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Colleen Moore
Colleen Moore 2.jpg
Moore in 1920
Born
Kathleen Morrison

(1899-08-19)August 19, 1899
Died January 25, 1988(1988-01-25) (aged 88)
Occupation Actress
Years active 1916–1934
Spouse(s)
John McCormick
(m. 1923; div. 1930)

Albert P. Scott
(m. 1932; div. 1934)

Homer P. Hargrave
(m. 1937; died 1964)

Paul Magenot
(m. 1983)
Relatives Walter Howey (uncle)
Signature
Colleen Moore signature - Nov 1921.png

Colleen Moore (born Kathleen Morrison; August 19, 1899 – January 25, 1988) was a famous American film actress. She started her career during the silent film era, when movies had no sound.

Colleen Moore became one of the most stylish and highest-paid stars of her time. She even helped make the bobbed haircut very popular!

Sadly, about half of her films are now lost, including her first movie with sound from 1929. Her very famous film, Flaming Youth (1923), is also mostly lost, with only a small part remaining.

Moore took a break from acting between 1929 and 1933, just as sound was being added to movies. When she returned, her four sound films in 1933 and 1934 were not very successful. After that, she stopped acting in movies for good.

After her film career, Colleen Moore kept her money safe and even grew it by making smart investments. She became a partner at a big investment company called Merrill Lynch. She later wrote a book to teach others how to invest in the stock market.

Moore also loved dollhouses her whole life. She helped design and create "The Colleen Moore Dollhouse," which has been a special exhibit at the Museum of Science and Industry in Chicago since the early 1950s. This amazing dollhouse is about 9 square feet and was valued at $7 million in 1985. About 1.5 million people visit it every year!

Early Life and Dreams

Colleen Moore was born Kathleen Morrison on August 19, 1899, in Port Huron, Michigan. She was the oldest child of Charles R. and Agnes Kelly Morrison. Her family lived in Port Huron for her early years, sometimes with her grandmother.

By 1905, her family moved to Hillsdale, Michigan, and later to Atlanta, Georgia, by 1908. They also lived briefly in Warren, Pennsylvania, before settling in Tampa, Florida, by 1911.

When she was 15, she took her first step toward Hollywood. Her uncle helped her get a screen test with director D. W. Griffith. She wanted to be like another famous actress, Lillian Gish, but instead, she often played heroines in Western movies with stars like Tom Mix.

Colleen had two big passions: dolls and movies. Both would become very important later in her life. She and her brother even made their own small theater from a piano box! Her aunts often bought her tiny furniture for her dollhouses, which she loved. Her family spent summers in Chicago, where she enjoyed baseball and visiting her Aunt Lib and her husband, Walter Howey. Walter Howey was an important newspaper editor and inspired a character in the famous play and film The Front Page.

Becoming a Star

Starting in Hollywood

Colleen Moore's journey to Hollywood began with help from her uncle, Walter Howey. He knew film producer D. W. Griffith, who owed him a favor. This helped Colleen get a chance to act.

She had to pass a special film test because she had heterochromia (one brown eye and one blue eye). They needed to make sure her eyes wouldn't look strange in close-up shots. She passed the test and moved to Hollywood with her mother and grandmother.

Colleen's first credited film was The Bad Boy in 1917. For the next few years, she played small roles, slowly gaining attention from the public. Her third film, Hands Up!, was a Western. She didn't know how to ride a horse, but her co-star Monte Blue quickly taught her the basics.

After her first film company went out of business, Colleen found work with Selig Polyscope Company. She starred in A Hoosier Romance and Little Orphant Annie. Both films were very popular and gave her a first taste of fame.

By 1919, Colleen was making a name for herself. She filmed The Wilderness Trail with Tom Mix and The Busher with John Gilbert. She also made The Man in the Moonlight and The Egg Crate Wallop.

Rising to Fame

Colleen then decided to try comedy and joined the Christie Film Company. She made films like Her Bridal Nightmare and A Roman Scandal. She also worked on other films like The Devil's Claim and His Nibs.

A director named Marshall Neilan really wanted Colleen to work for him. He succeeded and made Dinty with her in 1920. Neilan often loaned Colleen to other studios. She worked with King Vidor on The Sky Pilot and with John Barrymore on The Lotus Eater.

