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Kay Francis
Kay Francis EF2.jpg
Francis in 1935
Born
Katharine Edwina Gibbs

(1905-01-13)January 13, 1905
Died August 26, 1968(1968-08-26) (aged 63)
New York City, U.S.
Occupation Actress
Years active 1925–1951
Spouse(s)
James Dwight Francis
(m. 1922; div. 1925)

William Gaston
(m. 1925; div. 1927)

Kenneth MacKenna
(m. 1931; div. 1934)

Kay Francis (born Katharine Edwina Gibbs; January 13, 1905 – August 26, 1968) was a famous American actress. She starred in plays on Broadway and later became a big movie star. From 1930 to 1936, she was one of the most popular and highest-paid actresses at Warner Bros. studio. She used her mother's maiden name, Francis, as her stage name.

Early Life and Education

Katharine Edwina Gibbs was born in Oklahoma City, Oklahoma Territory (now Oklahoma), in 1905. She was the only child of Joseph Sprague Gibbs and Katharine Clinton. Her mother, Katharine Clinton, was also an actress.

Kay often traveled with her mother because of her mother's acting career. She went to Catholic schools when her family could afford it. At age five, she became a student at the Institute of the Holy Angels. She also attended Miss Fuller's School for Young Ladies and the Cathedral School. Later, she enrolled at the Katharine Gibbs Secretarial School in New York City.

In 1922, when Kay was 17, she married James Dwight Francis. Their marriage ended in divorce three years later.

Starting Her Acting Career

In 1925, Kay Francis went to Paris. While there, she met and secretly married Bill Gaston in October 1925. This marriage was also short-lived. Kay decided to follow her mother's path and become an actress.

Broadway Debut

Kay made her first appearance on Broadway in November 1925. She played the Player Queen in a modern version of Shakespeare's Hamlet. She later said she got the part by "lying a lot, to the right people." One of these people was producer Stuart Walker. He hired her for his Portmanteau Theatre Company.

She traveled between Dayton, Ohio, Cincinnati, Ohio, and Indianapolis, Indiana. She played many different roles, from secretaries to small parts. In February 1927, Francis returned to New York. She got a part in the Broadway play Crime. A young Sylvia Sidney was the main actress, but she later said Francis stole the show.

After her divorce from Gaston in September 1927, she promised to stop acting. However, this promise only lasted a few months. She soon appeared in a play called Venus, where she played an aviator.

Moving to Hollywood

Francis appeared in only one more Broadway show, Elmer the Great, in 1928. This play did not do well. Even though she was broke, Francis was determined to succeed on her own.

Actor Walter Huston was impressed by her acting. He encouraged her to try out for his new studio, Paramount Pictures. Paramount offered her a contract for $300 a week. Francis made two films in New York: Gentlemen of the Press (1929) and the Marx Brothers film The Cocoanuts (1929). After these films, she moved to Hollywood.

Film Career Success

Kay Francis NM530
Francis in a 1930 Paramount Studios publicity photo by Otto Dyar

Many major film studios had moved from New York to California. When sound pictures became popular, more Broadway actors came to Hollywood. These included Ann Harding, Barbara Stanwyck, Humphrey Bogart, and James Cagney.

Kay Francis signed a contract with Paramount Pictures. She quickly made a strong impression. She often starred with William Powell. Their first film together was Street of Chance (1930). They worked well together and made 21 films between 1930 and 1932.

Francis's career grew at Paramount. She had a slight speech difference where she pronounced "r" like "w". This led to the nickname "Wavishing Kay Fwancis." She appeared in films like Girls About Town (1931) and 24 Hours (1931). In December 1931, Francis helped open the new art deco Paramount Theatre in Oakland, California.

Becoming a Star at Warner Bros.

In 1932, Francis's career changed. Warner Bros. offered her a better salary of $4,000 a week and promised her lead roles. Paramount sued Warner Bros. over this. Warner Bros. convinced both Francis and Powell to join their studio.

After playing some villain roles, Francis started getting more sympathetic characters. For example, in The False Madonna, she played a woman who learns about family values. After she became a big star at Warner Bros., she was loaned back to Paramount for Ernst Lubitsch's Trouble in Paradise (1932).

Mainstream Successes

Kay-francis-trailer
The House on 56th Street (1933) trailer

From 1932 to 1936, Kay Francis was the top female star at Warner Bros. Her films were often made to highlight her talent. By 1935, she was one of the highest-paid actors, earning $115,000 a year. This was much more than other stars like Bette Davis. From 1930 to 1937, Francis appeared on the covers of 38 film magazines. Only child star Shirley Temple appeared on more.

Soon after arriving in Hollywood, she married actor and producer Kenneth MacKenna in January 1931. They separated in 1933 and divorced in 1934.

Francis often played strong, suffering heroines. Her films included I Found Stella Parish and Secrets of an Actress. She was known for wearing beautiful and expensive clothes in her movies. Sometimes, her costumes were more famous than the characters she played. In Give Me Your Heart (1936), her acting was praised by The New York Times.

Francis became unhappy with the types of films she was making. She felt Warner Bros. focused too much on lavish costumes and not enough on good stories. She even threatened to sue the studio. This led to her getting smaller roles in less important films. In 1939, her contract with Warner Bros. ended.

