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Penny Wolin Los Angeles
Penny Wolin is a famous American photographer.

Penny Wolin (born June 5, 1953) is an American portrait photographer and a visual anthropologist. This means she uses photography to study people and their cultures. Her work has been shown in solo exhibitions at the Smithsonian Institution. She has also received important grants from the National Endowment for the Humanities and the National Endowment for the Arts. Her photographs are kept in major collections, including those at Harvard University and the Smithsonian American Art Museum. Penny Wolin is known for her documentary and conceptual photos. She has worked for big companies, magazines like LIFE Magazine, and private collectors. For over 30 years, she has used photos and interviews to learn about Jewish life in America.

Early Life and Education

Penny Wolin is the youngest of five children. She grew up in a Jewish family in Cheyenne, Wyoming. Her father, Morris Aaron Wolin, came from Grodno, Russia, as a child and became a businessman. Her mother, Helen Sobol Wolin, was an artist from Denver, Colorado.

Penny started taking pictures at age 10 with a Kodak Brownie Hawkeye camera. When she was 16, her brother Michael gave her a better camera and darkroom equipment. This helped her start her photography career.

She studied at the University of Wyoming and then graduated from Art Center College of Design in Pasadena, California. There, she focused on photography and film. Later, she joined a master's program at the University of California, Los Angeles. She studied cultural anthropology with Johannes Wilbert. She also received a special fellowship to direct films at the American Film Institute.

Photography Projects

Guest Register: Hotel Life in Hollywood

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The cover of Penny Wolin's book, Guest Register.

In 1975, when Penny Wolin was 21, she moved into the St. Francis Hotel in Hollywood, California. This hotel was for people who rented single rooms. She photographed and interviewed many of the people living there. She created 34 black and white photos with parts of their stories for her project called Guest Register.

The St. Francis Hotel was on Hollywood Boulevard. It was home to all kinds of people, from those staying one night to those who had lived there for 30 years. This project helped Penny Wolin get noticed by famous graphic designers. They hired her to photograph well-known people like Ansel Adams and George Burns. Her work was also shown in a group exhibition at the Los Angeles County Museum of Art.

Descendants of Light: Jewish Photographers in America

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The cover of Descendants of Light, featuring American photographers of Jewish ancestry.

In 2005, Penny Wolin began a project called Descendants of Light: American Photographers of Jewish Ancestry. She wanted to explore how Jewish photographers have shaped photography in America since the 1850s. This includes photography in news, fashion, portraits, advertising, and fine art.

For this project, she photographed and interviewed many photographers. If a photographer had passed away, she interviewed their families. She also re-photographed old family pictures and showed one famous photo by each artist. This helped her tell a multi-generational story. It showed how American Jewish culture, modern America, and the history of photography are connected. Some famous Jewish-American photographers she featured include Annie Leibovitz, Robert Frank, and Helen Levitt.

The Jews of Wyoming: A Unique Community

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The book cover for The Jews of Wyoming: Fringe of The Diaspora.

In 1982, Penny Wolin met Shirley Burden, who helped fund the photography department at The Museum of Modern Art. With his help and two grants from the National Endowment for the Humanities, Wolin completed a big study. She spent 15 years documenting 140 years of Jewish culture in Wyoming.

Her project, The Jews of Wyoming: Fringe of The Diaspora, explored five generations of Jewish life there. It was supported by the Skirball Cultural Center in Los Angeles, California. Her work was shown in solo exhibitions at the Smithsonian Institution, the National Museum of American History, and other museums. A book with the same title was also published.

Jackalopes, Cowboys and Coalmines: Wyoming's Changing Landscape

In 1978, Penny Wolin received a grant from the National Endowment for the Arts. This allowed her to complete Jackalopes, Cowboys and Coalmines: A Photographic Survey of Wyoming. Wyoming has many natural resources like minerals and oil. This meant its economy often went through "boom or bust" periods.

During a national energy crisis, Wyoming experienced a huge energy boom. This brought big changes to the state's small, rural towns. Shopping malls and fast-food restaurants appeared. Local businesses closed, and the traditional ranching economy struggled. Working in an open-pit coal mine or on a drilling rig paid much more than tending cattle.

Penny Wolin traveled through Wyoming in every season. She photographed and interviewed both long-time residents and new arrivals. Her subjects included cowboys, oilfield roughnecks, and elected officials. The photos and stories became a traveling exhibition. They are now part of the permanent collection at the Wyoming State Museum and the Smithsonian American Art Museum.

