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Hook
Hook poster transparent.png
Theatrical release poster by Drew Struzan
Directed by Steven Spielberg
Produced by
Screenplay by
  • Jim V. Hart
  • Malia Scotch Marmo
Story by
Starring
Music by John Williams
Cinematography Dean Cundey
Editing by Michael Kahn
Studio Amblin Entertainment
Distributed by TriStar Pictures
Release date(s) December 11, 1991 (1991-12-11)
Running time 142 minutes
Country United States
Language English
Budget $70 million
Money made $300.9 million

Hook is a 1991 American adventure film directed by Steven Spielberg and written by James V. Hart and Malia Scotch Marmo. It stars Robin Williams as Peter Banning / Peter Pan, Dustin Hoffman as Captain Hook, Julia Roberts as Tinker Bell, Bob Hoskins as Mr. Smee, and Maggie Smith as Granny Wendy. It serves as a sequel to J. M. Barrie's 1911 novel Peter and Wendy, focusing on an adult Peter Pan who has forgotten his childhood. In his new life, he is known as Peter Banning, a successful but unimaginative and workaholic lawyer with a wife (Wendy's granddaughter) and two children. However, when his old archenemy Captain Hook kidnaps his children, he returns to Neverland to save them. Along the journey, he reclaims the memories of his past and becomes a better person.

Spielberg began developing Hook in the early 1980s with Walt Disney Productions and Paramount Pictures, which would have followed the Peter Pan storyline seen in the 1924 silent film and 1953 animated Disney film. It entered pre-production in 1985, but Spielberg abandoned the project. Hart developed the script with director Nick Castle and TriStar Pictures before Spielberg decided to direct in 1989. It was shot almost entirely on sound stages at Sony Pictures Studios in Culver City, California.

Released on December 11, 1991, Hook received mixed reviews from critics, who praised the performances (particularly those of Williams and Hoffman), John Williams' musical score, and production values, but criticized the screenplay and tone. Although it was a commercial success, its box office take was lower than expected. Despite its five nominations at the 64th Academy Awards, Spielberg came to be disappointed with Hook.

Plot

Though successful San Francisco corporate lawyer Peter Banning loves his wife Moira and their children Jack and Maggie, his workaholic lifestyle has begun straining his relationship with his family. After promising to attend at least one of Jack's baseball games but missing the entire season, Peter flies with his disappointed family to London to visit Moira's grandmother, Wendy Darling. In London, Peter, Moira and Wendy attend a charity dinner in Wendy's honor at the Great Ormond Street Hospital, leaving the children with Wendy's old friend Tootles and housekeeper Liza. Upon returning, they find the house burglarized and the children missing, along with a ransom note signed by Captain James Hook. Peter involves the authorities, but they are unable to help, and Wendy insists that only he can save Jack and Maggie, as he is really Peter Pan; Peter refuses to believe her.

Later, in the nursery, he encounters Tinker Bell, who brings him to Neverland. She drops Peter into Hook's pirate haven, where he reveals himself to Smee and Hook. Surprised to see how weak and old Peter has become, Hook challenges him to fly and rescue his children, preparing to execute him when he fails. Tinker Bell intervenes and persuades Hook to release Peter instead, promising to train him for battle over the next three days and give him the fight he desires. Peter is then taken to the hideout of the Lost Boys, now led by Rufio. The boys mock Peter, but eventually recognize and train him, encouraging him to use the power of imagination to help restore his memory and abilities. One boy, Thud Butt, gives Peter an old bag of marbles belonging to former Lost Boy Tootles.

