Noboru Ishiguro facts for kids
Quick facts for kids
Noboru Ishiguro
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石黒 昇 | |
![]() Ishiguro at Otakon 2009
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Born | Tokyo, Japan
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24 March 1938
Died | 20 March 2012 Saiwai, Kawasaki, Japan
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(aged 73)
Occupation |
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Years active | 1958–2012 |
Known for | Founder of Artland |
Notable work
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Space Battleship Yamato series, Super Dimension Fortress Macross, Megazone 23 and Legend of the Galactic Heroes series |
Spouse(s) | Yumi Ishiguro |
Noboru Ishiguro (石黒 昇, Ishiguro Noboru, August 24, 1938 – March 20, 2012) was a famous Japanese anime director, anime producer, and animator. He was also the person who started and led the animation studio Artland.
Ishiguro was a very active anime director in Japan, starting in the 1970s. Some of his most well-known works include Space Battleship Yamato, Super Dimension Fortress Macross, Megazone 23, and Legend of the Galactic Heroes. He was known for letting talented people take important roles, no matter how much experience they had.
For shows like Super Dimension Fortress Macross and Megazone 23, he chose young artists. Many of these artists, like Haruhiko Mikimoto and Hideaki Anno, became very famous in Japanese animation later on. They worked together at Artland for about three years.
Ishiguro became interested in animation after watching Disney's movie Sleeping Beauty. He was especially good at creating effects animation, which makes things like explosions or water look realistic. In Space Battleship Yamato, his effects work made the show very special. He taught these skills to other animators, influencing many future works.
Ishiguro also loved music, especially classical music. He was one of the few directors who could read music notes. This skill helped him get involved in the Space Battleship Yamato project. He also used classical music in the exciting space battles of Legend of the Galactic Heroes. He was a big fan of science fiction, and his ideas helped make Space Battleship Yamato's visuals amazing.
Contents
Noboru Ishiguro's Journey in Anime
Early Life and Starting in Manga
Noboru Ishiguro started drawing manga when he was in elementary school. He was inspired by Osamu Tezuka's Shin Takarajima. He even became a professional manga artist for rental manga in 1956, when he was in high school. He also loved watching movies during this time.
In 1957, he went to Nihon University to study cinema. He stopped drawing manga because a new style called gekiga became popular. After that, he played in a Hawaiian music band with his friends. At the same time, he made his own independent animation films in college. He also often visited the studio of his idol, Osamu Tezuka. He studied at the university for seven years and became an animator in 1964.
Becoming an Animator and Director
Ishiguro joined an animation studio called Televi Dōga. He then worked at other studios and eventually became a freelance director and storyboard artist. He helped create his own animation companies, but they didn't last.
In 1974, Ishiguro became the animation director for the TV series Space Battleship Yamato. This show was a huge success and changed the world of science fiction and Japanese animation. It was so popular that it was made into a movie and had sequels.
Founding Artland and Big Hits
Ishiguro started his own animation studio, Artland, in September 1978. He began it by renting a room for animators to stay in when they worked late.
In 1982, Ishiguro was the main director for the TV series Super Dimension Fortress Macross. This was another huge hit that made history in Japanese animation. Artland helped produce Macross alongside other studios.
In 1985, Ishiguro and Artland created Megazone 23. This project was special because Ishiguro wanted to create an original story. It became a big hit as an OVA (Original Video Animation), which means it was made directly for home video. Even though it was successful, Artland didn't make much money from it due to business issues. This made Ishiguro feel disappointed with producing his own works.
Later Years and Legacy
In 1988, Artland began working on the OVA series Legend of the Galactic Heroes, with Ishiguro as director. This series became very popular and ran for 12 years, which is a very long time for an OVA. This project helped Artland's financial situation.
In 2000, Artland's studio had a fire, but luckily, most of their work was digital, so they didn't lose everything.
Around 2005, Ishiguro started to feel less excited about the anime industry because it focused more on character sales. However, working on the TV series Mushishi brought back his passion.
In 2006, Artland became part of a larger company called Marvelous Entertainment. Ishiguro stayed as president and felt relieved from the stress of running the studio alone. Artland became very successful, producing three TV series at once.
Noboru Ishiguro passed away on March 20, 2012, due to a lung infection. He left behind a huge impact on the anime world, known for his amazing works and for helping many young animators become successful.
