Montague Summers facts for kids

Quick facts for kids Montague Summers
Montague Summers c. early 1920s.
Born	Augustus Montague Summers (1880-04-10)10 April 1880 Clifton, Bristol, England
Died	10 August 1948(1948-08-10) (aged 68) Richmond, Surrey, England
Resting place	Richmond Cemetery
Pen name	Reverend Alphonsus Joseph-Mary Augustus Montague Summers
Occupation	Author and clergyman
Nationality	British
Alma mater	Trinity College, Oxford
Subject	Restoration comedy, Gothic fiction, the occult
Notable works	The History of Witchcraft and Demonology (1926); translation of the Malleus Maleficarum (1928); The Vampire: His Kith and Kin (1928); The Werewolf (1933)

Augustus Montague Summers (10 April 1880 – 10 August 1948) was an English author, clergyman, occultist, and teacher. He initially prepared for a career in the Church of England at Oxford and Lichfield, and was ordained as an Anglican deacon in 1908. He then converted to Roman Catholicism and began styling himself as a Catholic priest. He was, however, never affiliated with any Catholic diocese or religious order, and it is doubtful that he was ever actually ordained to the priesthood. He was employed as a teacher of English and Latin while independently pursuing scholarly work on the English drama of the 17th century. The latter earned him election to the Royal Society of Literature in 1916.

Noted for his eccentric personality and interests, Summers became a well known figure in London society as a result of the publication of his History of Witchcraft and Demonology in 1926. That work was followed by other studies on witchcraft, vampires, and werewolves, in all of which he professed to believe. Summers also produced a modern English translation, published in 1929, of the 15th-century witch hunter's manual, the Malleus Maleficarum. He has been characterized as "arguably the most seminal twentieth century purveyor of pop culture occultism."

Early life

Montague Summers was the youngest of the seven children of Augustus William Summers, a rich banker and justice of the peace in Clifton, Bristol. Montague was educated at Clifton College. Early on, he rebelled against his father's evangelical, low church religiosity, embracing instead a ritualistic Anglo-Catholicism.

In 1899, Summers entered Trinity College, Oxford as a student of theology. Although an avid reader and Latinist, Summers neglected his official studies. In 1904 he received a fourth-class Bachelor of Arts (BA) degree, promoted in 1906 to a Master of Arts (MA) degree, as per the custom of the University of Oxford. Summers then continued his religious training at Lichfield Theological College with the intention of becoming a priest in the Church of England.

Summers self-published his first book, Antinous and Other Poems, in 1907. Its contents reflected the influence of the literary Decadent movement while showcasing Summers' own preoccupations with medievalism, Catholicism, and the occult. Summers was ordained as deacon in 1908 and worked as a curate in Bath and Bitton, near Bristol. He never proceeded to higher orders, however.

Conversion to Catholicism

In 1909, Summers converted to Catholicism and began studying for the Catholic priesthood at St John's Seminary, Wonersh, receiving the clerical tonsure on 28 December 1910. After 1913 he styled himself as the "Reverend Alphonsus Joseph-Mary Augustus Montague Summers" and acted as a Catholic priest, even though he was never a member of any Catholic order or diocese. Whether he was actually ordained as a priest is disputed.

According to some sources, Summers had transferred from the seminary in Wornesh to the Diocese of Nottingham, but the local bishop refused to ordain him after receiving incriminating reports of Summers' prior conduct. Other sources claim that Summers travelled to Continental Europe and was ordained there by Cardinal Mercier in Belgium or by Archbishop Guido Maria Conforti in Italy. According to yet another version of events, Summers was ordained as a priest by Ulric Vernon Herford, the self-styled "Bishop of Mercia" and one of several episcopi vagantes ("wandering bishops") operating in Britain at the time.

Work as a teacher

From 1911 to 1926 Summers found employment as a teacher of English and Latin. Among other posts, he was an assistant master at the Junior School of the Central School of Arts and Crafts in Holborn. In 1922, he became senior English master at Brockley County School in south-east London. Despite his eccentric appearance and habits, he was apparently a successful and well-respected teacher. Summers gave up teaching in 1926, after the success of his first book on witchcraft allowed him to adopt writing as his full-time occupation.

Literary scholarship

While employed as a schoolmaster and with the encouragement of Arthur Henry Bullen of the Shakespeare Head Press, Summers established himself as an independent scholar specializing on the dramatic literature of the Stuart Restoration. Summers successively edited the plays of Aphra Behn, William Congreve, William Wycherley, Thomas Otway, Thomas Shadwell, and John Dryden. He also helped to create a new society called "The Phoenix" that performed those neglected works. Summers' work on the theatre of the Restoration earned him election as fellow of the Royal Society of Literature in 1916.

