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St Mark's Church, Swindon
Parish Church of St Mark, Swindon New Town - - 710358.jpg
St Mark's Church, Swindon, from the southeast
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OS grid reference SU 143 847
Location Church Place, Swindon, Wiltshire
Country England
Denomination Church of England
Churchmanship Traditional Catholic
(Forward in Faith)
Website St Mark. Swindon
Status Parish church
Dedication Saint Mark
Dedicated 25 April 1845
Functional status Active
Heritage designation Grade II listed
Designated 2 October 1951
Architect(s) Scott and Moffatt, Temple Moore
Architectural type Church
Style Gothic Revival
Groundbreaking 1843
Completed 1897
Spire height 140 feet (43 m)
Materials Limestone, roofed in tiles and lead
Parish Swindon New Town
Deanery Swindon
Archdeaconry Malmesbury
Diocese Diocese of Bristol
Province Province of Canterbury

St Mark's Church is in Church Place, Swindon, Wiltshire, England. It is an active Anglican parish church in the deanery of Swindon, the archdeaconry of Malmesbury, and the diocese of Bristol. Its benefice is united with those of St Aldhelm, Swindon, St Luke, Swindon, and St Saviour, Swindon, to form the benefice of Swindon New Town. The church is recorded in the National Heritage List for England as a designated Grade II listed building.


St Mark's was built to serve workers of the Great Western Railway, whose Swindon Works were nearby. George Henry Gibbs, the head of the firm of Anthony Gibbs and Sons, died in 1842, and bequeathed £500 towards building a church and a school in the town. In February 1843, the railway company appealed for contributions from the public, and a total of £6,000 (equivalent to £470,000 in 2021) was raised to build the church. The church was designed by George Gilbert Scott and William Moffatt, and built between 1843 and 1845. It was dedicated to St Mark on 25 April 1845, St Mark's Day. In 1897 Temple Moore added a north vestry.

The parish is within the Anglo-Catholic tradition of the Church of England, and rejects the ordination of women as priests and bishop. It has passed Resolutions A and B of the Priests (Ordination of Women) Measure 1993 (meaning women cannot preside at Mass at the church), and it receives Alternative Episcopal Oversight from the Bishop of Ebbsfleet (currently Jonathan Goodall SSC).



The church is constructed in limestone with roofs of tiles and lead. Its plan consists of a five-bay nave with a clerestory, a north aisle and a south aisle with a three-bay chapel, a south porch, a three-bay chancel with a south chapel and a north vestry, and a north steeple opposite the porch. It is in Decorated Gothic style. The tower is in four stages, and has a north door, angle buttresses, and two-light louvred bell openings. It is surmounted by a crocketted spire with lucarnes rising to 140 feet (43 m). At the west end of the nave is a doorway and a window with five lights containing curvilinear tracery. Along the sides of the aisles are two-light windows with tracery in varying styles. The east window in the chancel has three lights.


Inside the church, the arcades are carried on quatrefoil piers. The nave has a hammerbeam roof, and the roof of the chancel is barrel vaulted. The stained glass includes windows by Kempe. The pipe organ was built in 1922 by Jardine of Manchester. It was rebuilt in 1961 by Percy Daniel of Clevedon. In 1973 the organ was destroyed by fire and Persy Daniel replaced it with a three-manual organ moved from a redundant church in the north of England. There is a ring of eight bells. Six of these were cast in 1904 by Llewellins and James, and the other two in 1927 by Mears and Stainbank of the Whitechapel Bell Foundry.

Musical tradition

St Mark's has a long tradition of performing choral music in the style of an English cathedral. The choir sings at the weekly Parish Mass and at other services, has a repertoire of over 30 masses, and has recorded two CDs. In 1944 Benjamin Britten composed his Festival Te Deum for the centenary of the church, where it was first performed on 24 April 1945. While Mr. Britten attended the rehearsal, earlier in the day, he declined to attend the performance due to the poor quality of the performers.

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