives the DiCiccos.

The family moved to Florida, and on the death of his father Giovanni, Broccoli moved to live with his grandmother in Astoria, Queens, in New York City. Having worked many jobs, including casket maker, Broccoli then became involved in the film industry. He started at the bottom, working as a gofer on Howard Hughes' The Outlaw (1941), which starred Jane Russell. Here he met his lifelong friend Howard Hughes for the first time, while Hughes was overseeing the movie's production after director Howard Hawks was fired. Broccoli rose quickly to the level of assistant director by the time the U.S. entered World War II.

UK subsidy and the origins of Bond

At the beginning of the 1950s, Broccoli moved once more, this time to London, where the British government provided subsidies to film productions made in the UK with British casts and crews. Together with Irving Allen, Broccoli formed Warwick Films, which made a prolific and successful series of films for Columbia Pictures.

When Broccoli became interested in bringing Ian Fleming's James Bond character into features, he discovered that the rights already belonged to the Canadian producer Harry Saltzman, who had long wanted to break into film, and who had produced several stage plays and films with only modest success. When the two were introduced by a common friend, screenwriter Wolf Mankowitz, Saltzman refused to sell the rights, but agreed to partner with Broccoli and co-produce the films, which led to the creation of the production company EON Productions and its parent (holding) company Danjaq, LLC, named after their two wives' first names—Dana and Jacqueline.

Saltzman and Broccoli produced the first Bond film, Dr. No, in 1962. Their second, From Russia with Love, was a break-out success and from then on the films grew in cost, action, and ambition. With larger casts, more difficult stunts and special effects, and a continued dependence on exotic locations, the franchise became essentially a full-time job. Broccoli made one notable attempt at a non-Bond film, an adaptation of Ian Fleming's Chitty-Chitty-Bang-Bang in 1968, and due to legal wrangling over the rights to story elements, ceded producer credit on Thunderball to Kevin McClory. Nonetheless, by the mid-1960s, Broccoli had put nearly all of his energies into the Bond series. Saltzman's interests continued to range apart from the series, including production of a loose trilogy of spy films based on Len Deighton's Harry Palmer, a character who operates in a parallel universe to Bond, with all the danger but none of the glamour and gadgets. Saltzman and Broccoli had differences over Saltzman's outside commitments; however, in the end, it was Saltzman who withdrew from Danjaq and EON after a series of financial mishaps. While Saltzman's departure brought the franchise a step closer to corporate control, Broccoli lost relatively little independence or prestige in the bargain. From then until his death, the racy credits sequence to every EON Bond film would begin with the words "Albert R. Broccoli Presents." However, from the 1970s onward, the films became lighter in tone and looser in plot—and, at times, less successful with critics—yet, the series distinguished itself in production values and continued to appeal to audiences.

Family life

Broccoli married three times. In 1940, at the age of 31, he married actress Gloria Blondell, the younger sister of Joan Blondell. They later divorced amicably in 1945 without having had children. In 1951, he married Nedra Clark, widow of the singer Buddy Clark. They adopted a son, Tony Broccoli, after which Nedra became pregnant. She died in 1958, soon after giving birth to their daughter, Tina. In 1959, Broccoli married actress and novelist Dana Natol. They had a daughter, Barbara Broccoli, and Natol adopted his other two children. Albert Broccoli became a mentor to Dana's teenage son, Michael G. Wilson. The children grew up around the Bond film sets, and his wife's influence on various production decisions is alluded to in many informal accounts.

Michael Wilson worked his way up through the production company to co-write and co-produce. Barbara Broccoli, in her turn, served in several capacities under her father's tutelage from the 1980s on. Wilson and Barbara Broccoli have co-produced the films since Albert Broccoli's death.

Later life and honors

  • In 1981 he was honored with the Irving G. Thalberg Memorial Award for his work in film. The award was presented at the 1982 Academy Awards ceremony by the current James Bond at that time, Roger Moore. In 1990, Broccoli also has a star on the Hollywood Walk of Fame (as Cubby Broccoli).
  • A thoroughbred horse racing enthusiast, Albert Broccoli owned Brocco, who won the 1993 Breeders' Cup Juvenile at Santa Anita Park at Arcadia, California.
  • An autobiography was published posthumously in 1999, titled When the Snow Melts: The Autobiography of Cubby Broccoli (ISBN: 978-0-7522-1162-6).
  • The end of Tomorrow Never Dies (1997) displays the dedication "In loving memory of Albert R. (Cubby) Broccoli".
  • The Albert and Dana Broccoli Theatre is one of three situated in the University of Southern California's School of Cinematic Arts Complex, completed in 2010.

Death

Broccoli died at his home in Beverly Hills in 1996 at the age of 87 of heart failure. He had undergone a triple heart bypass earlier that year. He was interred in an ornate sarcophagus in the outdoor Courts of Remembrance section, at Forest Lawn – Hollywood Hills Cemetery in Los Angeles following a funeral mass at The Church of the Good Shepherd, Beverly Hills.

In recognition of Broccoli's insistence that every James Bond film produced by EON should bear the name of the character's creator, Ian Fleming, in the opening credits (even when the film contained no real connection to any Fleming novel, apart from the titular character), it was decided by his surviving family that all subsequent Bond films should bear Broccoli's name. Therefore, all Bond films since Tomorrow Never Dies have opened with the line "Albert R. Broccoli's EON Productions presents".

Filmography

Producer with Harry Saltzman

Executive producer with Harry Saltzman

Producer (solo)

  • The Red Beret (1953)
  • Fire Down Below (1957)
  • The Trials of Oscar Wilde (1960)
  • Jazz Boat (1960)
  • Call Me Bwana (1963)
  • Chitty Chitty Bang Bang (1968)
  • The Spy Who Loved Me (1977)
  • Moonraker (1979)
  • For Your Eyes Only (1981)
  • Octopussy (1983)

Producer with Michael G. Wilson

  • A View to a Kill (1985)
  • The Living Daylights (1987)
  • Licence to Kill (1989)

Consulting producer

  • GoldenEye (1995) (credited as presenter)

Cameos

See also

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