Michael Winner facts for kids

Quick facts for kids Michael Winner
Winner in 2010
Born	Robert Michael Winner (1935-10-30)30 October 1935 Hampstead, London, England
Died	21 January 2013(2013-01-21) (aged 77) Woodland House, Kensington, London, England
Resting place	Willesden Jewish Cemetery
Other names	Arnold Crust
Alma mater	Downing College, Cambridge
Occupation	Film director and producer, screenwriter, film editor, food writer, media personality
Years active	1955–2013
Spouse(s)	Geraldine Lynton-Edwards ​ ​ (m. 2011)​

Robert Michael Winner (30 October 1935 – 21 January 2013) was a British filmmaker, writer, and media personality. He is known for directing numerous action, thriller, and black comedy films in the 1960s, 1970s and 1980s, including several collaborations with actors Oliver Reed and Charles Bronson.

Winner's best-known works include Death Wish (1974) and its first two sequels, the World War II comedy Hannibal Brooks (1969), the hitman thriller The Mechanic (1972), the supernatural horror film The Sentinel (1977), the neo-noir The Big Sleep (1978), the satirical comedy Won Ton Ton, the Dog Who Saved Hollywood (1976), and the Revisionist Westerns Lawman (1971) and Chato's Land (1972).

Winner was known as a media personality in the United Kingdom, appearing regularly on television talk programmes and publishing a restaurant review column for The Sunday Times. He was also a founder of the Police Memorial Trust.

Early life and education

Winner was born at 40, Belsize Grove, Belsize Park, Hampstead, London, England, only child of Jewish parents George Joseph Winner (1910–1975), of Russian origin, and Helen (née Zlota; 1906-1984), of Polish parentage. George Winner was a businessman and company director responsible for running a branch of the Winner's clothing chain founded by his father, who became a naturalized British citizen in 1910. Following his father's death, Winner's mother gambled recklessly and sold art and furniture worth around £10m at the time, bequeathed to her not only for her life but to Michael thereafter. She died at the age of 78, in 1984.

Winner was educated at St Christopher School, Letchworth, and Downing College, Cambridge, where he read law and economics. He also edited the university's student newspaper, Varsity, and was the youngest ever editor up to that time, both in age and in terms of his university career (being only in the second term of his second year). Winner had earlier written a newspaper column, "Michael Winner's Showbiz Gossip", in the Kensington Post from the age of 14. The first issue of Showgirl Glamour Revue in 1955 had him writing another film and show-business gossip column, "Winner's World". Such jobs allowed him to meet and interview several leading film personalities, including James Stewart and Marlene Dietrich. He also wrote for the New Musical Express.

Career

Shorts

Winner directed his first travelogue, This is Belgium (1957), which was largely shot on location in East Grinstead. It was financed by his father. Later, he wrote, produced and directed a short, The Square (1957), starring A. E. Matthews, and which again was financed by Winner's father.

Winner's first on-screen feature credit was earned as a writer for the low-budget crime film Man with a Gun (1958) directed by Montgomery Tully. He went on to direct the shorts Danger, Women at Work (1959) and Watch the Birdie (1959), and was Associate Producer on Floating Fortress (1959), produced by Harold Baim.

Early British feature films

Winner's first feature as director was Shoot to Kill (1960), which he also wrote. Dermot Walsh starred. He followed this with Climb Up the Wall (1960), which was essentially a series of music acts presented by Jack Jackson, but which Winner nonetheless wrote and directed.

Winner's third feature as director was the thriller Murder on the Campus (1961), also known as Out of the Shadow, which Winner also wrote and helped produce. Dermot Walsh starred once again, together with Terence Longdon. Shortly afterwards, Winner wrote and directed the short Girls Girls Girls! (1961) which was narrated by Jackson, and directed the short feature Old Mac (1961), written by Richard Aubrey and starring Charles Lamb, Vi Stevens and Tania Mallet.

Winner directed the shorts Haunted England (1961), It's Magic (1962), and Behave Yourself (1962), the latter of which was based on Emily Post's Book of Manners, and whose cast included Jackson and Dennis Price.

Winner achieved success with a musical he directed, Play It Cool (1962), starring Billy Fury and Michael Anderson Jr., and which was distributed by Anglo-Amalgamated.

Winner's next feature was Some Like It Cool (1962). The film cost £9,000 and Winner said it made its money back in a week.

Winner went on to update Gilbert and Sullivan, writing the screenplay and directing a version of The Mikado titled The Cool Mikado (1963), starring Frankie Howerd and Stubby Kaye and which was produced by Harold Baim.

Winner's first significant project was West 11 (1963), a realistic tale of London drifters starring Alfred Lynch, Eric Portman and Diana Dors, and which was based on a script by Hall and Waterhouse.

Oliver Reed

Winner's film The System (1964), also known as The Girl-Getters, began a partnership with actor Oliver Reed that would last for six films over a 25-year period, and was based on a script by Peter Draper. Winner would later receive an offer from Columbia to direct a comedy, You Must Be Joking! (1965). It starred American actor Michael Callan and a supporting cast that included Lionel Jeffries and Denholm Elliott, while Winner also wrote the script.

