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Jill Bilcock

Born
Jill Elizabeth Stevenson

1948 (age 76–77)
Horsham, Victoria, Australia
Occupation Film editor

Jill Elizabeth Bilcock (born in 1948 as Jill Stevenson) is a famous Australian film editor. She helps shape movies by choosing and arranging the best shots. She was nominated for several important awards, like the BAFTA Awards, for her work on films such as Strictly Ballroom (1992), Romeo + Juliet (1996), Elizabeth (1998), and Moulin Rouge! (2001). In 2007, she won the Australian Film Institute International Award for Excellence in Filmmaking, which is a big honor.

Early Life and Learning About Film

Jill Elizabeth Stevenson, who later became Jill Bilcock, was born in 1948 in Horsham, Australia. When she was three, her family moved to Melbourne. Her father left the family when she was four. Jill's mother worked full-time as a teacher and studied at night to get a degree. Their home was often visited by artists, poets, and writers. Jill later said she "didn't have a lot of parenting" because her mother was so busy.

Jill was very interested in film from a young age. At 15, she enrolled at Swinburne Technical College. She then joined the first film course at the Swinburne Film and Television School in 1968, when she was 17. This was a special opportunity, as film courses were new then. During her studies, she even went on a student trip to China. There, she met Fred Schepisi, who would become an important person in her career.

Starting a Career in Film Editing

Jill Bilcock began her career working on commercials. This was because there wasn't a big Australian film industry at the time. Fred Schepisi invited her to work at his company, The Film House. Schepisi encouraged his students to try out all parts of filmmaking. Jill started to focus on editing, which is like putting together a puzzle to tell a story. She was helped by Richard Lowenstein, another Swinburne graduate.

In the mid-1970s, Jill was offered a job in London. However, she traveled through India first and ended up staying there for a year. She lived a simple life in Goa and even had small roles in local movies.

Her first full-length movie as an editor was Richard Lowenstein's Strikebound in 1984. Throughout the 1980s and 1990s, she worked on many well-known films. These included Dogs in Space (1987), Strictly Ballroom (1992), Muriel's Wedding (1994), and Head On (1998).

Later, Jill edited more famous movies. These included Baz Luhrmann's Romeo + Juliet (1996) and Moulin Rouge! (2001). She also worked on Sam Mendes' crime drama Road to Perdition (2002).

Jill's Unique Editing Style

Jill Bilcock's editing style is often called "boldly inventive." Her work on Baz Luhrmann's films is known for its "strikingly fast cutting." This means she puts many short shots together quickly. Her films often have a "whirl of noise and colour and unconventional jumps." She once said, "I want wild, I want innovative, unusual and visually extraordinary." This shows her desire to create exciting and new ways of telling stories through editing. However, she can also change her style. For example, she used a slower pace for films like Road to Perdition and The Dish.

Other Contributions to Film

Jill Bilcock also shares her knowledge with others. On July 3, 2020, during the COVID-19 pandemic in Australia, she gave an online masterclass. This was part of a series by WIFT Australia, an organization that supports women in film and television.

In November 2024, she was a judge at the International Film Festival of India. She worked alongside other important people in the film world.

Awards and Special Honors

Jill Bilcock is highly respected in the film industry. She is a member of the Australian Screen Editors guild and the American Cinema Editors society. These memberships allow her to use the special letters ASE and ACE after her name.

Two documentaries have been made about her life and work in 2017. One was Jill Billcock: The Art Of Film Editing for ABC TV. The other was a cinema-released film called Jill Bilcock: Dancing the Invisible. This film included comments from famous actors and directors like Cate Blanchett and Baz Luhrmann. It won the Audience Award at the Adelaide Film Festival.

Jill has received several lifetime achievement awards. These include the AFI Byron Kennedy Award and the IF Awards Lifetime Achievement Award. In July 2018, a film critic called her "one of Australia's greatest film practitioners." He said she was "probably the most successful film editor this country has ever produced." At that time, she had won five AFI Awards and been nominated for many more.

She has also received two official Australian honors:

  • In 2001, she received the Centenary Medal for her service to Australian society and film.
  • In 2018, she was awarded the Companion of the Order of Australia. This is the highest award in Australia. She received it for her great service to the Australian film industry as an editor. It also recognized her role in promoting the profession and her creative contributions to Australia's culture.