Selected Exhibitions

Year Location Title Solo/Group
2025 Leica Gallery, New York, New York GUEST REGISTER Solo
2018 Museum of Sonoma County, Santa Rosa, California Aftermath: The Tubbs Fire Group
2017 Calabi Gallery: Santa Rosa, California Aftermath: The Tubbs Fire Group
2012 Calabi Gallery: Santa Rosa, California Descendants of Light: American Photographers of Jewish Ancestry Solo
2011 New York Public Library, New York, New York Recollection: Thirty Years of Photography Group
2000 The Osher Marin Gallery: San Rafael, California The Jews of Wyoming: Fringe of the Diaspora Solo
1995 Eiteljorg Museum, Indianapolis, Indianapolis Jackalopes, Cowboys and Coalmines: Energy Development and the Culture of the Cowboy Group
1994 National Museum of American Jewish History, Philadelphia, Pennsylvania The Jews of Wyoming: Fringe of the Diaspora Solo
1992 Smithsonian Institution, National Museum of American History, Washington, DC The Jews of Wyoming: Fringe of the Diaspora Solo
1992 Judah L. Magnes Museum, Berkeley, CA, The Jews of Wyoming: Fringe of the Diaspora Solo
1990 Skirball Cultural Center, Los Angeles, California The Jews of Wyoming: Fringe of the Diaspora Solo
1990 Wyoming State Museum, Cheyenne, Wyoming The Jews of Wyoming: Fringe of the Diaspora Solo
1984 Ucross Foundation, Ucross, Wyoming Jackalopes, Cowboys and Coalmines: Energy Development and the Culture of the Cowboy Solo
1980 Wyoming State Museum, Cheyenne, Wyoming Jackalopes, Cowboys and Coalmines: Energy Development and the Culture of the Cowboy Solo
1980 The Nicolaysen Art Museum: Casper, Wyoming Jackalopes, Cowboys and Coalmines: Energy Development and the Culture of the Cowboy Solo

Selected Photography Assignments

Penny Wolin has worked on many interesting projects for different clients:

  • Roman Vishniac Estate: Helping to restore and print photos by the famous photographer Roman Vishniac.
  • Life magazine: Taking portraits for the "American Dreamer" column, including one of author Ursula K. Le Guin.
  • Wet magazine: Creating a cover photo of Teri Garr and other pictures.
  • Discover magazine: Photographing scientist John Henry Schwarz.
  • Conde Nast Traveler: Taking photos for an article about international travel.
  • Rolling Stone magazine: Photographing music groups like The Band and actors like James Caan.
  • Esquire magazine: Taking a portrait of architect Jon Jerde.
  • Forbes magazine: Photographing business leaders like David Geffen and Eric Schmidt.
  • Sonoma Valley Film Festival: Helping to direct programs about films.
  • Wolfgang Puck Food Company: Photographing restaurant interiors.
  • Charles Schulz Museum: Taking pictures of art installations.
  • Various Wineries: Photographing for places like Peter Michael Winery and Kendall-Jackson Winery.
  • Cedars-Sinai Medical Center: Creating covers and photos for their publications.

Teaching Experience

Penny Wolin has also shared her knowledge by teaching photography and visual literacy:

Year Position Institution Course
2020–Present Adjunct Professor ArtCenter College of Design; Pasadena, California MFA Program; Visual Literacy Through the Lens
2019–Present Adjunct Professor ArtCenter College of Design; Pasadena, California Photography for Graphic Designers
2019–2022 Artist in Residence Meaningful Works Consultancy; Los Angeles, California Lens Based Visual Literacy; Analysis of Word, Image and Light
2000 Program Director Sonoma Valley Film Festival; Sonoma, California Art, Passion and Politics
1999 Program Director Sonoma Valley Film Festival; Sonoma, California Films by or about Women
1998 Instructor Academy of Art University; San Francisco, California Documentary Portraiture
1996 Instructor Art Center College of Design; Pasadena, California History of Photography
1995 Instructor Sonoma State University; Cotati, California Film Production
1990 Instructor Art Center College of Design; Pasadena, California Documentary Portraiture
1986 Instructor Art Center College of Design; Pasadena, California Portraiture
1985 Instructor California Institute of the Arts; Valencia, California Photography for Graphic Designers
1982 Instructor University of Idaho; Moscow, Idaho Documentary Photography
1970 Instructor 4-H; Cheyenne,Wyoming Kids and Cameras

What People Say About Her Work

Penny Wolin's work has received praise from many publications.

  • The New York Times Book Review called her book Guest Register "remarkable" for its gentle spirit. It showed how the people in the St. Francis Hotel were "radiant, beautiful, timelessly alive."
  • The Los Angeles Times described her Guest Register photos as "intimate portraits" that captured a past Hollywood era.
  • Kirkus Reviews said Descendants of Light was a "rich, well-documented collection" for those interested in photography and Jewish culture.
  • The Wall Street Journal noted that Penny Wolin asked Jewish photographers why they were drawn to photography for her book Descendants of Light.
  • The Washington Post praised her exhibition The Jews of Wyoming. They said her photos and interviews were "poignant and sometimes so surprising."
  • American Photographer magazine described her as a "methodical, quiet professional." They noted she is good at focusing on her subjects without letting her own ego get in the way.
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