Several decades after his death, literary critic and historian Robert D. Hume characterized Montague Summers' scholarship on Restoration drama as pioneering and useful, but also as marred by sloppiness, eccentricity, uncritical deference to Sir Edmund Gosse and other similar gentlemen-amateurs, and even occasional dishonesty. Hume judged Summers' studies on The Restoration Theatre (1934) and The Playhouse of Pepys (1935) to be particularly fruitful sources. In his own day, Summers' credibility among university-based scholars was adversely impacted by the acrimonious disputes in which he engaged with others working in the same field.

The other major focus of Summers' literary scholarship was Gothic fiction. He edited three collections of Gothic horror short stories, as well as an incomplete edition of two of the seven obscure Gothic novels, known as the "Northanger Horrid Novels", that Jane Austen mentioned in her Gothic parody novel Northanger Abbey. He was instrumental in rediscovering those lost works, which some had supposed were inventions of Jane Austen herself. He also published biographies of Austen and Ann Radcliffe, a writer of Gothic fiction. Summers' Gothic Bibliography, published in 1940, has been characterized as "flawed but useful."

Summers compiled three anthologies of supernatural stories, The Supernatural Omnibus, The Grimoire and other Supernatural Stories, and Victorian Ghost Stories. He has been described as "the major anthologist of supernatural and Gothic fiction" in the 1930s.

He also edited the poetry of Richard Barnfield, a contemporary of Shakespeare. Summers' introduction to his 1936 edition of Barnfield's poems stressed the homosexual theme of some of those works, particularly The Affectionate Shepherd.

The occult

From 1916 onwards, Summers regularly published articles in popular occult periodicals, including The Occult Review and the Spiritualist periodical Light. In 1926 his work on The History of Witchcraft and Demonology appeared as part of the series on "History of Civilization" published by Kegan Paul and edited by Charles Kay Ogden.

The book sold well and attracted considerable attention in the press. That success made Summers "something of a social celebrity" and allowed him to give up teaching and write full time. In 1927 a companion volume, The Geography of Witchcraft, also appeared in Ogden's "History of Civilization" series.

In 1928, Summers published the first English translation of Heinrich Kramer's Malleus Maleficarum ("The Hammer of Witches"), a 15th-century Latin manual on the hunting of witches. In his introduction, Summers insists that the reality of witchcraft is an essential part of Catholic doctrine and declares the Malleus an admirable and correct account of witchcraft and of the methods necessary to combat it. In fact, however, the Catholic authorities of the 15th century had condemned the Malleus on both ethical and legal grounds. Other Catholic scholars contemporary with Summers were also highly critical of the Malleus. For instance, the Rev. Herbert Thurston's article on "Witchcraft" for the Catholic Encyclopedia of 1912, refers to the publication of the Malleus as a "disastrous episode."

After his first works on witchcraft were published, Summers turned his attention to vampires, producing The Vampire: His Kith and Kin (1928) and The Vampire in Europe (1929), and later to werewolves with The Werewolf (1933). In 1933, copies of Summers' translations of The Confessions of Madeleine Bavent and of Ludovico Maria Sinistrari's Demoniality were seized by the police. The publisher, Reginald Caton, was convicted and the unsold copies destroyed.

Relations with the Catholic Church

Summers presented himself as an uncompromising defender of Catholic orthodoxy, but none of his books on religious subjects was ever published with the approval of Catholic authorities (see nihil obstat and imprimatur). His work on witchcraft attracted very negative comment from an important Catholic scholar, the Jesuit Herbert Thurston, who wrote in 1927 that

Nothing could serve Satan’s purpose better than that the Catholic Church, his most uncompromising opponent, should be identified once more with all the extravagant beliefs and superstitions of the witch mania [...] It really plays into his hands; first, because it makes the Church ridiculous by attributing to her a teaching flagrantly in conflict with sanity and common sense; and, secondly, because it is associated with stories of all sorts of nastiness which feed a prurient curiosity under cloak of supplying scientific information.

Father Thurston also called attention to the fact that Summers did not figure in any register as either an Anglican or a Catholic priest, but was instead a literary figure with distinctly Decadent tastes. According to Bernard Doherty, Thurston may have been concerned that Summers' writings on witchcraft could have been a "mystification" akin to the Taxil hoax of the 1890s, intended to bring ridicule upon the Catholic Church. Thurston challenged Summers to show to the public that he was really an ordained priest, which Summers failed to do. In 1938 another prominent English Catholic, Mons. Ronald Knox, angrily objected to having his own essay on G. K. Chesterton published in a collection on Great Catholics edited by Fr. Claude Williamson, after Knox learned that the book would also include an essay on John Dryden by Montague Summers.