Noboru Ishiguro's Works
Year | Title | Format | Studio | Role | Notes |
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1963 | Gigantor | TV series | TJC | Inbetweening | Worked part-time. |
1964 | O-sen Hayato | TV series | P Productions | Inbetweening | Worked part-time. |
1965 | Kaitō Pride | TV series | Televi Dōga | Inbetweening, key frame | His first professional work. |
1965 | Astro Boy | TV series | Mushi Production | Key frame | |
1966 | Hang On! Marine Kid | TV series | Televi Dōga | Key frame, episode director | |
1967-1968 | Golden Bat | TV series | Dai-ichi Dōga | Episode director | |
1968-1971 | Star of the Giants | TV series | Tokyo Movie | Key frame | |
1968-1969 | The Monster Kid | TV series | A Production, Studio Zero | Episode director | |
1968-1969 | Sabu to Ichi Torimono Hikae | TV series | Mushi Production, Tōei Dōga, Studio Zero | Episode director | |
1969 | Sobakasu Pucchi | TV series | Fuji TV Enterprise | Script | |
1969 | Umeboshi Denka | TV series | A Production, Studio Zero | Episode director | |
1969 | Dororo | TV series | Mushi Production | Episode director | |
1969-1970 | Pinch & Punch | TV series | Fuji TV Enterprise | Script | |
1969-1970 | Moomin | TV series | A Production, Mushi Production | Episode director | |
1970 | Chippo the Mischievous Angel | TV series | Dai-ichi Dōga | Script | |
1970-1971 | Ashita no Joe | TV series | Mushi Production | Episode director, storyboards | |
1971 | Andersen Monogatari | TV series | Mushi Production | Episode director | |
1971 -1972 | Tensai Bakabon | TV series | A Production | Storyboards | |
1971-1972 | Kunimatsu-sama no Otoridai! | TV series | Mushi Production | Episode director | |
1972 | New Moomin | TV series | Mushi Production | Episode director | |
1972-1973 | Akadō Suzunosuke | TV series | A Production | Storyboards | |
1972-1974 | The Gutsy Frog | TV series | A Production | Storyboards | |
1973 | Jungle Kurobe | TV series | A Production | Storyboards | |
1973 | Doraemon | TV series | Nippon TV Dōga | Storyboards | |
1973 | Little Wansa | TV series | Mushi Production | Episode director, storyboards | |
1973-1974 | Kōya no Shōnen Isamu | TV series | A Production | Storyboards | |
1973-1974 | Zero Tester | TV series | Sunrise | Storyboards | |
1973-1974 | Karate Master | TV series | A Production | Storyboards | |
1973-1974 | Aim for the Ace! | TV series | A Production | Storyboards | |
1973-1974 | Samurai Giants | TV series | A Production | Storyboards | |
1974-1975 | Vicky the Viking | TV series | Zuiyo, Nippon Animation | Episode director | |
1974 | Hoshi no Ko Chobin | TV series | Studio Zero | Storyboards for all episodes | |
1974–1975 | Tamageta kun | TV series | Studio Zero | Animation director, episode director | |
1974 | Space Battleship Yamato Pilot | Television pilot | Office Academy | Storyboards | |
1974-1975 | Space Battleship Yamato | TV series | Office Academy | Animation director, episode director for all episodes, storyboards | He helped the manga artist Leiji Matsumoto with the actual directing. |
1975-1994 | Manga Nihon Mukashi Banashi | TV series | Group TAC | Episode director | |
1975-1976 | Arabian Nights: Sinbad's Adventures | TV series | Nippon Animation | Storyboards | |
1975-1977 | Grendizer | TV series | Tōei Dōga | Storyboards | |
1976-1977 | Chōdenji Robo Combattler V | TV series | Tohokushinsha, Soeisha | Storyboards | |
1976-1977 | Little Lulu and Her Little Friends | TV series | Nippon Animation | Storyboards | |
1976-1979 | Dokaben | TV series | Nippon Animation | Storyboards | |
1976-1979 | Manga Sekai Mukashi Banashi | TV series | Madhouse | Episode director | |
1976-1977 | Robokko Beaton | TV series | Soeisha | Episode director, storyboards | |
1977-1979 | Yatterman | TV series | Tatsunoko Production | Episode director | |
1977 | Jetter Mars | TV series | Tōei Dōga, Madhouse | Episode director | |
1977 | Space Battleship Yamato | Feature film | Office Academy | Animation director | |
1977 | Glacier Warrior Gaislugger | TV series | Tokyo Movie | Chief Director, Episode Director | |
1977-1978 | Temple the Balloonist | TV series | Tatsunoko Production | Episode director | |
1977-1980 | Lupin the 3rd Part II | TV series | Tokyo Movie | Episode director, storyboards | |
1977–1978 | Manga Nihon Emaki | TV series | World Television | Supervising director | |
1978 | Future Boy Conan | TV series | Nippon Animation | Storyboards | |
1978 | Farewell to Space Battleship Yamato | Feature film | Tōei Dōga | Technical director | He helped with the animation process. |
1978–1979 | Space Battleship Yamato II | TV series | Academy Seisaku | Animation director, episode director for all episodes, storyboards | He helped the busy Matsumoto with directing. |
1978-1981 | Galaxy Express 999 | TV series | Tōei Dōga | OP key frame | |