In 1922, Colleen Moore was named a WAMPAS Baby Star, which recognized her growing popularity. That year, she met John McCormick, a publicist who was very impressed by her. They soon got engaged.

By 1923, Colleen signed a contract with First National Pictures. Her first two films for them were The Huntress and Flaming Youth.

Colleen and John McCormick got married while Flaming Youth was being made. When Flaming Youth was released in 1923, it was a huge hit! Colleen became famous for playing a "flapper," a young woman who was fashionable and independent. However, another actress, Clara Bow, soon became the top flapper star. Colleen later said that Bow was her "chief rival."

Photoplay, January 1926
Colleen Moore on the cover of Photoplay magazine, 1926

Colleen continued to make successful films. She showed her acting range in movies like So Big, where she played a character who aged many years. She also did well in comedies like Irene.

She injured her neck while filming The Desert Flower, which stopped production for six weeks. After she recovered, she finished the film and went on a successful tour in Europe. When she returned, she signed a new, very good contract with First National because her films were so popular.

Colleen Moore photographed by Henry Freulich
Colleen Moore in 1927, showing the famous bobbed haircut she helped make popular.

Her next films included We Moderns, Irene, and Ella Cinders. In 1927, Colleen left her studio after her husband, John McCormick, quit. It's believed she did this to help him get his job back, and it worked! McCormick became her only producer. This allowed Colleen's movies to become very big and fancy.

Lilac Time was a huge World War I drama that cost a million dollars but earned it all back quickly. This success helped Colleen keep her good contract terms and her husband as her producer, even after Warner Bros. took over First National.

Colleen Moore's Fairy Castle (Dollhouse)

In 1928, Colleen Moore, with help from her father and a set designer, created an amazing dollhouse. It was 9 square feet, and its tallest tower was 12 feet high! The inside of "The Colleen Moore Dollhouse" has tiny bear skin rugs, detailed furniture, and art.

This special dollhouse has been a popular exhibit at the Museum of Science and Industry in Chicago since 1949. The museum says 1.5 million people see it every year, and it's worth about $7 million. Colleen continued to work on it and add items to it until she passed away.

This was the eighth dollhouse Colleen owned. Her first one, she wrote, grew from a cabinet that held her collection of tiny furniture.

Sound Films and Later Life

When talking pictures became popular in 1929, Colleen Moore took a break from acting. After divorcing John McCormick in 1930, she married a stockbroker named Albert Parker Scott in 1932. They lived in a beautiful home in Bel Air and supported the U.S. Olympic team.

In 1934, Colleen Moore, now divorced from Albert Parker Scott, returned to Hollywood. She appeared in three more films, but none were very successful. After that, she retired from acting for good. Her last film was The Scarlet Letter in 1934.

She later married Homer Hargrave, who was a widower. She helped raise his children, Homer Hargrave Jr. and Judy Hargrave, and stayed close to them throughout her life. Colleen never had children of her own. She also remained good friends with other silent film stars like King Vidor and Mary Pickford.

Colleen hollywood
Colleen Moore in the TV series Hollywood (1980), talking about her famous hairstyle.

In the 1960s, Colleen Moore started a television production company with King Vidor. She also wrote two books: How Women Can Make Money in the Stock Market (1969) and her autobiography, Silent Star: Colleen Moore Talks About Her Hollywood (1968). She was also a successful real estate broker in Chicago and a partner at the investment firm Merrill Lynch.

At the peak of her fame, Colleen Moore earned $12,500 per week, which was a huge amount of money back then! She was a very smart investor and stayed wealthy for the rest of her life. In her later years, she often went to film festivals and loved talking about her Hollywood career. She even appeared in the documentary series Hollywood (1980), sharing her memories of the silent film era.

Personal Life

Colleen Moore was married four times. Her first marriage was to John McCormick in 1923, and they divorced in 1930. In 1932, she married stockbroker Albert P. Scott, but they divorced in 1934.

Colleen's third marriage was to Homer Hargrave in 1936. He helped fund her famous dollhouse. She adopted his son, Homer Hargrave, Jr., and his daughter, Judy Hargrave. They were married until Homer's death in 1964. In 1982, she married Paul Magenot, and they were together until her death in 1988.

