Marie Prevost facts for kids
Quick facts for kids
Marie Prevost
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![]() Prevost c. 1921
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Born |
Marie Bickford Dunn
November 8, 1896 Sarnia, Ontario, Canada
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Died | January 21, 1937 Hollywood, California, U.S.
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(aged 40)
Nationality | Canadian American |
Other names | Mary Prevost Marie Provost |
Occupation | Actress |
Years active | 1915–1936 |
Spouse(s) |
Sonny Gerke
(m. 1918; div. 1923)Kenneth Harlan
(m. 1924; div. 1929) |
Marie Prevost (born Marie Bickford Dunn; November 8, 1896 – January 21, 1937) was a famous Canadian-born film actress. She starred in 121 movies during her 20-year career. These films included both silent movies and early sound films.
Marie Prevost started her acting journey during the silent film era. She was discovered by a filmmaker named Mack Sennett. He hired her to be one of his "Bathing Beauties" in the late 1910s. These were actresses who appeared in short comedy films, often in swimsuits. Marie Prevost acted in many of Sennett's funny short films. Later, she moved on to longer movies for Universal.
In 1922, she signed a contract with Warner Bros.. This is where her career really took off, and she became a popular leading lady. A famous director named Ernst Lubitsch really liked her acting. He chose her for three of his comedy films: The Marriage Circle (1924), Three Women (1924), and Kiss Me Again (1925).
After leaving Warner Bros. in 1926, Marie Prevost's career started to slow down. She began getting smaller roles in movies. By 1935, she was only getting very small parts. Her last movie appearance was in 1936. Marie Prevost passed away at the age of 40 in January 1937. Her story helped inspire the creation of the Motion Picture & Television Country House and Hospital. This place helps people who work in the movie and TV industry.
Contents
Early Life and First Steps in Acting
Marie Prevost was born in Sarnia, Ontario, Canada. Her parents were Hughina Marion and Arthur "Teddy" Dunn. Her father worked on the railroad. Sadly, he passed away when Marie was a baby. Her mother, Hughina, later married Frank Prevost. The family then moved to Denver, Colorado.
Marie's stepfather, Frank Prevost, worked as a miner and surveyor. His jobs often made the family move around the country. They lived in places like Ogden, Utah; Reno, Nevada; and Fresno, California. Eventually, they settled down in Los Angeles, California.
While living in Los Angeles, Marie went to Manual Arts High School. In 1915, she got a job as a secretary at a law firm. This firm worked with the Keystone Film Company. One day, while running an errand at the Keystone Studios, Marie was asked to be in a small part for a movie called His Father's Footsteps.
Mack Sennett, who owned Keystone, was very impressed by Marie's acting. He wanted to meet her in his office. Marie later told Motion Picture World magazine about that day. She said, "I asked for Mr. Sennett and was ushered in right away. He looked very stern as I walked into his office. I was ready to cry. Suddenly, he smiled. 'I want your signature today. Sign right here.' I suddenly realized the paper he pushed in front of me was a contract. I was to be one of his Sennett Bathing Beauties. Best of all I was to be paid $15 a week. I signed without reading a word. Fifteen dollars was a lot of money."
Marie Prevost's Film Career
Starting Out in Movies
At first, Marie Prevost played small, funny roles. She worked in many films for Mack Sennett's studio. In 1919, Sennett gave Marie her first main role in the movie Yankee Doodle in Berlin. This film was a big success and helped her career grow. She had another hit in 1920 in the romantic film Love, Honor, and Behave. She starred alongside George O'Hara, another new actor from Sennett's studio.
By 1921, Marie Prevost wanted to work for a different studio. She felt that Sennett was only interested in making money, not in being creative. Director King Baggot helped her get a contract with Universal. She would earn $1,000 per week there. Marie left Keystone and signed with Universal in 1921.
At Universal, a film executive named Irving Thalberg became interested in Marie. He wanted to make her a big star. Thalberg made sure she got a lot of attention from the public. He set up many events to put her in the spotlight. He announced that Marie would star in two films, The Moonlight Follies (1921) and Kissed (1922). To show she was moving on from her "bathing beauty" days, Thalberg sent Marie to Coney Island. There, she famously burned her old swimsuit.