Winner was reunited with Reed on The Jokers (1967), a comedy where Reed was teamed with Michael Crawford. It was based on a script by Dick Clement and Ian La Frenais from a story by Winner for his own company, Scimitar Productions (for Universal's English operations, then under Jay Kanter). The resulting movie was a popular hit.

Winner and Reed then made the comedy-drama I'll Never Forget What's'isname (1967), co-starring Orson Welles, Carol White and Harry Andrews, also for Scimitar. Draper wrote the script, which was a spoof of the advertising world, and the film was also done for Universal.

Winner did some uncredited directing on A Little of What You Fancy (1967), a documentary about the history of the British music hall. Then he and Reed made their fourth feature together, the World War II satire Hannibal Brooks (1969), again from a Clement/La Frenais script and based on a story by Winner.

20th Century Fox hired Winner to direct The Games (1970), a film about the Olympic Games and which starred Ryan O'Neal and Stanley Baker, with script by Eric Segal.

Early American films

Hannibal Brooks drew notice in Hollywood, and Winner soon received an opportunity to direct his first American film, for United Artists; this was Lawman (1971), a Western starring Burt Lancaster and Robert Duvall, and for which Gerald Wilson was the writer.

Back in England, Winner directed Marlon Brando in The Nightcomers (1971), a prequel to The Turn of the Screw by Henry James, the first of many films for which Winner was credited as editor using the pseudonym 'Arnold Crust'.

Charles Bronson

Winner edited, produced and directed Chato's Land (1972), recounting a mixed race native American fighting with white people. It starred Charles Bronson and was made for Scimitar through United Artists. Once more, Gerald Wilson wrote the script. Winner's second film for Bronson and United Artists was The Mechanic (1972), a thriller in which professional assassins are depicted. It was based on a story and script by Lewis John Carlino and Winner also edited, although he did not produce; he replaced Monte Hellman as director.

The following year, Winner cast Lancaster again in the espionage drama Scorpio (1973), co-starring Alain Delon and made for Scimitar and United Artists. Winner also produced and directed a third film with Bronson, The Stone Killer (1973), for Columbia and in collaboration with producer Dino De Laurentiis.

Death Wish

Winner and Bronson collaborated on Death Wish (1974), a film that defined the subsequent careers of both men. Based on a novel by Brian Garfield, the film generated controversy during its screenings but was one of the year's highest grossers.

Non-Bronson period

Winner tried to break out of action films with Won Ton Ton, the Dog Who Saved Hollywood (1976), an animal comedy Winner produced and directed, starring Bruce Dern, Madeline Kahn, Art Carney, and Milton Berle. Intended as a satire of Hollywood, it was a financial failure. Of modest success was his horror film The Sentinel (1977), which Winner wrote, produced and directed for Universal, and which was based on the novel by Jeffrey Konvitz.

Winner then wrote, produced and directed the remake of Raymond Chandler's novel The Big Sleep (1978), starring Robert Mitchum as Philip Marlowe with a strong support cast including John Mills, Sarah Miles, Richard Boone and Candy Clarke. The film was relocated to England, and financed by ITC Films. Also for ITC, Winner produced, edited and directed the organized crime thriller Firepower (1979). It was meant to star Bronson, who withdrew, and wound up starring Sophia Loren and James Coburn.

Reunion with Bronson/Cannon Films

By the early 1980s, Winner found himself in great need of a successful film and accepted Charles Bronson's request to film Death Wish II (1981), a sequel to the 1974 hit. Bronson had already signed a lucrative deal with Cannon Films, independent producer of exploitation fare and marginal art house titles. The sequel made a $2 million profit for Cannon films and made an extra $29 million worldwide.

The success of Death Wish II enabled Winner to raise money from Cannon for a dream project: a 1983 remake of 1945's The Wicked Lady, this time starring Faye Dunaway and which Winner wrote, produced and directed.

For Miracle Films, Winner produced and directed the thriller Scream for Help (1984). He also produced the film Claudia (1985), doing some uncredited directing and editing.

Winner was reunited with Bronson and Cannon for Death Wish 3 (1985), which – although set in New York City – was mostly filmed in London for budgetary reasons. Winner produced and edited."

Winner was also attached to direct Cannon's 1990 film Captain America, from a script by James Silke, which he would revise with Stan Hey, and then Stan Lee and Lawrence Block. By 1987, however, Winner was off the project.

Winner's final film for Cannon was an adaptation of the Agatha Christie novel Appointment with Death (1989) starring Peter Ustinov as Poirot. Winner produced, edited and directed; but despite a strong support cast including Lauren Bacall and Carrie Fisher, the film flopped.

Final British films

After Cannon Films entered bankruptcy, Winner confined himself to British productions. He produced and directed an adaptation of the Alan Ayckbourn musical play A Chorus of Disapproval (1989) with Anthony Hopkins, and also wrote the script with Ayckbourn.