Death and Legacy

Colleen Moore passed away on January 25, 1988, at age 88 from cancer in Paso Robles, California.

For her amazing contributions to the movie industry, Colleen Moore has a star on the Hollywood Walk of Fame at 1551 Vine Street.

The famous writer F. Scott Fitzgerald once wrote about her: "I was the spark that lit up Flaming Youth, Colleen Moore was the torch." This shows how important she was to the "flapper" image of the 1920s.

Filmography

The Wall Flower (1922) - 1
Film still of Gertrude Astor, Colleen Moore, and Richard Dix from The Wall Flower (1922)
Year Title Role Preservation Status
1916 The Prince of Graustark Maid (Uncredited) Unknown/presumably lost
1917 The Bad Boy Ruth Unknown/presumably lost
An Old-Fashioned Young Man Margaret Lost
Hands Up! Marjorie Houston Lost
The Little American Nurse (uncredited) Exists
The Savage Lizette Lost
1918 A Hoosier Romance Patience Thompson Unknown/presumably lost
Little Orphant Annie Annie Exists
1919 The Busher Mazie Palmer Exists
The Wilderness Trail Jeanne Fitzpatrick Lost
The Man in the Moonlight Rosine Exists
The Egg Crate Wallop Kitty Haskell Exists
Common Property Tatyoe (Tatyana) Lost
A Roman Scandal Mary Exists
1920 The Cyclone Sylvia Sturgis Lost
Her Bridal Nightmare Mary Exists
When Dawn Came Mary Harrison Exists
The Devil's Claim Indora Exists
So Long Letty Grace Miller Exists
Dinty Doreen O'Sullivan Exists
1921 The Sky Pilot Gwen Exists
His Nibs The Girl Exists
The Lotus Eater Mavis Lost
1922 Come on Over Moyna Killiea Unknown/presumably lost
The Wampas Baby Stars of 1922 Self Unknown/presumably lost
The Wall Flower Idalene Nobbin Lost
Affinities Fanny Illington Unknown/presumably lost
Forsaking All Others Penelope Mason Unknown/presumably lost
Broken Chains Mercy Boone Exists
The Ninety and Nine Ruth Blake Incomplete
1923 Look Your Best Perla Quaranta Unknown/presumably lost
The Nth Commandment Sarah Juke Incomplete
Slippy McGee Mary Virginia Unknown/presumably lost
Broken Hearts of Broadway Mary Ellis Exists
The Huntress Bela Unknown/presumably lost
April Showers Maggie Muldoon Unknown/presumably lost
Flaming Youth Patricia Fentriss Incomplete (one reel exists)
1924 Through the Dark Mary McGinn Incomplete
Painted People Ellie Byrne Lost
The Perfect Flapper Tommie Lou Pember Exists
Flirting with Love Gilda Lamont Unknown/presumably lost
So Big Selina Peake Lost (trailer exists)
1925 Sally Sally Lost
The Desert Flower Maggie Fortune Lost
We Moderns Mary Sundale Lost
Ben-Hur Crowd extra in chariot race Exists
1926 Irene Irene Exists
Ella Cinders Ella Cinders Exists
It Must Be Love Fernie Schmidt Lost
Twinkletoes Twink "Twinkletoes" Minasi Exists
1927 Orchids and Ermine "Pink" Watson Exists
Naughty but Nice Bernice Sumners Exists
Her Wild Oat Mary Brown Exists
1928 Happiness Ahead Mary Randall Lost (trailer exists)
Oh, Kay! Lady Kay Rutfield Exists
Lilac Time Jeannine Berthelot Exists (Vitaphone music + sound effects)
1929 Synthetic Sin Betty Exists (Vitaphone music + sound effects)
Why Be Good? Pert Kelly Exists (Vitaphone music + sound effects)
Smiling Irish Eyes Kathleen O'Connor Lost (soundtrack exists)
Footlights and Fools Betty Murphy/Fifi D'Auray Lost (soundtrack exists)
1933 The Power and the Glory Sally Garner Exists
1934 Social Register Patsy Shaw Exists
Success at Any Price Sarah Griswold Exists
The Scarlet Letter Hester Prynne Exists

See also

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