Film Awards and Nominations

Jill Bilcock has won and been nominated for many awards for her film editing:

  • 1992: Won the AACTA Award for Best Editing for Strictly Ballroom.
  • 1992: Nominated for a BAFTA Award for Best Editing for Strictly Ballroom.
  • 1995: Won the Byron Kennedy Award.
  • 1996: Won Best Editing at the MovieMaker Readers Awards.
  • 1996: Nominated for a BAFTA Award for Best Editing for Romeo + Juliet.
  • 1998: Nominated for a BAFTA Award for Best Editing for Elizabeth.
  • 2001: Named AFI Editor of the Year.
  • 2002: Won an Eddie Award for Best Edited Feature Film – Comedy or Musical for Moulin Rouge!.
  • 2001: Nominated for an Academy Award for Best Film Editing (Oscar) for Moulin Rouge!.
  • 2002: Nominated for a BAFTA Award for Best Editing for Moulin Rouge!.
  • 2007: Won the Australian Film Institute International Award for Excellence in Filmmaking.
  • 2012: Moulin Rouge! was listed as the 32nd best-edited film ever in a survey.
  • 2013: Won the Jill Robb Award for outstanding leadership in the Victorian film industry.
  • 2015: Nominated for an AACTA Award for Best Editing for The Dressmaker.

Movies Jill Bilcock Has Edited

Here is a list of some of the movies Jill Bilcock has edited:

Year Film Director Notes
1984 Strikebound Richard Lowenstein Nominated—AACTA Award for Best Editing
1986 The More Things Change... Robyn Nevin
Dogs in Space Richard Lowenstein
1987 Australian Made: The Movie
1988 Evil Angels Fred Schepisi Nominated—AACTA Award for Best Editing
1990 Till There Was You John Seale
1992 Strictly Ballroom Baz Luhrmann AACTA Award for Best Editing
Nominated—BAFTA Award for Best Editing
1993 Say a Little Prayer Richard Lowenstein
Temptation of a Monk Clara Law
1994 Erotique Segment: "Wonton Soup"
Lizzie Borden Segment: "Let's Talk About Love"
Ana Maria Magalhães Segment: "Final Call"
Monika Treut Segment: "Taboo Parlor"
Muriel's Wedding P. J. Hogan Nominated—AACTA Award for Best Editing
I.Q. Fred Schepisi
1995 How to Make an American Quilt Jocelyn Moorhouse
1996 Romeo + Juliet Baz Luhrmann Nominated—AACTA Award for Best Editing
Nominated—BAFTA Award for Best Editing
Nominated—Satellite Award for Best Editing
1998 Head On Ana Kokkinos AACTA Award for Best Editing
Elizabeth Shekhar Kapur Nominated—BAFTA Award for Best Editing
1999 Harry's War Richard Frankland
2000 The Dish Rob Sitch
2001 Moulin Rouge! Baz Luhrmann AACTA Award for Best Editing
ACE Eddie for Best Edited Feature Film – Comedy or Musical
Nominated—Academy Award for Best Film Editing
Nominated—BAFTA Award for Best Editing
Nominated—Satellite Award for Best Editing
2002 Road to Perdition Sam Mendes
2003 Japanese Story Sue Brooks AACTA Award for Best Editing
Nominated—FCCA Award for Best Editor
Nominated—Inside Film Award for Best Editing
2004 The Libertine Laurence Dunmore Nominated—ASE Award for Best Editing in a Feature Film
2006 Catch a Fire Phillip Noyce
2007 Elizabeth: The Golden Age Shekhar Kapur
2009 The Young Victoria Jean-Marc Vallée
Blessed Ana Kokkinos Nominated—AACTA Award for Best Editing
2010 Don't Be Afraid of the Dark Troy Nixey
2011 Red Dog Kriv Stenders Nominated—AACTA Award for Best Editing
Nominated—Inside Film Award for Best Editing
2012 Mental P. J. Hogan Nominated—ASE Award for Best Editing in a Feature Film
2014 Arrows of the Thunder Dragon Greg Sneddon
Kill Me Three Times Kriv Stenders
My Mistress Stephen Lance
Driving Miss Daisy David Esbjornson Theatrical release of Australian stage production
2015 The Dressmaker Jocelyn Moorhouse Nominated—AACTA Award for Best Editing
Nominated—FCCA Award for Best Editor
2016 Red Dog: True Blue Kriv Stenders
2019 Ride Like a Girl Rachel Griffiths
2020 High Ground Stephen Maxwell Johnson Nominated—AACTA Award for Best Editing
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