Meanwhile, Hook laments that he will not have true revenge on Peter, until Smee suggests they manipulate the Banning children into switching sides. This plan fails with Maggie, but Jack is swayed due to Peter's repeated broken promises. During a training challenge to steal Hook's prosthetic namesake, Peter witnesses Jack playing in a baseball game Hook has arranged. Dismayed to see Jack treating Hook as a father figure, Peter returns to the Lost Boys' camp with renewed determination. After seeing his shadow move independently, Peter follows it and discovers the original treehouse where Wendy and her brothers once stayed. Inside, Tinker Bell helps Peter remember how he was lost as an infant in the early 1900s, brought by her to Neverland, had many adventures, and first met the Darlings. He also recalls frequently visiting Wendy after the Darlings returned to London, until Wendy grew too old to go back. Although heartbroken, Peter then fell in love with Wendy's granddaughter Moira and chose to stay, due to his desire to become a father. He became adopted by the Bannings, but at the cost of his memories.

Recalling Jack's birth becomes the strong, happy thought that restores Peter's ability to fly, bringing him back as Peter Pan. Rufio turns his sword over to Peter in reverence and the Lost Boys celebrate. That night, Tinker Bell professes her love for Peter with a kiss. However, Peter still chooses his family and professes his own love for Moira. Although heartbroken by his rejection, Tinker Bell accepts this and encourages him to go save his children.

The next day, Peter and the Lost Boys fight Hook and his pirates. Hook's crew eventually surrenders, but Rufio duels Hook and is fatally wounded. With his dying breath, Rufio tells Peter he wishes he had a father like him. Jack, witnessing this, comes to his senses and reconciles with Peter. In the ensuing fight, Peter defeats Hook, who is devoured by the reanimated corpse of the taxidermied Crocodile. Tinker Bell takes Jack and Maggie back to London, and Peter appoints Thud Butt as his successor.

Peter awakens in Kensington Gardens. Tinker Bell appears and bids a tearful farewell to Peter before departing. Reuniting with his family at Wendy's house, Peter decides to devote more time to them. He also returns Tootles' bag of marbles; Tootles joyfully sprinkles himself with pixie dust from it and flies away. As the family watches Tootles return to Neverland, Wendy remarks to Peter that his adventures are truly over; Peter counters that "to live would be an awfully big adventure".

Cast

  • Dustin Hoffman as Captain Hook
  • Robin Williams as Peter Banning / Peter Pan
    • Ryan Francis as preteen Peter Pan
    • Max Hoffman as young Peter Pan
    • Matthew Van Ginkel as baby Peter Pan
  • Julia Roberts as Tinker Bell
    • Lisa Wilhoit as Tinker Bell in a flashback in which Peter is a baby
  • Bob Hoskins as Smee / Sweeper in Kensington Gardens
  • Maggie Smith as Wendy Darling
  • Charlie Korsmo as Jack Banning, Peter and Moira's son
  • Amber Scott as Maggie Banning, Peter and Moira's daughter
  • Caroline Goodall as Moira Banning, Peter's wife and Jack and Maggie's mother
  • Dante Basco as Rufio
  • Jasen Fisher as Ace
  • Raushan Hammond as Thud Butt
  • Isaiah Robinson as Pockets
  • James Madio as Don't Ask
  • Arthur Malet as Tootles
  • Laurel Cronin as Liza, Granny Wendy's maid
  • Phil Collins as Inspector Good
  • Alex Zuckerman as Latchboy
  • Thomas Tulak as Too Small
  • Ahmad Stoner as No Nap

In addition, a number of celebrities and family members made brief credited and uncredited cameos in the film: musicians David Crosby and Jimmy Buffett, Oscar-nominated actress Glenn Close, and former boxer Tony Burton appear as members of Hook's pirate crew; Star Wars director George Lucas and actress Carrie Fisher play the kissing couple sprinkled with pixie dust; two of Hoffman's children, Jacob and Rebecca, both under 10 years old during filming, briefly appeared in scenes in the "normal" world; and screenwriter Jim Hart's 11-year-old son Jake (who years earlier inspired his father with the question, "What if Peter Pan grew up?") plays one of Pan's Lost Boys.