Becoming a Star
While at Universal, Marie Prevost mostly acted in light comedies. After her contract ended, Jack L. Warner signed her to a two-year contract with Warner Bros.. She would earn $1,500 per week starting in 1922. During this time, Marie was dating actor Kenneth Harlan. Jack Warner also signed Harlan to a contract. He then cast Marie and Kenneth as the main characters in F. Scott Fitzgerald's movie The Beautiful and Damned.
Marie's performance in The Beautiful and Damned received good reviews. Director Ernst Lubitsch then chose her for an important role in his 1924 film The Marriage Circle. Lubitsch said that Marie was one of the few actresses who knew how to act in a subtle way to make comedy even funnier. Her acting in this film was praised by The New York Times. Because of this, Lubitsch cast her in Three Women in 1924 and Kiss Me Again the next year.
In early 1926, Warner Bros. decided not to renew Marie Prevost and Kenneth Harlan's contracts. Marie and Kenneth had quietly married in 1924. Soon after she left Warner Bros., Marie's mother, Hughina, passed away in a car accident in New Mexico in February 1926.
Career Changes
The loss of her mother deeply affected Marie Prevost. After her marriage to Kenneth Harlan ended in 1927, her career continued, but she was given smaller roles.
Howard Hughes saw Marie Prevost in The Beautiful and Damned. He then cast her as the lead in The Racket (1928). This movie turned out to be Marie Prevost's last main role.
In 1929, Cecil B. DeMille offered her a co-starring role in his last silent film, The Godless Girl. She received good reviews for her part in this movie. The next year, she signed a contract with Metro-Goldwyn-Mayer.
While at MGM, Marie Prevost worked steadily. However, she was only offered supporting roles. In 1930, she appeared in Paid, starring Joan Crawford. Even though her role was secondary, she earned good reviews. In 1931, she played Helen Hayes' loyal friend in The Sin of Madelon Claudet. In 1932, she was one of three main actresses in the film Three Wise Girls, starring Jean Harlow.
By 1934, Marie had no work at all. Her financial situation became very difficult. Marie Prevost made her last appearance on screen in a small part as a waitress in Ten Laps to Go (1936).
Personal Life
Marie Prevost was married two times. Both marriages ended in divorce. Her first marriage was to Henry Charles "Sonny" Gerke in June 1918. This marriage was kept private. It only became public when Gerke filed for divorce in August 1923. He said the marriage was a secret because Marie feared it would hurt her acting career.
In October 1924, Marie Prevost married actor Kenneth Harlan. They had starred in several films together. Marie and Kenneth separated in May 1927. Their divorce was finalized in January 1929.
Legacy
Marie Prevost passed away on January 21, 1937, at the age of 40. Her funeral was paid for by actress Joan Crawford. Many famous people attended, including Clark Gable, Wallace Beery, Douglas Fairbanks Jr., Mack Sennett, and Barbara Stanwyck. Marie's sister had her remains cremated and mixed them with those of their mother.
Marie Prevost's story, and the challenges she faced, helped the Hollywood community create the Motion Picture & Television Country House and Hospital. This organization provides support for people who work in the film and television industry.
For her important work in movies, Marie Prevost has a star on the Hollywood Walk of Fame. You can find it at 6201 Hollywood Boulevard.