Winner produced, directed and edited the Michael Caine and Roger Moore farce Bullseye! (1990), based on a story by Winner. The film's reception was generally poor, with the film being described as "appallingly unfunny" in The Radio Times Guide to Films. Later, he wrote, produced and directed Dirty Weekend (1993), starring Lia Williams; and hosted the television series True Crimes, which was cancelled in 1994.

In 1994, Winner appeared as a guest artist – alongside Joan Collins, Christopher Biggins and Marc Sinden (who in 1983 had appeared in Winner's The Wicked Lady) – in Steven Berkoff's film version of his own play Decadence.

Winner's final film as director was Parting Shots (1999), which he also wrote, produced and edited. The film was critically reviled and flopped commercially.

Other media activity

Winner was a regular panellist on BBC Radio 4's Any Questions, and later appeared on television programmes including BBC1's Question Time and BBC2's Have I Got News for You. He was also an occasional columnist for the Daily Mail throughout the 2000s, and an honorary member of BAFTA and of the Directors Guild of Great Britain. His autobiography Winner Takes All: A Life of Sorts was published by Robson Books in 2006, it largely describes his experiences with many big-screen actors. Winner also wrote a dieting book, The Fat Pig Diet Book.

Winner also featured in television commercials that he himself directed for insurance company esure between 2002 and 2009, with his trade-mark catchphrase 'Calm down, dear! It's just a commercial!' He was referred to repeatedly in the QI edition "Illness".

He was the subject of This Is Your Life in 2001 when he was surprised by Michael Aspel while dining with friends at a central London restaurant.

Winner appeared in the first series of The Apprentice UK. He agreed to participate in a charity auction, offering dinner for four and two bottles of house wine at "London's most difficult restaurant to get in," The Ivy. The experience sold for £2,600.

Personal life

Winner, with Geraldine Lynton-Edwards (red jacket), at a book signing for his autobiography

Winner became engaged to Geraldine Lynton-Edwards in 2007. They had met in 1957, when he was a 21-year-old film-maker and she was a 16-year-old actress and ballet dancer. They married on 19 September 2011 at Chelsea Town Hall, London. Michael and Shakira Caine were witnesses to the ceremony.

Winner lived in the former home of painter Luke Fildes in Holland Park, Woodland House, designed for Fildes by Richard Norman Shaw. It was announced in 2008 that Winner intended to leave his house as a museum, but discussions with Kensington and Chelsea council apparently stalled after they were unable to meet the £15 million cost of purchasing the freehold of the property, the lease of which expires in 2046.

On 1 January 2007, Winner acquired the bacterial infection Vibrio vulnificus from eating an oyster in Barbados. He almost had a leg amputated, and verged on the brink of death several times. Before recovering, Winner was infected with the 'hospital superbug' MRSA. In September 2011, he was admitted to hospital with food poisoning after eating steak tartare, a raw meat dish, four days in a row. The dish is not recommended for those with a weak immune system, and in retrospect Winner regarded his decision to eat it as 'stupid'.

Police Memorial Trust

Winner was an active proponent of law enforcement issues, and established the Police Memorial Trust in 1984. Thirty-six local memorials honouring police officers who died in the line of duty, have been erected since 1985, beginning with that of Fletcher in St. James's Square, London. The National Police Memorial, opposite St. James's Park at the junction of Horse Guards Road and The Mall, was also unveiled by Queen Elizabeth II on 26 April 2005.

In 2006, it was revealed that Winner had been offered but declined an OBE in the Queen's Birthday Honours for his part in campaigning for the Police Memorial Trust. Winner remarked: 'An OBE is what you get if you clean the toilets well at King's Cross station.' Winner subsequently alleged (on his Twitter page) that he had also turned down a knighthood.

Winner's Dinners

Winner remained prominent in British life for other reasons, including his outspoken restaurant reviews. His fame as a restaurant critic was such that, at a Cornwall cafe, an unconsumed piece of his serving of lemon drizzle cake was incorporated into the Museum of Celebrity Leftovers. Winner wrote his column, "Winner's Dinners", in The Sunday Times for more than twenty years. On 2 December 2012, he announced that he was to contribute his last review because of poor health, which had put him in hospital eight times in the previous seven months.

Interests and hobbies

Winner was an art collector, and a connoisseur of British illustration. Winner's art collection includes works by Jan Micker, William James, Edmund Dulac, E. H. Shepard, Arthur Rackham, Kay Nielsen and Beatrix Potter. His collection once included almost 200 signed colour-washed illustrations by Donald McGill.

Winner spent his free time gardening ('my garden is floodlit, so I quite often garden after midnight') or with a string of girlfriends, notably the actress Jenny Seagrove. He claimed that his life had not altered in the past 40 years: 'I do essentially the same things I did as an 18-year-old,' he said. 'I go on dates, I make films, I write. Nothing has really changed.'

Death

In an interview with The Times in October 2012, Winner said liver specialists had told him that he had between 18 months and two years to live. Winner died at his home, Woodland House in Holland Park, on 21 January 2013, aged 77. Winner was buried following a traditional Jewish funeral at Willesden Jewish Cemetery.

Filmography

(from 1967 also producer)

Shorts

Feature films

See also

In Spanish: Michael Winner para niños