1978-1979 | Captain Future | TV series | Tōei Dōga | Storyboards | |
1979-1980 | The Ultraman | TV series | Sunrise | Storyboards | |
1979 | Yamato: The New Voyage | Television film | Artland | Technical director | He helped the producer who took over as director. |
1980 | Ganbare Gonbe | TV series | Tsuchida Production | Storyboards | |
1980 | Phoenix 2772 | Feature film | Tezuka Productions | Animation director | |
1980–1981 | Astro Boy | TV series | Tezuka Productions | Director, script, storyboards | |
1981-1987 | Ninja Hattori-kun | TV series | Shin-Ei Animation | Script, storyboards | |
1982 | Thunderbirds 2086 | TV series | Green Box, AIC | Supervisor, Script | |
1982–1983 | Super Dimension Fortress Macross | TV series | Tatsunoko Production, Anime Friend, Artland | Chief Director, script, episode director, storyboards, voice actor) | |
1982-1983 | Tokimeki Tonight | TV series | Group TAC | Storyboards | |
1983–1984 | Super Dimension Century Orguss | TV series | Tokyo Movie Shinsha | Chief Director, episode director, storyboards | |
1983 | Prime Rose | Television film | Tezuka Productions | Storyboards | |
1984 | Noozles | TV series | Nippon Animation | Episode director, storyboards | |
1984 | Macross: Do You Remember Love? | Feature film | Tatsunoko Production, Anime Friend, Yū Entertainment | Director | |
1985 | Megazone 23 - Part I | OVA | Artland | Original author, director, mecha design | |
1985-1986 | Ninja Senshi Tobikage | TV series | Pierrot | Episode director, storyboards | |
1985 | Yamata no Orochi no Gyakushū | Independent film | Daicon Film | Provision of equipment | |
1986 | Animated Classics of Japanese Literature (The Harp of Burma) | TV series | Nippon Animation, Artland | Episode director, storyboards | |
1986 | Megazone 23 Part II: Please Give Me Your Secret | OVA | AIC, Artland | Original author, general supervisor | |
1988 | Legend of the Galactic Heroes: My Conquest is the Sea of Stars | Feature film | Kitty Films | Director | |
1988 | Topo Gigio | TV series | Nippon Animation, Trans Arts | Director, script, storyboards | |
1988-1989 | Legend of the Galactic Heroes (Series 1) | OVA | Kitty Films | Supervising director, episode director, storyboards | |
1989 | Twin | OVA | Lifework | Supervising director , storyboards | |
1989 | Star Cat Fullhouse | OVA | Artland | Original author, director, lyrics for OP and ED theme songs | |
1990 | Koiko's Daily Life | OVA | Artland | Director, storyboards | |
1989 | Megazone 23 Part III | OVA | AIC | Original author | |
1989 | Locke the Superman: Lord Leon | OVA | Nippon Animation | Director | |
1989 | Aoki Honō | OVA | Artland, Nippon Animation | Director, storyboards | |
1990 | Heavy | Feature film | Nippon Animation | Director, storyboards | |
1991 | Shōnen Ashibe | OVA | Nippon Animation | Director | |
1991 | Bubblegum Crash | OVA | Artland | Supervisor | |
1991-1992 | Legend of the Galactic Heroes (Series 2) | OVA | Kitty Films | Supervising director, storyboards | |
1991 | Meisō-Ō Border: Shakaifukki-hen | OVA | Artland | Director, storyboards | |
1992 | Hard & Loose: Shiritsu Tantei Toki Shozō Trouble Notes | OVA | Artland, Nippon Animation | Director, script, storyboards | |
1992 | Tottoi | Television film | Nippon Animation, Artland | Supervisor | |
1992–1993 | Mikan Enikki | TV series | Nippon Animation | Director, storyboards | |
1994 | Kunichan no Ikka Ran Ran | Short film | Nippon Animation | Director | A short anime in the movie Dai 2-kai Kinchan no Cinema Jack | .
1994-1995 | Legend of the Galactic Heroes (Series 3) | OVA | Kitty Films | Supervising director, storyboards | |
1996 | Bucket de Gohan | TV series | Magic Bus | Storyboards | |
1996-1997 | Legend of the Galactic Heroes (Series 4) | OVA | K Factory | Supervising director, storyboards | |
1998 | Legend of the Galactic Heroes Gaiden (Series 1) | OVA | K Factory | Supervising director , episode director, storyboards | |
1999–2001 | Legend of the Galactic Heroes Gaiden (Series 2) | OVA | K Factory | Supervising director , storyboards | |
1999–2002 | 10 Tokyo Warriors | OVA | Zexcs | Director, episode director, storyboards | |
2005-2006 | Mushi-Shi | TV series | Artland | Production management | |
2006 | We Were There | TV series | Artland | Production management | |
2006-2010 | Reborn! | TV series | Artland | Supervisor | |
2008–2009 | Tytania | TV series | Artland | Director, storyboards | |
2008 | Pattenrai!! | Feature film | Mushi Production | Director, storyboards | |
2014 | Mushi-Shi: The Shadow that Devours the Sun | Television film | Artland | Supervisor | |
2014 | Mushi-Shi -Next Passage- | TV series | Artland | Supervisor | |
2015 | Mushi-Shi -Next Passage-: Bell Droplets | Feature film | Animation Studio Artland | Supervisor |