Filmography
Year | Title | Role | Notes |
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1915 | Those Bitter Sweets | Short film | |
1915 | His Father's Footsteps | Short film | |
1916 | Unto Those Who Sin | Celeste | |
1918 | His Hidden Purpose | The Girl in the Case | Short film |
1918 | Her Screen Idol | Short film | |
1919 | East Lynne with Variations | The Girl | Short film |
1919 | Uncle Tom Without a Cabin | Eliza | Short film |
1919 | Yankee Doodle in Berlin | Belgian Girl | |
1919 | Salome vs. Shenandoah | Ingenue Actress | |
1920 | Down on the Farm | The Faithful Wife | |
1920 | Love, Honor and Behave | The Newlywed | |
1921 | A Small Town Idol | Marcelle Mansfield | |
1921 | Moonlight Follies | Nan Rutledge | |
1921 | Nobody's Fool | Polly Gordon | |
1921 | A Parisian Scandal | Liane-Demarest | |
1922 | Don't Get Personal | Patricia Parker | |
1922 | The Dangerous Little Demon | Teddy Harmon | |
1922 | Kissed | Constance Keener | |
1922 | The Married Flapper | Pamela Billings | |
1922 | Her Night of Nights | Molly May Mahone | |
1922 | The Beautiful and Damned | Gloria | Lost film |
1922 | Heroes of the Street | Betty Benton | |
1923 | Brass | Marjorie Jones | |
1923 | Red Lights | Ruth Carson | |
1923 | The Wanters | Myra Hastings | Lost film |
1924 | The Marriage Circle | Mizzi Stock | |
1924 | Tarnish | Nettie Dark | |
1924 | How to Educate a Wife | Mabel Todd | |
1924 | Daughters of Pleasure | Marjory Hadley | Alternative title: Beggar on Horseback Incomplete film |
1924 | Cornered | Mary Brennan / Margaret Waring | Lost film |
1924 | Three Women | Harriet | |
1924 | Being Respectable | Valerie Winship | |
1924 | The Dark Swan | Eve Quinn | |
1924 | The Lover of Camille | Marie Duplessis | |
1925 | Kiss Me Again | LouLou Fleury | Lost film |
1925 | Bobbed Hair | Connemara Moore | |
1925 | Seven Sinners | Molly Brian | |
1925 | Recompense | Julie Gmelyn | |
1926 | For Wives Only | Laura Rittenhaus | |
1926 | Other Women's Husbands | Kay Lambert | |
1926 | Almost a Lady | Marcia Blake | |
1926 | His Jazz Bride | Gloria Gregory | Lost film |
1926 | The Caveman | Myra Gaylord | |
1926 | Nana | Gaga | Uncredited |
1926 | Up in Mabel's Room | Mabel Ainsworth | |
1927 | Getting Gertie's Garter | Gertie Darling | |
1927 | The Night Bride | Cynthia Stockton | |
1927 | Man Bait | Madge Dreyer | |
1927 | The Girl in the Pullman | Hazel Burton | |
1928 | On to Reno | Vera | |
1928 | A Blonde for a Night | Marcia Webster | |
1928 | The Sideshow | Queenie Parker | |
1928 | The Racket | Helen Hayes | |
1928 | The Rush Hour | Margie Dolan | |
1929 | All Faces West | Arleta Vance | |
1929 | The Godless Girl | Mame - The Other Girl | |
1929 | The Flying Fool | Pat Riley | |
1929 | Divorce Made Easy | Mabel Deering | |
1930 | Party Girl | Diana Hoster | |
1930 | Ladies of Leisure | Dot Lamar | |
1930 | War Nurse | Rosalie | |
1930 | Sweethearts on Parade | Nita | |
1930 | Paid | Agnes Lynch | |
1931 | Gentleman's Fate | Mabel | |
1931 | It's a Wise Child | Annie Ostrom | |
1931 | Sporting Blood | Angela 'Angie' Ludeking | |
1931 | The Runaround | Margy | |
1931 | The Good Bad Girl | Trixie Barnes | |
1931 | The Sin of Madelon Claudet | Rosalie Lebeau | |
1931 | Hell Divers | Mrs. Lulu Farnsworth | |
1931 | Reckless Living | Alice | |
1932 | Three Wise Girls | Dot | |
1932 | Slightly Married | Nellie Gordon | |
1932 | Carnival Boat | Babe | |
1933 | Parole Girl | Jeanie Vance | |
1933 | The Eleventh Commandment | Tessie Florin | |
1933 | Only Yesterday | Amy | Uncredited |
1935 | Keystone Hotel | Mrs. Clarabelle Sterling | Short film |
1935 | Hands Across the Table | Nona | |
1936 | 13 Hours by Air | Waitress in Omaha | Producer |
1936 | Tango | Betty Barlow | |
1936 | Bengal Tiger | Chubby Saloon Girl | Uncredited |
1936 | Cain and Mabel | Sherman's Receptionist | Uncredited |
1936 | Ten Laps to Go | Elsie, Cafe Waitress | Her last role. Alternative title: King of the Speedway |
See also
In Spanish: Marie Prevost para niños