Production

Inspiration

Spielberg found a close personal connection to Peter Pan's story from his own childhood. The troubled relationship between Peter and Jack in the film echoed Spielberg's relationship with his own father. Previous Spielberg films that explored a dysfunctional father-son relationship included E.T. the Extra-Terrestrial and Indiana Jones and the Last Crusade. Peter's "quest for success" paralleled Spielberg starting out as a film director and transforming into a Hollywood business magnate. "I think a lot of people today are losing their imagination because they are work-driven. They are so self-involved with work and success and arriving at the next plateau that children and family almost become incidental. I have even experienced it myself when I have been on a very tough shoot and I've not seen my kids except on weekends. They ask for my time and I can't give it to them because I'm working." Like Peter at the beginning of the film, Spielberg has a fear of flying. He feels that Peter's "enduring quality" in the storyline is simply to fly. "Anytime anything flies, whether it's Superman, Batman, or E.T., it's got to be a tip of the hat to Peter Pan," Spielberg reflected in a 1992 interview. "Peter Pan was the first time I saw anybody fly. Before I saw Superman, before I saw Batman, and of course before I saw any superheroes, my first memory of anybody flying is in Peter Pan."

Pre-production

The genesis of the film started when Spielberg's mother often read him Peter and Wendy as a bedtime story. He explained, in 1985, "When I was 11 years old I actually directed the story during a school production. I have always felt like Peter Pan. I still feel like Peter Pan. It has been very hard for me to grow up, I'm a victim of the Peter Pan syndrome."

In the early 1980s, Spielberg began to develop a film with Walt Disney Pictures that would have closely followed the storyline of the 1924 silent film and 1953 animated film. He also considered directing it as a musical with Michael Jackson in the lead. Jackson expressed interest in the part, but was not interested in Spielberg's vision of an adult Peter Pan who had forgotten about his past. The project was taken to Paramount Pictures, where James V. Hart wrote the first script with Dustin Hoffman already cast as Captain Hook. It entered pre-production in 1985 for filming to begin at sound stages in England. Elliot Scott had been hired as production designer. With the birth of his first son, Max, in 1985, Spielberg decided to drop out. "I decided not to make Peter Pan when I had my first child," Spielberg commented. "I didn't want to go to London and have seven kids on wires in front of blue screens. I wanted to be home as a dad." Around this time, he considered directing Big, which carried similar motifs and themes with it. In 1987, he "permanently abandoned" it, feeling he expressed his childhood and adult themes in Empire of the Sun.

Meanwhile, Paramount and Hart moved forward on production with Nick Castle as director. Hart began to work on a new storyline when his son, Jake, showed his family a drawing. "We asked Jake what it was and he said it was a crocodile eating Captain Hook, but that the crocodile really didn't eat him, he got away," Hart reflected. "As it happens, I had been trying to crack Peter Pan for years, but I didn't just want to do a remake. So I went, 'Wow. Hook is not dead. The crocodile is. We've all been fooled'. In 1986, our family was having dinner and Jake said, 'Daddy, did Peter Pan ever grow up?' My immediate response was, 'No, of course not'. And Jake said, 'But what if he did?' I realized that Peter did grow up, just like all of us baby boomers who are now in our forties. I patterned him after several of my friends on Wall Street, where the pirates wear three-piece suits and ride in limos."

Many fans believed Tom Hanks was Spielberg's original choice for the role of Peter Pan. Hanks himself has debunked that rumour.

Joseph Mazzello auditioned for the role of Jack Banning, he was turned down because he was deemed too young for the role. Mazzello was later cast as Tim Murphy in Jurassic Park.