In the early 1930s, Summers acted as a private chaplain to Mrs. Ermengarde Greville-Nugent (also known as "Ermengarda"), who was a Catholic convert and neo-Jacobite, founder of the Society of King Charles the Martyr. She was the widow of Patrick Greville-Nugent, whose father was the Anglo-Irish aristocrat and politician Lord Greville. Both her only daughter and her husband had died insane, and Mrs. Greville-Nugent had been convicted of fraud in 1928 for having obtained money to maintain her elegant lifestyle by writing deceptive begging letters to people whose names had appeared in the newspapers as recent beneficiaries of wills. The Catholic Bishop of Southwark, Peter Amigo, excommunicated Mrs. Greville-Nugent for allowing Summers to celebrate mass in the private oratory at Kingsley Dene, her home in Dulwich.

Death

Montague Summers died at his home in Richmond, Surrey in August 1948. The Catholic rector of St Elizabeth of Portugal Church refused a public requiem mass, but allowed instead a private graveside ceremony. Summers' grave in Richmond Cemetery was unmarked until the late 1980s, when Sandy Robertson and Edwin Pouncey organised the Summers Project to garner donations for a gravestone. It now bears his favoured phrase "tell me strange things".

Summers bequeathed his estate and papers to his long-time personal secretary and companion Hector Stuart-Forbes, who was later buried in the same plot as Summers. An autobiography of Summers was published posthumously in 1980 as The Galanty Show, though it left much unrevealed about the author's life. In the 2000s, many of Summers' personal papers were re-discovered in Canada, where they had been kept by members of Stuart-Forbes's family. A collection of Summers' papers is now at the Georgetown University library.

Works

Books on the occult

• The History of Witchcraft and Demonology, 1926 (reprinted ISBN: 9780415568746)
• The Geography of Witchcraft, 1927 (reprinted ISBN: 0-7100-7617-7)
• The Vampire, His Kith and Kin: A Critical Edition, 1928 [2011] (reprinted by Senate in 1993 as simply The Vampire; reprinted with alternate title: Vampires and Vampirism ISBN: 0-486-43996-8), edited by John Edgar Browning
• The Vampire in Europe: A Critical Edition, 1929 [2011] (reprinted ISBN: 0-517-14989-3) (reprinted with alternate title: The Vampire in Lore and Legend ISBN: 0-486-41942-8), edited by John Edgar Browning
• The Werewolf, 1933 (reprinted with alternate title: The Werewolf in Lore and Legend ISBN: 0-486-43090-1)
• A Popular History of Witchcraft, 1937
• Witchcraft and Black Magic, 1946 (reprinted ISBN: 1-55888-840-3, ISBN: 0-486-41125-7)
• The Physical Phenomena of Mysticism, 1947

Poetry and drama

• Antinous and Other Poems, 1907
• William Henry (play), 1939, unpublished
• Piers Gaveston (play), 1940, unpublished

Fiction anthologies edited by Summers

• The Grimoire and Other Supernatural Stories, 1936
• The Supernatural Omnibus, 1947

Other books

• St. Catherine of Siena, 1903
• Lourdes, 1904
• A Great Mistress of Romance: Ann Radcliffe, 1917
• Jane Austen, 1919
• St. Antonio-Maria Zaccaria, 1919
• Essays in Petto, 1928
• Architecture and the Gothic Novel, 1931
• The Restoration Theatre, 1934
• The Playhouse of Pepys, 1935
• The Gothic Quest: a History of the Gothic Novel 1938
• A Gothic Bibliography 1941 (copyright 1940)
• Six Ghost Stories (1938, not published until October 2019)
• The Bride of Christ and other fictions (posthumous, 2019)

As editor or translator

• Works of Mrs. Aphra Behn, 1915
• Complete Works of Congreve, 1923
• Complete Works of Wycherley, 1924
• The Castle of Otranto by Horace Walpole, 1924
• The Complete Works of Thomas Shadwell, 1927
• Covent Garden Drollery, 1927
• Horrid Mysteries by the Marquis de Grosse 1927 (part of an incomplete edition of the Northanger Horrid Novels).
• The Necromancer; or, The Tale of the Black Forest by 'Ludwig Flammenberg' 1927 (part of an incomplete edition of the 'Northanger Horrid Novels').
• Demoniality by Ludovico Maria Sinistrari, 1927
• The Malleus Maleficarum of Heinrich Kramer and Jacob Sprenger, 1928
• The Discovery of Witches, 1928 by Matthew Hopkins (reprinted ISBN: 0-404-18416-2)
• Compendium Maleficarum by Francesco Maria Guazzo, translated by E.A. Ashwin, 1929
• Demonolatry by Nicolas Remy, translated by E.A. Ashwin, 1930
• The Supernatural Omnibus, 1931 (reprinted ISBN: 0-88356-037-2)
• Dryden: The Dramatic Works, 1931-32
• Victorian Ghost Stories, 1936
• The Poems of Richard Barnfield, 1936
• The Complete Works of Thomas Otway, 1936
• Gothic Bibliography, 1940