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Ways to Strength and Beauty – A film about modern physical culture
Wege zu Kraft und Schönheitposter.jpg
German theatrical release poster
design: Wilhelm Tank, 1926
Directed by Wilhelm Prager
Produced by Alfred Stern, Ufa-Kulturabteilung
Written by Nicholas Kaufmann
Screenplay by
  • Wilhelm Prager
  • Nicholas Kaufmann
  • Ernst Krieger
Starring
Music by Giuseppe Becce
Cinematography
  • Friedrich Weinmann
  • Eugen Herich
  • Friedrich Paulmann
  • Jakob Schatzow (slow motion)
  • Erich Stöcker (slow motion)
Studio
  • Ufa-Kulturabteilung
  • Universum-Film Aktiengesellschaft (Ufa)
Distributed by Oefa-Film Verleih
Release date(s) 16 March 1925 (1925-03-16) (Berlin)
Running time 125 minutes
Country Germany
Language Silent film, German intertitles

Ways to Strength and Beauty (German: Wege zu Kraft und Schönheit) is a 1925 German cultural film directed by Wilhelm Prager. The 125 minute full-length silent film was produced by Ufa-Kulturabteilung of Weimar Germany. The film was first screened on 16 March 1925 and in a revised version on 11 June 1926 in the Ufa-Palast am Zoo in Berlin.

The documentary was an idealized, somewhat naive depiction of health and beauty in conformity with nature. The film offered a contrast to the rather hopeless lifestyles available in Berlin and other large cities of Germany during the 1920s and became an immediate success. It was the most popular and important German kulturfilm (cultural film) of this period.

Plot

The full-length silent film conceived in the UFA's cultural department shows sport, gymnastics and dance performances, but also the Roman bathing culture, in order to demonstrate not only intellectual education but also physical fitness based on the example of ancient gymnasiums and personal grooming. Physical exercise in the great outdoors was intended for preventive healthcare and prevent postural damage in adults caused by imbalanced seated occupations and the health promotion of children, but it was also a life-reforming (Lebensreform) alternative to the decadence of city life with anxieties, lack of exercise and tobacco consumption as well as national movement based on the model of gymnastics father Friedrich Ludwig Jahn. The film's scientific advisor was the German physician Nicholas Kaufmann, who also wrote the script. In contrast to traditional military sports, the film expressly addresses women, for example with gymnastics according to Bess Mensendieck, and shows sports training in a civilian function, for example for self-defense or rescue swimming.

Aesthetically, the film stages the human body in the style of classical antiquity by recreating numerous ancient scenarios and shows it extremely freely for the time. Studies in slow motion illustrate the muscular effect of individual exercises and movement sequences. The film features the first on-camera appearance of Leni Riefenstahl.

The film is divided into six parts with the titles:

  • Part one: The Ancient Greeks and the New Era
  • Part two: physical training for the sake of health: hygienic gymnastics
  • Part three: rhythmic gymnastics
  • Part four: the dance
  • Part five: sport
  • Part six: fresh air, sun and water

In the fifth part, numerous athletes of their time are shown, for example:

  • High jump: Leroy Brown (U.S.), 1924 Summer Olympics in Paris, 1.96 meters
  • Charlie Paddock, America's best sprinter training
  • Hubert Houben (Germany) beats the Olympic champions Paddock and Murchison (U.S.) as well as Porritt and Carr (Australia) in the 100-meter sprint
  • H.H. Meyer, America's best hurdler
  • Fencing: The Nadis' from Livorno, a family of famous fencers

In the sixth part "a good example of national leaders" like:

Film technical specifications

  • Aspect ratio: 1.33:1
  • Sound type: Silent
  • Colour type: Black and white
  • Width: 35 mm
  • Frames per second: 18
  • Length in metres: 2567
  • Length in minutes: 125
  • Reels: 6 rolls
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