Filming

By 1989, Ian Rathbone changed the title to Hook, and took it from Paramount to TriStar Pictures, headed by Mike Medavoy, who was Spielberg's first talent agent. Robin Williams signed on, but he and Hoffman had creative differences with Castle. Medavoy saw the film as a vehicle for Spielberg and Castle was dismissed, but paid a $500,000 settlement. Dodi Fayed, who owned certain rights to make a Peter Pan film, sold his interest to TriStar in exchange for an executive producer credit. Spielberg briefly worked together with Hart to rewrite the script before hiring Malia Scotch Marmo to rewrite Captain Hook's dialog and Carrie Fisher for Tinker Bell's. The Writers Guild of America gave Hart and Marmo screenplay credit, while Hart and Castle were credited with the story. Fisher went uncredited. Filming began on February 19, 1991, occupying nine sound stages at Sony Pictures Studios in Culver City, California. Stage 30 housed the Neverland Lost Boys playground, while Stage 10 supplied Captain Hook's ship cabin. Hidden hydraulics were installed to rock the set-piece to simulate a swaying ship, but the filmmakers found the movement distracted the dialogue, so the idea was dropped.

Stage 27 housed the full-sized Jolly Roger and the surrounding Pirate Wharf. Industrial Light & Magic provided the visual effects sequences. This marked the beginning of Tony Swatton's career, as he was asked to make weaponry for the film. It was financed by Amblin Entertainment and TriStar Pictures, with TriStar distributing it. Spielberg brought on John Napier as a "visual consultant", having been impressed with his work on Cats. The original production budget was set at $48 million, but ended up between $60–80 million. The primary reason for the increased budget was the shooting schedule, which ran 40 days over its original 76-day schedule. Spielberg explained, "It was all my fault. I began to work at a slower pace than I usually do."

Spielberg's on-set relationship with Julia Roberts was troubled, and he later admitted in an interview with 60 Minutes, "It was an unfortunate time for us to work together." In a 1999 Vanity Fair interview, Roberts said that Spielberg's comments "really hurt my feelings." She "couldn't believe this person that I knew and trusted was actually hesitating to come to my defense... it was the first time that I felt I had a turncoat in my midst."

Soundtrack

Hook (Original Motion Picture Soundtrack)
Film score by
Released November 26, 1991 (1991-11-26) (original)
March 27, 2012 (2012-03-27) (reissue)
Length 75:18 (original)
140:34 (reissue)
Label Epic Soundtrax (original)
La-La Land Records (reissue)
John Williams chronology
Home Alone
(1990)
Hook (Original Motion Picture Soundtrack)
(1991)
JFK
(1991)

The film score was composed and conducted by John Williams. He was brought in at an early stage when Spielberg was considering making the film as a musical. Williams wrote around eight songs with lyricist Leslie Bricusse for the project at this stage. Williams and Bricusse finalized it to five songs. Several of these songs were recorded and some musical segments were even filmed. Julie Andrews recorded one song, "Childhood", at the Sony Pictures Studios so that Maggie Smith could lip-sync it on set; it was meant to be sung by Granny Wendy to her grandchildren in their bedroom. Two additional songs, "Stick with Me" and "Low Below", performed by Dustin Hoffman and Bob Hoskins, respectively, were also rehearsed. These three songs were ultimately cut from the film, and instead were incorporated into the instrumental score. Two remaining songs survive in the finished film: "We Don't Wanna Grow Up" and "When You're Alone", both with lyrics by Bricusse. The track called "Prologue" as made appearances in trailers for Matilda, another film by TriStar.

The original 1991 issue was released by Epic Soundtrax. In 2012, a limited edition of the soundtrack, called Hook: Expanded Original Motion Picture Soundtrack, was released by La-La Land Records and Sony Music. It contains almost the complete score with alternates and unused material. It also contains liner notes that explain the film's production and score recording.

Commercial songs from the film, but not on the soundtrack

Video games

A video game based on the film and bearing the same name was released for the Super Nintendo Entertainment System in 1991. The game was released for additional game consoles in 1992. Another game was released for PC and Commodore Amiga, and is a Point and Click adventure game.

See also

  • List of films featuring miniature people
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