Later Career and World War II

Kay Francis in First Lady trailer
In First Lady (1937) trailer

In May 1938, a group of theater owners listed Francis as "box office poison" in an advertisement. This meant they thought her films were not making enough money. After leaving Warner Bros., she struggled to get another studio contract.

However, actress Carole Lombard insisted that Francis be cast in her film In Name Only (1939). Francis had a supporting role in this film, which allowed her to show her serious acting skills. After this, she took supporting roles in other movies. She often played professional women or mothers.

Francis had one lead role in the gangster film King of the Underworld (1939). She played a doctor who gets involved with a gangster.

Kay Francis loc
Kay Francis and Mitzi Mayfair from Four Jills in a Jeep (1944)

When World War II began, Francis volunteered for the war effort. She worked with the Naval Aid Auxiliary and led its Hospital Unit. She also toured war zones to entertain soldiers. Her experiences were written about in the book "Four Jills in a Jeep" by fellow volunteer Carole Landis. This book was made into a popular 1944 film, Four Jills in a Jeep. Francis, Landis, Martha Raye, and Mitzi Mayfair played themselves in the movie.

After the war, Francis found it hard to get acting jobs in Hollywood. She signed a contract for three films with a smaller studio, Monogram Pictures. These films, Divorce, Wife Wanted, and Allotment Wives, were released in 1945 and 1946.

Francis spent the rest of the 1940s acting on stage. She had success in the play State of the Union. In 1948, she had an accident during a tour in Ohio. She was badly burned by a radiator. After this, her health declined, and she retired from acting and public life.

Personal Life and Legacy

Kay Francis was married three times. Her husbands were James Dwight Francis (1922–1925), William Gaston (1925–1927), and Kenneth MacKenna (1931–1934).

In 1966, Francis was diagnosed with breast cancer. She passed away in 1968 at the age of 63. She wanted to be forgotten and asked for no funeral services or grave marker. Her body was cremated.

Kay Francis had no close living family members. She left over $1 million to The Seeing Eye. This organization in New Jersey trains guide dogs to help blind people.

Filmography

Features

Year Title Role Notes
1929 Gentlemen of the Press Myra May
1929 The Cocoanuts Penelope
1929 Dangerous Curves Zara Flynn
1929 Illusion Zelda Paxton
1929 The Marriage Playground Lady Wrench
1930 Behind the Make-Up Kitty Parker
1930 Street of Chance Alma Marsden
1930 Paramount on Parade Carmen Episode: "The Toreador"
1930 A Notorious Affair Countess Olga Balakireff
1930 For the Defense Irene Manners
1930 Raffles Gwen
1930 Let's Go Native Constance Cook
1930 The Virtuous Sin Marya Ivanova Sablin
1930 Passion Flower Dulce Morado
1930 Paramount on Parade Herself
1931 Scandal Sheet Edith Flint
1931 Ladies' Man Norma Page
1931 The Vice Squad Alice Morrison
1931 Transgression Elsie Maury
1931 Guilty Hands Marjorie West
1931 24 Hours Fanny Towner
1931 Girls About Town Wanda Howard
1931 The False Madonna Tina
1932 Strangers in Love Diana Merrow
1932 Man Wanted Lois Ames
1932 Street of Women Natalie 'Nat' Upton
1932 Jewel Robbery Baroness Teri
1932 One Way Passage Joan Ames
1932 Trouble in Paradise Madame Mariette Colet
1932 Cynara Clemency Warlock
1933 The Keyhole Anne Vallee Brooks
1933 Storm at Daybreak Irina Radovic
1933 Mary Stevens, M.D. Mary Stevens
1933 I Loved a Woman Laura McDonald
1933 The House on 56th Street Peggy Martin
1934 Mandalay Tanya Borodoff / Spot White / Marjorie Lang
1934 Wonder Bar Liane
1934 Dr. Monica Dr. Monica
1934 British Agent Elena Moura
1935 Living on Velvet Amy Prentiss
1935 Stranded Lynn Palmer
1935 The Goose and the Gander Georgiana
1935 I Found Stella Parish Stella Parish
1936 The White Angel Florence 'Flo' Nightingale
1936 Give Me Your Heart Belinda Warren
1937 Stolen Holiday Nicole Picot
1937 Another Dawn Julia Ashton Wister
1937 Confession Vera Kowalska
1937 First Lady Lucy Chase Wayne
1938 Women Are Like That Claire Landin
1938 My Bill Mary Colbrook
1938 Secrets of an Actress Fay Carter
1938 Comet Over Broadway Eve Appleton
1939 King of the Underworld Carol Nelson
1939 Women in the Wind Janet Steele
1939 In Name Only Maida Walker
1940 It's a Date Georgia Drake
1940 When the Daltons Rode Julie King
1940 Little Men Jo
1941 Play Girl Grace Herbert
1941 The Man Who Lost Himself Adrienne Scott
1941 Charley's Aunt Donna Lucia d'Alvadorez
1941 The Feminine Touch Nellie Woods
1942 Always in My Heart Marjorie Scott
1942 Between Us Girls Christine 'Chris' Bishop
1944 Four Jills in a Jeep Herself
1945 Divorce Dianne Carter
1945 Allotment Wives Sheila Seymour
1946 Wife Wanted Carole Raymond (final film role)

Short subjects

  • Screen Snapshots Series 16, No. 3 (1936) as Herself – Observer
  • Show Business at War (1943, Documentary) as Herself (uncredited)

See also

Kids robot.svg In Spanish: Kay Francis para niños

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